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The Arms-Bearing Woman and British Theatre in the Age of Revolution, 1789-1815 (Hardcover, 1st ed. 2024)
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The Arms-Bearing Woman and British Theatre in the Age of Revolution, 1789-1815 (Hardcover, 1st ed. 2024)
Series: Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print
Expected to ship within 10 - 15 working days
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This book explores shifting representations and receptions of the
arms-bearing woman on the British stage during a period in which
she comes to stand in Britain as a striking symbol of revolutionary
chaos. The book makes a case for viewing the British Romantic
theatre as an arena in which the significance of the armed woman is
constantly remodelled and reappropriated to fulfil diverse
ideological functions. Used to challenge as well as to enforce
established notions of sex and gender difference, she is fashioned
also as an allegorical tool, serving both to condemn and to
champion political and social rebellion at home and abroad.
Magnifying heroines who appear on stage wielding pistols,
brandishing daggers, thrusting swords, and even firing explosives,
the study spotlights the intricate and often surprising ways in
which the stage amazon interacts with Anglo-French, Anglo-Irish,
Anglo-German, and Anglo-Spanish debates at varying moments across
the French revolutionary and Napoleonic campaigns. At the same
time, it foregrounds the extent to which new dramatic genres
imported from Europe -notably, the German Sturm und Drang and the
French-derived melodrama- facilitate possibilities at the turn of
the nineteenth century for a refashioned female warrior, whose
degree of agency, destructiveness, and heroism surpasses that of
her tragic and sentimental predecessors.
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