Books > Arts & Architecture > Music > Western music, periods & styles > Medieval & Renaissance music (c 1000 to c 1600)
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Tactus , Mensuration & Rhythm in Renaissance Music (Hardcover)
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Tactus , Mensuration & Rhythm in Renaissance Music (Hardcover)
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Ruth I. DeFord's book explores how tactus, mensuration, and rhythm
were employed to articulate form and shape in the period from
c.1420 to c.1600. Divided into two parts, the book examines the
theory and practice of rhythm in relation to each other to offer
new interpretations of the writings of Renaissance music theorists.
In the first part, DeFord presents the theoretical evidence,
introduces the manuscript sources and explains the contradictions
and ambiguities in tactus theory. The second part uses theory to
analyse some of the best known repertories of Renaissance music,
including works by Du Fay, Ockeghem, Busnoys, Josquin, Isaac,
Palestrina, and Rore, and to shed light on composers' formal and
expressive uses of rhythm. DeFord's conclusions have important
implications for our understanding of rhythm and for the analysis,
editing, and performance of music during the Renaissance period.
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