This work is a detailed study of how Americans in the 1920s and
1930s interpreted and remembered the First World War. Steven Trout
asserts that from the beginning American memory of the war was
fractured and unsettled, more a matter of competing sets of
collective memories--each set with its own spokespeople-- than a
unified body of myth. The members of the American Legion remembered
the war as a time of assimilation and national harmony. However,
African Americans and radicalized whites recalled a very different
war. And so did many of the nation's writers, filmmakers, and
painters.
Trout studies a wide range of cultural products for their
implications concerning the legacy of the war: John Dos Passos's
novels "Three Soldiers" and "1919," Willa Cather's "One of Ours,"
William March's "Company K," and Laurence Stallings's "Plumes";
paintings by Harvey Dunn, Horace Pippin, and John Steuart Curry;
portrayals of the war in "The American Legion Weekly" and "The
American Legion Monthly;" war memorials and public monuments like
the Tomb of the Unknown Soldier; and commemorative products such as
the twelve-inch tall "Spirit of the American Doughboy" statue.
Trout argues that American memory of World War I was not only
confused and contradictory during the '20s and '30s, but confused
and contradictory in ways that accommodated affirmative
interpretations of modern warfare and military service. Somewhat in
the face of conventional wisdom, Trout shows that World War I did
not destroy the glamour of war for all, or even most, Americans and
enhanced it for many.
General
Imprint: |
The University of Alabama Press
|
Country of origin: |
United States |
Release date: |
May 2012 |
First published: |
May 2012 |
Authors: |
Steven Trout
|
Dimensions: |
229 x 152 x 28mm (L x W x T) |
Format: |
Paperback
|
Pages: |
344 |
ISBN-13: |
978-0-8173-5723-8 |
Categories: |
Books >
Humanities >
History >
General
Books >
History >
General
Promotions
|
LSN: |
0-8173-5723-8 |
Barcode: |
9780817357238 |
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