Sagan owns an ancestral brass foundry in Jagadhri, India, where
copper and zinc are alloyed to create trade mark Jagadhri brass
vessels. The author born in Kidarankondan Tamil-speaking province
and educated in Telugu in Penukonda meets Sagan after returning
from Manila, Philippines. Together they travel around the globe and
visit Louvre and other museums in search of Sarasvati, the
Himalayan river and attempt to read the message of Shu-ilishu
cylinder seal in cuneiform writing. The novel reports that Sagan
has found Sarasvati and her divine message, using ancient links
between Ancient Near East and South-Southeast Asia. Sagan Munda and
Karmi Hatu, manage the brass foundry close to the place where
Sarasvati surfaces into the plains, flowing from Manasarovar
glacier. They are like a pair of monogamous extraordinary Anser
Indicus, hamsa birds, which can fly at heights above 24000 feet
during their annual migrations with their goslings, and across the
Himalayan ranges from Europe into India. The couple are caught up
in a court-room drama contending with academics from an Ivy League
University. Sagan acts like a detective in his search for Sarasvati
River which is venerated in ancient songs and dances of India.
Father Brown is the role model for Sagan as a detective. Sagan was
charged with the crime of forgery of an Indus seal image from
Daimabad, the proceedings in the court recollect a Harvard Donkey
case to provide a spirited summing up to prove Sagan's innocence
and literacy of his ancestors. Defense proved allegedly forged
image to be that of a rim of a narrow-necked jar. The narrative
moves beyond the evidence phase, browsing across Indus script
corpora and Karmi Hatu presents in an ABC News interview the true
story and functions served by the Indus script inscriptions. The
defense convinces the Jury with evidence drawn from expansive
civilization areas of not only seals, tablets, cultural-religious
traditions, religious, visionary and metaphysical insights from
South-Southeast Asia but also Code of Hammurabi, cylinder seals,
ritual basin, Sit-Shamshi bronze sculpture excavated at Susa in
Sumer, Ancient Near East. Method used to writing in Egyptian
hieroglyphs is demonstrated for the famous Narmer Palette by a
combination of catfish (n-r) and chisel (m-r) which together read
rebus to denote the name of Emperor Narmer of the 31st century BCE
while the earliest evidence of writing on Sarasvati River basin is
archaeologically dated to 33rd century BCE. The narrative spans
over 7 millennia of civilization history and cites the examples of
glyphs and metaphors of a dancing-girl shown, respectively, on a
potsherd from Bhirrana and on a bronze statue, from Mohenjodaro
both excavated from the banks of the same Sarasvati channel which
continued into Sindh province, Clinching evidence comes from an
unsuspected source which Father Brown had declared was due to the
failure to notice the postmen who carry large-sized bags which
could also be used to carry corpses after committing a murder. It
is from a paper presented in a World Sanskrit Conference by a
linguist who finds two concordant words, one from the Vedic
language and the other from Tocharian, spoken in the foothills of
Muztagh Ata. This clinching evidence resolves the mystery of Soma
yajna performed for millennia on the banks of River Sarasvati. The
narrative covers geological domains of plate tectonics to explain
the Himalayan range which extends from Teheran in the west to Hanoi
in the East and river migrations resulting in celebration of Kumbh
mela at Prayag every 12 years to worship the confluence of Rivers
Sarasvati, Yamuna and Ganga. The monogamous pair of Anser Indicus
birds are the witnesses, in time and space, across the vast
geographic domain of civilization contact areas. Reflectence
Imaging Technology, and lexicon of 25 languages of Indian
sprachbund are used to prove Sagan's innocence and that Bos Indicus
was a smelter-furnace of a Guild of metalsmiths.
General
Imprint: |
Sarasvati Research Center
|
Country of origin: |
United States |
Release date: |
2013 |
First published: |
2013 |
Authors: |
S Kalyanaraman
|
Dimensions: |
229 x 152 x 9mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
172 |
ISBN-13: |
978-0-9828971-7-1 |
Categories: |
Books >
Fiction >
General & literary fiction >
Modern fiction
|
LSN: |
0-9828971-7-0 |
Barcode: |
9780982897171 |
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