Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Cymbeline - Constructions of Britain (Hardcover, New Ed)
Loot Price: R4,560
Discovery Miles 45 600
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Cymbeline - Constructions of Britain (Hardcover, New Ed)
Series: Studies in Performance and Early Modern Drama
Expected to ship within 12 - 17 working days
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In Cymbeline: Constructions of Britain, Ros King argues that
because of previous misunderstanding of the nature and history of
tragi-comedy, critics have mistaken the tone of Shakespeare's play.
Although it is often dismissed as a pedestrian 'romance', or at
best a self-parodic reworking of previous Shakespearean themes, she
proposes that Cymbeline's fantastical, black comedy and its
facility for keeping multiple plots all in the air together are in
fact a tour de force of dramaturgical construction. King's
multi-faceted approach combines strikingly perceptive commentaries
on the text's most notoriously difficult passages, with
descriptions of performance, and analysis of the text's historical,
cultural and literary contexts. In this wide-ranging study, the
play becomes a focus for considering early modern England's
encounters with its Scottish king, with religious struggle in
Europe, and with the indigenous peoples of North America. King
demonstrates that the play's dramaturgical structure enables it to
raise daring questions about the nature of government, the rights
of birth and of succession, and the concepts of 'empire', supplying
a curiously bitter and indeed tragic undercurrent to the final
'happy' ending while attempting to neutralise contemporary
religious conflict. Having explored the influences that went into
the writing of Cymbeline, King devotes her final chapter to the
play's later reception and shows how it has been made to respond to
different cultural pressures over time. Using as a test case the
outrageously ebullient production at Shakespeare Santa Cruz, 2000,
for which she was dramaturg, she outlines an ethic for
interpretation and considers the problems to be faced in both
criticism and performance when realising the text as living theatre
for a modern audience.
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