Books > Language & Literature > Literature: history & criticism > Literary studies > 19th century
|
Buy Now
Realism and Revolution - Balzac, Stendhal, Zola and the Performances of History (Hardcover)
Loot Price: R2,586
Discovery Miles 25 860
|
|
Realism and Revolution - Balzac, Stendhal, Zola and the Performances of History (Hardcover)
Expected to ship within 10 - 15 working days
|
Sandy Petrey here looks at the emergence of nineteenth-century
French realism in the light of the concept of speech acts as
defined by J. L. Austin and as exemplified by the history of the
French Revolution. Through analysis of the techniques of
representation in works by Balzac, Stendhal, and Zola, Petrey
suggests that the expression of a truth depends on the same
collective forces necessary to change a regime. According to
Petrey, political legitimacy in the Revolution, the Empire, and the
Restoration was established by means of a series of demonstrations
that what words say cannot be interpreted without reference to the
community to which they speak. Petrey first discusses the creation
of France's National Assembly in 1789 as a foundational example of
how speech acts can bring about historical transformation. He then
challenges the most powerful twentieth-century assault on realist
aesthetics, Roland Barthes's S/Z, and also considers the views of
such contemporary critics as Jacques Derrida, Barbara Johnson, and
Stanley Fish. During the Revolution, Petrey says, statements of
truth were not descriptions of what was, but rather exhortations to
produce what was not. Nineteenth-century French fiction represents
in literary form a similar collectively authorized linguistic
performance; the "real" in realism comes from representing facts
not as they are in themselves but as they are produced and rejected
in society. In the course of illuminating readings of three central
realist works-Balzac's Pere Goriot, Stendhal's The Red and the
Black, and Zola's Germinal-Petrey takes the position that the
dilemmas of representation, far from being one of realism's blind
spots, figure among its major narrative subjects.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!
|
|
Email address subscribed successfully.
A activation email has been sent to you.
Please click the link in that email to activate your subscription.