Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Costuming the Shakespearean Stage - Visual Codes of Representation in Early Modern Theatre and Culture (Hardcover, New Ed)
Loot Price: R4,810
Discovery Miles 48 100
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Costuming the Shakespearean Stage - Visual Codes of Representation in Early Modern Theatre and Culture (Hardcover, New Ed)
Expected to ship within 12 - 17 working days
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Although scholars have long considered the material conditions
surrounding the production of early modern drama, until now, no
book-length examination has sought to explain what was worn on the
period's stages and, more importantly, how articles of apparel were
understood when seen by contemporary audiences. Robert Lublin's new
study considers royal proclamations, religious writings, paintings,
woodcuts, plays, historical accounts, sermons, and legal documents
to investigate what Shakespearean actors actually wore in
production and what cultural information those costumes conveyed.
Four of the chapters of Costuming the Shakespearean Stage address
'categories of seeing': visually based semiotic systems according
to which costumes constructed and conveyed information on the early
modern stage. The four categories include gender, social station,
nationality, and religion. The fifth chapter examines one play,
Thomas Middleton's A Game at Chess, to show how costumes signified
across the categories of seeing to establish a play's distinctive
semiotics and visual aesthetic.
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