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Narratives of Identity in Alban Berg's "Lulu" (Hardcover)
Loot Price: R2,183
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Narratives of Identity in Alban Berg's "Lulu" (Hardcover)
Series: Eastman Studies in Music
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This book explores the crossroads between autobiographical
narratives and musical composition in Alban Berg's Lulu, unveiling
aspects of encoded social customs, gender identity, and personal
experiences within musical structures. Exploring the crossroads
between autobiographical narrative and musical composition, this
book examines Berg's transformation of Frank Wedekind's Erdgeist
and Die Buchse der Pandora -- the plays used in the formationof the
libretto for Lulu -- according to notions of gender identity,
social customs, and the aesthetics of modernity in the Vienna of
the 1920s and 1930s. While Berg modernized several aspects of the
plays and incorporatedserial techniques of composition from Arnold
Schoenberg, he never let go of the idealistic Wagnerian
perspectives of his youth. In fact, he went as far as reconfiguring
aspects of Richard Wagner's life as an ideal identity to beplayed
out in the compositional process. In composing the opera, Berg also
reflected on the most important cultural figures in fin-de-siecle
Vienna that affected his worldview, including Karl Kraus, Emil
Lucka, Otto Weininger, andothers. Combining analysis of Berg's
correspondence, numerous sketches for Lulu, and the finished work
with interpretive models drawn from cultural studies and
philosophy, this book elucidates the ways in which Berg grappled at
the end of his life with his self-image as an "incorrigible
romantic," and explains aspects of his musical language that have
been considered strange or anomalous in Berg scholarship. Silvio J.
dos Santos isassistant professor of musicology at the University of
Florida.
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