A great deal of recent scholarship explores how narratives of
encounter found in travel writing, whether scientific or literary,
have historically related to colonial agendas, imperial rhetoric,
and Orientalism. With a particular emphasis on sites and music at
the imperial margins of nineteenth-century France, this book
approaches its subject through the activities and writings of early
song collectors and proto-ethnomusicologists, memoirists, and other
"musical travelers."
Each of the book s discrete but interrelated chapters is devoted
to a different geographic and discursive site, examining French
representations of musical encounters in North America, the Middle
East, as well as in contested areas within the borders of
metropolitan France. Rosenberg highlights intersections between an
emergent "ethnographie musicale "in France and narratives of
musical encounter found in French travel literature, connecting
both phenomena to France s imperial aspirations and nationalist
anxieties in the period from the Revolution to the late-nineteenth
century. It is therefore an excellent research tool for scholars in
the fields of cultural studies, literary history, and postcolonial
theory."
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