In 2016, the country watched as eight journalists stood up to the public broadcaster to dissent against the censorship imposed by COO Hlaudi Motsoeneng and the capture of the newsroom. They would become known as the SABC8. While many may remember the headlines, photos and footage that circulated during that time, few know the real story: the way lives were changed while history was being made.

Now, Foeta Krige, one of the SABC8, shares his version of events: how it came about that eight very different journalists from within the public broadcaster, each with their own unique background and motivation, were brought together by circumstance to fight the mighty SABC in the name of media freedom. This forms the backdrop for a lesser-known story – one of death threats, intimidation, assault and the eventual death of Suna Venter. Her death shocked the nation and baffled investigators. Was it a natural death caused by stress, or were there more sinister forces involved? To understand why her death was red-flagged, it is necessary to retrace her steps and how they converged with those of the seven other journalists.

Krige takes the reader back to the day when everything started, telling the gripping, and often harrowing, story behind the sensational headlines.

Veteran journalist Anton Harber brings all his investigative skills to bear on his very own profession, the media. For two years he conducted dozens of interviews with politicians, journalists, policemen and 'deep throats', before piecing together two remarkable tales.

The first is a chilling story of police death squads, rogue units and renditions, and how South Africa's leading newspaper was duped into doing the dirty work of corrupt politicians. The second starts with a broken and discarded hard drive and evolves, with many near misses, into the exposure of the depths of the Guptas' influence over the ruling party.

Harber's two tales reveal the lows and highs of journalism during an era of state capture. His book is both a disquieting exposé of how easily the media can be duped by a conniving cabal for its own selfish ends, and a celebration of brilliant investigative reporting by brave and ethical journalists.

This timely collection of essays analyses the crisis of journalism in contemporary South Africa at a period when the media and their role are frequently at the centre of public debate.

The transition to digital news has been messy, random and unpredictable. The spread of news via social media platforms has given rise to political propaganda and fake news. Yet media companies oust experienced journalists in favour of 'content producers'. Against this backdrop, Daniels points out the contribution of investigative journalists to exposing corruption and sees new opportunities to forge a model for the future of non-profit, public-funded journalism. She argues for the power of public interest journalism and the reflection of a diversity of voices and positions in the news.

The book addresses the gains and losses from decolonial and feminist perspectives and advocates for a radical shift in the way power is constituted by the media in the South African postcolony. With her years of experience as a newspaper journalist, Daniels writes with authority and illuminates complex issues about newsroom politics. A semi-autobiographical lens and interviews with alienated media professionals add a personal element that will appeal to a range of readers interested in the workings of the media.

When South Africa’s golden girl of broadcasting, Tracy Going’s battered face was splashed across the media back in the late 1990s, the nation was shocked. South Africans had become accustomed to seeing Going, glamorous and groomed on television or hearing her resonant voice on Radio Metro and Kaya FM. Sensational headlines of a whirlwind love relationship turned horrendously violent threw the “perfect” life of the household star into disarray.

What had started off as a fairy-tale romance with a man who appeared to be everything that Going was looking for – charming, handsome and successful – had quickly descended into a violent, abusive relationship.

“As I stood before him all I could see were the lies, the disappearing for days without warning, the screaming, the threats, the terror, the hostage-holding, the keeping me up all night, the dragging me through the house by my hair, the choking, the doors locked around me, the phones disconnected, the isolation, the fear and the uncertainty.”

The rosy love cloud burst just five months after meeting her “Prince Charming” when she staggered into the local police station, bruised and battered. A short relationship became a two-and-a-half-year legal ordeal played out in the public eye. In mesmerising detail, Going takes us through the harrowing court process – a system seeped in injustice – her decline into depression, the immediate collapse of her career due to the highly public nature of her assault and the decades-long journey to undo the psychological damages in the search for safety and the reclaiming of self. The roots of violence form the backdrop of the book, tracing Going’s childhood on a plot in Brits, laced with the unpredictable violence of an alcoholic father who regularly terrorised the family with his fists of rage.

“I was ashamed of my father, the drunk. If he wasn’t throwing back the liquid in the lounge then he’d be finding comfort and consort in his cans at the golf club. With that came the uncertainty as I lay in my bed and waited for him to return. I would lie there holding my curtain tight in my small hand. I would pull the fabric down, almost straight, forming a strained sliver and I would peer into the blackness, unblinking. It seemed I was always watching and waiting. Sometimes I searched for satellites between the twinkles of light, but mostly the fear in my tummy distracted me.”

Brilliantly penned, this highly skilled debut memoir, is ultimately uplifting in the realisation that healing is a lengthy and often arduous process and that self-forgiveness and acceptance is essential in order to fully embrace life.

This informal history of the Cape Times, the oldest daily newspaper in South Africa and a much-loved Cape Town institution, is the story of a vigorous tradition of independent journalism.

When Bridget Hilton-Barber got on a train to Grahamstown in 1982 to study journalism at Rhodes University, she had no idea of the brutal drama that would unfold.

A rebellious young woman, she became politically involved in anti-apartheid organisations and was caught up in the massive resistance and repression sweeping the Eastern Cape at the time. She ended up spending three months in detention without trial, and after her release discovered she had been betrayed by one of her best friends, Olivia Forsyth, who was a spy for the South African security police.

Thirty years later, a horrific flashback triggers Bridget’s journey back to the Eastern Cape to see if she can forgive her betrayer and finally let go of the extraordinary violence she encountered in the final days of apartheid. This is her powerful story.

