This pioneering work examines changes in the life and values of
the English working class in response to mass media. First
published in 1957, it mapped out a new methodology in cultural
studies based around interdisciplinarity and a concern with how
texts-in this case, mass publications-are stitched into the
patterns of lived experience. Mixing personal memoir with social
history and cultural critique, The Uses of Literacy anticipates
recent interest in modes of cultural analysis that refuse to hide
the author behind the mask of objective social scientific
technique. In its method and in its rich accumulation of the detail
of working-class life, this volume remains useful and
absorbing.
Hoggart's analysis achieves much of its power through a careful
delineation of the complexities of working-class attitudes and its
sensitivity to the physical and environmental facts of
working-class life. The people he portrays are neither the
sentimentalized victims of a culture of deference nor neo-fascist
hooligans. Hoggart sees beyond habits to what habits stand for and
sees through statements to what the statements really mean. He thus
detects the differing pressures of emotion behind idiomatic phrases
and ritualistic observances.
Through close observation and an emotional empathy deriving, in
part, from his own working-class background, Hoggart defines a
fairly homogeneous and representative group of working-class
people. Against this background may be seen how the various appeals
of mass publications and other artifacts of popular culture connect
with traditional and commonly accepted attitudes, how they are
altering those attitudes, and how they are meeting resistance.
Hoggart argues that the appeals made by mass publicists-more
insistent, effective, and pervasive than in the past-are moving
toward the creation of an undifferentiated mass culture and that
the remnants of an authentic urban culture are being destroyed.
In his introduction to this new edition, Andrew Goodwin,
professor of broadcast communications arts at San Francisco State
University, defines Hoggart's place among contending schools of
English cultural criticism and points out the prescience of his
analysis for developments in England over the past thirty years. He
notes as well the fruitful links to be made between Hoggart's
method and findings and aspects of popular culture in the United
States.
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