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Explanation and Value in the Arts (Hardcover)
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Explanation and Value in the Arts (Hardcover)
Series: Cambridge Studies in Philosophy and the Arts
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In Explanation and value in the arts, art historians, literary
theorists, and philosophers explore the sources of interest in
literature and the fine arts, the intimate relation between
aesthetic and other values, the involvement of values in the
explanations of works, and the determining role of power. The first
chapters consider the construction of value in works. Michael Podro
analyzes the density or presence of the medium, arguing that
explanations must account for this significance or fail to grasp
value. Walter Biemel and Wayne C. Booth propose that philosophy and
morality are crucial to aesthetic valuation. The following chapters
examine the construction of value in the study of the arts. Mark
Roskill looks at what "extra-aesthetic" considerations make
particular works historically important, and contends that
literature and art history invite distinctive criteria. Svetlana
Alpers assesses the contribution of Panofsky, among others, to show
how methodological commitments in art history import assumptions
about value; while Gregg Horowitz argues that the study of works of
fine art is something other than a merely theoretical enterprise of
trying to grasp the nature of objects from the past. Questions of
power underlie Jon Elster's contribution, an analysis of the nature
of creativity, and Pierre Bourdieu's, a philosophical and
sociological construal of the principles for an explanation of
cultural objects. In the final chapters, Richard Eldridge and Noel
Carroll take up this theme, examining the nature and role of
ideology.
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