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The Bunraku Puppet Theatre of Japan - Honor, Vengeance and Love in Four Plays of the 18th and 19th Centuries (Hardcover)
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The Bunraku Puppet Theatre of Japan - Honor, Vengeance and Love in Four Plays of the 18th and 19th Centuries (Hardcover)
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The plays presented here were first performed between 1769 and
1832, a time when the Japanese puppet theatre known as Bunraku was
beginning to lose its pre-eminence to Kabuki. During this period,
however, several important puppet plays were created that went on
to become standards in both the Bunraku and Kabuki repertoires;
three of the plays in this volume achieved this level of
importance. This span of some sixty-odd years was also a formative
one in the development of how plays were presented, an important
feature in the modern staging of works from the traditional
plebeian theatre. Only a handful of complete and uncut plays-often
as much as ten hours long-are produced in Bunraku or Kabuki
nowadays; included here is one of these. Two among the four plays
contained in this volume are examples of the much more common
practice of staging a single popular act or scene from a much
longer drama that itself is seldom, if ever, performed in its
entirety today. Kabuki, while better known outside Japan, has been
a great beneficiary of the puppet theatre, borrowing perhaps as
much as half of its body of work from Bunraku dramas. Bunraku, in
turn, has raided the Kabuki repertoire but to a far more modest
degree. The final play in this collection,The True Tale of Asagao,
is an instance of this uncommon reverse borrowing. Moreover, it is
an example of yet another way in which some plays have come to be
presented: a coherent subplot of a longer work that gained an
independent theatrical existence while its parent drama has since
disappeared from the stage. These later eighteenth-century works
display a continued development toward greater attention to the
theatrical features of puppet plays as opposed to the earlier, more
literary approach found most notably in the dramas of Chikamatsu
Monzaemon (d. 1725). Newly translated and illustrated for the
general reader and the specialist, the plays in this volume are
accompanied by informative introductions, extensive notes on stage
action, and discussions of the various changes that Bunraku
underwent, particularly in the latter half of the eighteenth
century, its golden age.
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