In this passionate and controversial work, director and critic
Rustom Bharucha presents the first major critique of intercultural
theatre from a 'Third World' perspective.
Bharucha questions the assumptions underlying the theatrical
visions of some of the twentieth century's most prominent theatre
practitioners and theorists, including Antonin Artaud, Jerzsy
Grotowski, and Peter Brook. He contends that Indian theatre has
been grossly mythologised and taken out of context by Western
directors and critics. And he presents a detailed dramaturgical
analysis of what he describes as an intracultural theatre project,
providing an alternative vision of the possibilities of true
cultural pluralism.
Theatre and the World bravely challenges much of today's
'multicultural' theatre movement. It will be vital reading for
anyone interested in the creation or discussion of a truly
non-Eurocentric world theatre.
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