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Dancing the World Smaller - Staging Globalism in Mid-Century America (Paperback)
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Dancing the World Smaller - Staging Globalism in Mid-Century America (Paperback)
Series: Oxford Studies in Dance Theory
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Dancing the World Smaller examines international dance performances
in New York City in the 1940s as sites in which dance artists and
audiences contested what it meant to practice globalism in
mid-twentieth-century America. During and after the Second World
War, modern dance and ballet thrived in New York City, a fertile
cosmopolitan environment in which dance was celebrated as an emblem
of American artistic and cultural dominance. In the ensuing Cold
War years, American choreographers and companies were among those
the U.S. government sent abroad to serve as ambassadors of American
cultural values and to extend the nation's geo-political reach.
Less-known is that international dance performance, or what was
then-called "ethnic" or "ethnologic" dance, enjoyed strong support
among audiences in the city and across the nation as well. Produced
in non-traditional dance venues, such as the American Museum of
Natural History, the Ethnologic Dance Center, and Carnegie Hall,
these performances elevated dance as an intercultural bridge across
human differences and dance artists as transcultural interlocutors.
Dancing the World Smaller draws on extensive archival resources, as
well as critical and historical studies of race and ethnicity in
the U.S., to uncover a hidden history of globalism in American
dance and to see artists such as La Meri, Ruth St. Denis, Asadata
Dafora, Pearl Primus, Jose Limon, Ram Gopal, and Charles Weidman in
new light. Debates about how to practice globalism in dance proxied
larger cultural struggles over how to reconcile the nation's new
role as a global superpower. In dance as in cultural politics,
Americans labored over how to realize diversity while honoring
difference and manage dueling impulses toward globalism, on the one
hand, and isolationism, on the other.
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