Japanese Horror and the Transnational Cinema of Sensations
undertakes a critical reassessment of Japanese horror cinema by
attending to its intermediality and transnational hybridity in
relation to world horror cinema. Neither a conventional film
history nor a thematic survey of Japanese horror cinema, this study
offers a transnational analysis of selected films from new angles
that shed light on previously ignored aspects of the genre,
including sound design, framing techniques, and lighting, as well
as the slow attack and long release times of J-horror's slow-burn
style, which have contributed significantly to the development of
its dread-filled cinema of sensations.
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