Little is known about the ways in which early modern musical
cultures were integrated within their broader urban environments.
Building on recent trends within urban musicology, the authors of
this volume aim to transcend descriptive overviews of institutions
and actors involved with music within a given city. Instead, they
consider the urban environment as the constitutive context for the
making of music as a significant aspect of urban society and
identity.
Through selected case studies and by focusing on three musical
circuits opera and theater music, sacred music, and secular songs
this book contributes to a more effective understanding of music in
late seventeenth- and eighteenth-century urban societies in the
southern Netherlands and beyond. Musicological and historical
research perspectives are fruitfully integrated, as well as
insights from theater scholarship and literary criticism. With
attention to the musical life behind the traditional institutions,
the circulation of repertoires, and musical cultures in peripheral
urban environments or in cities in decay, Music and the City
reveals the societal dimension of music in urban life."
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