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Villa-Lobos and Modernism - The Apotheosis of Cannibal Music (Hardcover)
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Villa-Lobos and Modernism - The Apotheosis of Cannibal Music (Hardcover)
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Villa-Lobos and Modernism: The Apotheosis of Cannibal Music
provides a new assessment of the Brazilian composer Heitor
Villa-Lobos in terms of his contributions to the Modernist Movement
of the twentieth century. In this profound study, Ricardo Averbach
elevates Cultural Cannibalism as a major manifestation of the
Modernist aesthetics and Villa-Lobos as its top exponent in the
music field. Villa-Lobos's anthropophagic appetite for multiple
opposing aesthetics enlightens through the juxtaposition of
contradictory elements, leaving a legacy of unmatched originality,
a glittering kaleidoscope of sounds that draw from the radical
power of Josephine Baker to the outrageous extravagance of Carmen
Miranda, from Dada to Einstein's counterintuitive scientific
findings, from folklorism to atonality. The constructed analyses
use the works of Stravinsky as a familiar and popular touchstone
for accessing Villa-Lobos as the leading exponent of an aesthetic
movement that has been neglected due to a traditional Eurocentric
view of Modernism. Averbach opens up new possibilities for the
study of twentieth-century music, in general, while unveiling how
much our present aesthetics owes to the Modernist ideas introduced
by the Brazilian composer.
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