Expanding upon longstanding concerns in cultural history about
the relation of text and image, this book explores how ideas move
across and between expressive forms. The contributions draw from
art and architectural history, film, theater, performance studies,
and social and cultural history to identify and dissect the role
that the visual and performing arts can play in the experience and
understanding of the past.
The essays highlight the role of oral history in the
documentation of the visual and performing arts. They share a
common set of questions as they explore, firmly grounded in their
distinctive disciplinary standpoints, the circuit of word, gesture,
object in the formation and reproduction of knowledge, identity,
and community. Blending theory and case study, they cover subjects
such as the response of artists to the South African Truth and
Reconciliation Commission; violence in Columbia and Mexico and the
Balkan Wars; the circuit of sexual desire in contemporary art and
photography; and sites of collective and personal memory, including
the Internet, the urban landscape, family photographs, and hip
hop.
Stressing the relationship of media to the formation of
collective memory, the volume explores how media intertextuality
creates overlapping repertoires for understanding the past and the
present. Scholars of art history, media and cultural studies,
literature, and performance studies will all find this work a
valuable resource.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!