This book deals with the poetics of the human face, the art of
physiognomy, and strategies of nonverbal communication in
Shakespeare's plays. It offers new insight into Shakespeare's modes
of characterisation, and his art of performance. In Shakespeare's
plays, the human face is a focal point. As an area where expression
and impression meet (and, ideally, correspond), its reliability and
trustworthiness are frequently put to the test, sparking off a
controversy which serves as a significant and highly challenging
subtext to the overall plot.
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