Arguing that Brecht's aesthetic theories are still highly relevant
today, and that an appreciation of his theory and theatre is
essential to an understanding of modern critical theory, this book
examines the influence of Brecht's aesthetic on the pre-eminent
materialist critics of the twentieth century: Louis Althusser,
Walter Benjamin, Roland Barthes, Frederic Jameson, Theodor W.
Adorno and Raymond Williams. Re-reading Brecht through the lens of
post-structuralism, Sean Carney asserts that there is a Lacanian
Brecht and a Derridean Brecht: the result of which is a new Brecht
whose vital importance for the present is located in decentred
theories of subjectivity. Brecht and Critical Theory maps the many
ways in which Brechtian thinking pervades critical thought today,
informing the critical tools and stances that make up the
contemporary study of aesthetics.
General
Imprint: |
Routledge
|
Country of origin: |
United Kingdom |
Series: |
Routledge Advances in Theatre & Performance Studies |
Release date: |
July 2012 |
First published: |
2005 |
Authors: |
Sean Carney
|
Dimensions: |
234 x 156 x 10mm (L x W x T) |
Format: |
Paperback
|
Pages: |
208 |
ISBN-13: |
978-0-415-64615-4 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
General
|
LSN: |
0-415-64615-4 |
Barcode: |
9780415646154 |
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