In this fascinating look at the creators of artistic fakes and
copies, Sandor Radnoti explores the role of the faker in the art
world, and tackles the question of whether fakes can be considered
to be art in their own right. The Fake provides a thorough
examination of the "parasites" of the art world, as Radnoti
investigates the faker's motives and aesthetic sense, as well as
the way in which the faker's own story acts as a critical appraisal
of the center of the art world. If art is seen from both the center
and the periphery of the art world, suggests the author, the
viewer's questions about the art may be answered more accurately
and appropriately. The Fake is essential reading for all
philosophers interested in aesthetics.
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