Sang Hyun examines Aleksander Pushkin's artistic intention in his
masterpiece and most well-known prose work, The Tales of Belkin
(1831). The author explores the trajectories of the puzzle Pushkin
created in the Belkin cycle by identifying and elucidating
autobiographical, folklorist, and thematic elements. Drawing on
both formalist and structuralist approaches to a literary work,
Kim's analysis demonstrates how the five tales in the Belkin cycle
are interwoven structurally and thematically. Kim's interpretation
should help future readers understand the enigmatic meaning of
Pushkin's stories created in the Belkin cycle.
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