The idea of the gift, in contrast to concepts of commercial
exchange or the exercise of self-interest at the expense of social
ties, is integral to the ways in which William Blake thought about
his art, and the production and dissemination of his work. Sarah
Haggarty offers a sophisticated and thorough account of the idea of
the gift in Blake's writing and designs, examining both the
theoretical implications of the term, and the way it plays out in
specific textual and visual contexts within Blake's works.
Elegantly written, thoughtful and closely argued, this book
explores particular passages with great dexterity and in a style
that enables the reader to participate in the experience of
discovering the significance of 'the gift' for understanding
Blake's work.
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