This collection brings together contemporary work from Britain,
Germany and the United States on how law and lawyers have been
represented in film, particularly in the past 40 years. It seeks to
provide an overview of existing work on law and film. The essays
cover the portrayal of the Anglo-American legal system in film. The
volume includes work on the history and development of this screen
coverage. It also provides a contrast between the Anglo-American
and European approach to filming law. Special attention is devoted
to influential film makers. The relationship between fact, fiction
and film is explored. There is discussion of what amounts to a law
film. The impact of the adversarial system on Continental popular
culture is also assessed.
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