Never Late for Heaven (Hardcover)

Her formal education cut short by the Depression, Knight left Howard University and returned to Harlem, where her real art education began. For several years she participated in WPA apprenticeships and workshops, guided by her own independent mind and spirit. She and her fellow painters, including Jacob Lawrence (whom she later married), immersed themselves in a world that was creating its own narrative in history, literature, music, and theater. As New York was a mecca for artists of all stripes, Harlem was a singular world within that mecca. Knight recalls that everything was alive; that she lived so rigorously in the present that there was no thought about the future. Knight and Lawrence moved to Seattle in 1971, when Jacob accepted a teaching post in the art school at the University of Washington.

Knight's paintings, spanning more than sixty years in New York and Seattle, demonstrate one artist's determination to make art. There was no career path or external motivation to drive her, only a belief that making art was a way of life. The skillful, intellectual, and emotionally sensitive works in this book pull the viewer into a world that is both controlled and fluid. Never Late for Heaven shows a painter whose long life and good fortune have delivered her to us, with her art work, right on time.

"Never Late for Heaven" accompanied a 2003 exhibit at the Tacoma Art Museum featuring paintings from the Francine Seders Gallery in Seattle.

Janeanne Upp is executive director of the Tacoma Art Museum. Sheryl Conkelton is a curator based in Seattle specializing in contemporary art. She has held positions with the Henry Art Gallery, Seattle; the Museum of Modern Art, New York; the Los Angeles County Museum of Art; the California Museum of Photography; and the Cooper-Hewitt Museum, Smithsonian Institution. Barbara Earl Thomas is a painter and writer living in Seattle. Her artwork is held in collections throughout the United States, and her essays have been widely published. Her paintings and writing are featured in the book "Storm Watch: The Art of Barbara Earl Thomas. "

"As long as I have known Gwen, her art has been about making vivid 'observations' - portraits of people, depictions of objects and portrayals of feelings, movements, and memories. She is a keen observer, formally trained as a sculptor and painter to use volume and color as a way of expressing a likeness. Her work is sensitive to nuance but does not have a shred of sentimentality in it. She is tough and pragmatic and one of the most charismatic and generous persons you could ever hope to meet." - Michael Spafford

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