The study addresses the use of psychological and mythological
archetypes in the confessional poetry of Sylvia Plath (1932-1963)
and Anne Sexton (1928-1974) as universal reference frameworks for
the two poets' most intimate confessions. It discusses the
distinctive common features of confessional poetry in general, and
focuses on the importance of psychological and mythological
archetypes for a study of the poetry of Plath and Sexton in
particular. It also sheds light on the significance of the
psychological and mythological archetypes evoked in some of the
most influential contributions of psychoanalysts Sigmund Freud
(1856 - 1939) and Carl Gustav Jung (1875 - 1961) for the study of
the themes and imagery in the confessional poetry of Sylvia Plath
and Anne Sexton. The themes and imagery discussed are those related
to the portrayal of disturbances in the father-daughter and
mother-daughter relationships, the daughter's attitude to love,
marriage, and married life in general, the profound feelings of
guilt, alienation and vulnerability, and, finally, death and
suicide.
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