This book provides an overview of the inception, development and
achievements of British socialist and workers theatre – a feat
which has not been attempted before. It explores the connections
between politics and culture (specifically theatre) and between
political theory and cultural (theatrical) expression. The book is
organized chronologically and uncovers much in labour and theatre
history which is in danger of being lost. It can also be seen as a
way into different moments in its subject’s story (e.g.
post-Ibsen naturalism; agitprop theatre; ‘fringe’ theatre of
the 1970s) and the relationship of such forms to specific political
events and ideas at specific points in history.
General
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