Unlike most historical examinations of war reporting, which centre
the evolving role of the war correspondent, this book reverses the
emphasis in order to bring the photojournalist’s contribution to
the fore, providing an evaluative appraisal of photojournalism as
an important area of inquiry in its own right. Stuart Allan
explores a number of pressing questions facing photojournalists
committed to conveying conflict. Placing these questions in
historical context demonstrates how efforts to rethink the future
of photojournalism in a digital age can benefit from a close and
careful consideration of war photography’s origins, early
development and gradual transformation over the years.
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