Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Heterodox Shakespeare (Paperback)
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Heterodox Shakespeare (Paperback)
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The last quarter century has seen a "turn to religion" in
Shakespeare studies as well as competing assertions by secular
critics that Shakespeare's plays reflect profound skepticism and
even dismissal of the truth claims of revealed religion. This
divide, though real, obscures the fact that Shakespeare often
embeds both readings within the same play. This book is the first
to propose an accommodation between religious and secular readings
of the plays. Benson argues that Shakespeare was neither a mere
debunker of religious orthodoxies nor their unquestioning champion.
Religious inquiry in his plays is capacious enough to explore
religious orthodoxy and unorthodoxy, everything from radical belief
and the need to tolerate religious dissent to the possibility of
God's nonexistence. Shakespeare's willingness to explore all
aspects of religious and secular life, often simultaneously, is a
mark of his tremendous intellectual range. Taking the heterodox as
his focus, Benson examines five figures and ideas on the margins of
the post-Reformation English church: nonconforming puritans such as
Malvolio as well as physical revenants-the walking dead-whom
Shakespeare alludes to and features so tantalizingly in Hamlet.
Benson applies what Keats called Shakespeare's "negative
capability"-his ability to treat both sides of an issue equally and
without prejudice-to show that Shakespeare considers possible
worlds where God is intimately involved in the lives of persons
and, in the very same play, a world in which God may not even
exist. Benson demonstrates both that the range of Shakespeare's
investigation of religious questions is more daring than has
previously been thought, and that the distinction between the
sacred and the profane, between the orthodox and the unorthodox, is
one that Shakespeare continually engages.
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