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Perspectives on Artistic Research in Music (Paperback)
Loot Price: R1,495
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Perspectives on Artistic Research in Music (Paperback)
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The increasing interest in artistic research, especially in music,
is throwing open doors to exciting ideas about how we generate new
musical knowledge and understanding. This book examines the wide
array of factors at play in innovative practice and how by treating
it as research we can make new ideas more widely accessible. Three
key ideas propel the book. First, it argues that artistic research
comes from inside the practice and exists in a space that
accommodates both objective and subjective observation and analyses
because the researcher is the practitioner. It is a space for
dialogue between apparently opposing binaries: the composer and the
performer, the past and the present, the fixed and the fluid, the
intellectual and the intuitive, the abstract and the embodied, the
prepared and the spontaneous, the enduring and the transitory, and
so on. It is not so much constructed in a logical, sequential
manner in the way of the scientific method of doing research but
more as a "braided" space, woven from many disparate elements.
Second, the book articulates the notion that artistic research in
music has its own verification procedures that need to be brought
into the academy, especially in terms of the moderation of
non-traditional research outputs, including the description of the
criteria for allocation of research points for the purposes of data
collection, as well as real world relevance and industry
engagement. Third, by way of numerous examples of original and
creative music making, it demonstrates in practical terms how
exploration and experimentation functions as legitimate academic
research. Many of the case studies deliberately cross boundaries
that were previously assumed to be rigid and definite in order to
blaze new musical trails, creating new collaborations and
synergies.
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