The genius of Johann Sebastian Bach transcends the boundaries of
time, geography, and discipline. This collection of essays, the
outgrowth of a conference held at Hofstra University, celebrates
the tercentenary of the composer's birth. The contributors contend
that Bach's influence extends far beyond his own life time and art
form. They show the often unanticipated impact of his works in such
diverse areas as literature, film, religion, and psychology.
The wide-ranging articles offer theoretical analysis,
biographical-musical interpretation, literary and religious
explorations, and analyses of performance practice. They range from
Howard Adams' discussion of how Bach contemporized scripture in his
cantatas to Richard Spurgeon Hall's consideration of how Bach and
Edwards viewed religious affections. Stephen Gottlieb assesses
Bach's "Musical Offering" as an autobiographical work. Fritz
Sammern-Frankenegg explores the expression of Bach's messages in
the film work of Ingmar Bergman while the unlikely coupling of Bach
and English author Aldous Huxley is reviewed by Sister Ann Edward
Bennis. Charles M. Joseph suggests that the structure and pacing of
selected Bach "Praeludia" reflect previously unseen architectural
influences. The convergence of musical expression and musical
rhetoric in Bach's keyboard works are the subject of David
Schulenberg while Don L. Smithers reconstructs the circumstances
surrounding a performance of Bach's "Leipzig Church CantataS." This
unique appeal of this volume lies in its presentation of a wide
range of new and provocative scholarship. The exploration of new
aspects of the genius of Johann Sebastian Bach is certain to
interest anyone interested in his life, work, and influence.
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