In the last decade, a certain discomfort, at times even impatience
emerged among critics of African cinema. The onset of such
uneasiness can be traced back to the demise of the liberationist
discourse, to the questioning of the monolithic expression "African
cinema", and finally to the critical exploration of various forms
of visual narratives developing at a fast speed on the continent.
Nationalist African Cinema: Legacy and Transformations reexamines
African cinema of the nationalist era within the context of
contemporary major Euro-American film trends. It argues that the
aesthetic diversification of African cinema can be traced as far
back as the nationalist era.
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