0
Your cart

Your cart is empty

Books > Arts & Architecture > Music > Theory of music & musicology

Buy Now

Perspectives on Artistic Research in Music (Paperback) Loot Price: R738
Discovery Miles 7 380
You Save: R54 (7%)
  • This item is a special order that could take a long time to obtain.

Perspectives on Artistic Research in Music (Paperback): Robert Burke, Andrys Onsman

Perspectives on Artistic Research in Music (Paperback)

Robert Burke, Andrys Onsman; Contributions by Linda Barwick, Tim Dargaville, Stephen Emmerson, Nick Haywood, Glen Hodges, Michael Hooper, Cat Hope, Zubin Kanga

 (sign in to rate)
List price R792 Loot Price R738 Discovery Miles 7 380 | Repayment Terms: R67 pm x 12* You Save R54 (7%)

Bookmark and Share

Supplier out of stock. If you add this item to your wish list we will let you know when it becomes available.

The increasing interest in artistic research, especially in music, is throwing open doors to exciting ideas about how we generate new musical knowledge and understanding. This book examines the wide array of factors at play in innovative practice and how by treating it as research we can make new ideas more widely accessible. Three key ideas propel the book. First, it argues that artistic research comes from inside the practice and exists in a space that accommodates both objective and subjective observation and analyses because the researcher is the practitioner. It is a space for dialogue between apparently opposing binaries: the composer and the performer, the past and the present, the fixed and the fluid, the intellectual and the intuitive, the abstract and the embodied, the prepared and the spontaneous, the enduring and the transitory, and so on. It is not so much constructed in a logical, sequential manner in the way of the scientific method of doing research but more as a "braided" space, woven from many disparate elements. Second, the book articulates the notion that artistic research in music has its own verification procedures that need to be brought into the academy, especially in terms of the moderation of non-traditional research outputs, including the description of the criteria for allocation of research points for the purposes of data collection, as well as real world relevance and industry engagement. Third, by way of numerous examples of original and creative music making, it demonstrates in practical terms how exploration and experimentation functions as legitimate academic research. Many of the case studies deliberately cross boundaries that were previously assumed to be rigid and definite in order to blaze new musical trails, creating new collaborations and synergies.

General

Imprint: Lexington Books
Country of origin: United States
Release date: September 2018
Editors: Robert Burke • Andrys Onsman
Contributors: Linda Barwick • Tim Dargaville • Stephen Emmerson • Nick Haywood • Glen Hodges • Michael Hooper • Cat Hope • Zubin Kanga
Dimensions: 219 x 150 x 15mm (L x W x T)
Format: Paperback
Pages: 244
ISBN-13: 978-1-4985-4483-2
Categories: Books > Arts & Architecture > Music > Theory of music & musicology > General
Books > Arts & Architecture > Music > Techniques of music > General
Books > Music > Techniques of music > General
Books > Music > Theory of music & musicology > General
LSN: 1-4985-4483-5
Barcode: 9781498544832

Is the information for this product incomplete, wrong or inappropriate? Let us know about it.

Does this product have an incorrect or missing image? Send us a new image.

Is this product missing categories? Add more categories.

Review This Product

No reviews yet - be the first to create one!

Partners