Gwen Lister is a world-renowned journalist, political activist and free-press advocate. Born in South Africa, she moved to Namibia to pursue her journalism career. She launched (with Hannes Smith) the Windhoek Observer and later, The Namibian.

This memoir chronicles her remarkable life, brave journalism and political activism. 

Hier is dit nou! Riaan klim uit die TV-kas! Sy langverwagte outobiografie met die ware Riaan gaan elke mens laat regop sit.

Gou word die leser in hierdie kostelike, gemaklike en informatiewe biografie ingetrek, sodat jy later absoluut meegevoer word deur die welkome inligting. Dit voel eintlik asof jy vir ete by die Cruywagens genooi is en jy in 'n diep gemakstoel na daardie welluidende mooi stem sit en luister wat op 'n boertige en gesellige manier onthou. Hy bring al vir die afgelope 47 jaar vir ons die nuus in ons huis en lyk sowaar nog presies dieselfde. Vind uit hoekom hy die geloofwaardigste Suid-Afrikaner naas Nelson Mandela is. In hierdie boek wys ons jou wie Riaan werklik is. 'n Familieman wat ‘n passie het vir Afrikaans en wat mal is oor 'n goeie grap.

Hierdie boek gaan jou laat skater van die lag en jou hart laat warm klop na jy dit gelees het.

Sex crime has become one of the most intense areas of public and political concern in recent decades. This book explores the complex influences that shape its construction in the press. Media representations give important clues as to how we should perceive the nature and extent of sex crime, how we should think and feel about it, how we should respond to it, and the measures that might be taken to reduce risk. Understanding the media construction of sex crime is central to understanding its meaning and place in our everyday lives. Unlike much of the existing research, this book explores the construction of sex crime at every stage of the news production process. It then locates the findings within a wider context of cultural, economic and political change in late modernity. The book; shows how increased market competition and tabloidisation has altered fundamentally the way in which news is produced, communicated and consumed discusses representations of the full range of sex crimes from consensual homosexual offences and prostitution to serial rape and sex murder draws upon extensive empirical research in Northern Ireland, while addressing issues relevant to advance capitalist societies across the globe

How does a newsroom, made up of young journalists, change overnight into a war zone? How do you do your job as a correspondent when the conflict is literally on your doorstep? Reporting the facts as closely as possible is in itself a form of resistance, especially for this editorial staff, at least one of whose members has decided to abandon the pen and don the uniform. One was covering the business world in Ukraine, another was reporting on entertainment, a third was dealing with geopolitics, when suddenly the Russian army crossed the border. Staying is the choice they all made: to face the uncertainty of living and working in an active war zone head on. The power cuts, threat to life, concern for family members, trips to and from shelters while their city or town is subjected to lethal attacks - despite it all, they keep informing. In War Diary of the Ukrainian Resistance, written on the spot, day by day, the journalists of The Kyiv Independent share their work on the war that is ravaging their country. Combining articles published during the conflict with personal accounts, they give us an unprecedented inside look at the reality of the Russian invasion and its consequences on the lives of Ukrainians. Their names are Olga, Daryna, Illia, Jakub, Toma, Anna, Igor, Oleg, Natalia, Artur, Daria, Asami, Thaisa, Dylan, Sergiy, Alexander ... Their lives will never be the same again. Nor will ours.

In April 2021, the Court of Appeal quashed the convictions of 39 former Subpostmasters and ruled their prosecutions were an affront to the public conscience. They were just a few of the hundreds who had been prosecuted by the Post Office using IT evidence from an unreliable computer system called Horizon. When the Post Office became aware that Horizon didn't work properly, it covered it up. The Great Post Office Scandal is the story of how these innocent people had their lives ruined by a once-loved national institution and how, against overwhelming odds, they fought back to clear their names. Gripping, heart-breaking and enlightening, The Great Post Office Scandal should be read by everyone who wants to understand how this massive miscarriage of justice was allowed to happen.

Having joined the BBC as a trainee in 1984, Jeremy Bowen first became a foreign correspondent four years later. He had witnessed violence already, both at home and abroad, but it wasn't until he covered his first war -- in El Salvador -- that he felt he had arrived. Armed with the fearlessness of youth he lived for the job, was in love with it, aware of the dangers but assuming the bullets and bombs were meant for others. In 2000, however, after eleven years in some of the world's most dangerous places, the bullets came too close for comfort, and a close friend was killed in Lebanon. This, and then the birth of his first child, began a process of reassessment that culminated in the end of the affair. Now, in his extraordinarily gripping and thought-provoking new book, he charts his progress from keen young novice whose first reaction to the sound of gunfire was to run towards it to the more circumspect veteran he is today. It will also discuss the changes that have taken place in the ways in which wars are reported over the course of his career, from the Gulf War to Bosnia, Afghanistan to Rwanda.

This revealing book goes behind the scenes of normative principles of media independence to investigate how that independence is actually practiced and realized in everyday working life. Taking an ethnographically rich journey through European news organizations, Elena Raviola exposes the diverse and complex ways in which the ideal of independence is upheld, and at the same time inevitably betrayed, in the organizational life of media companies. Elena Raviola presents a distinct organizational analysis of media independence throughout the book, offering a close study of three news organizations in Europe - the largest Italian financial newspaper Il Sole-24 Ore, the largest Swedish regional newspaper company Stampen and the French pioneer online-only news website Rue89. In each of them, the implications of digitalization on their practices of independence is explored and analyzed. The book ultimately sheds light on how digital technologies are practically reshaping democratic principles such as media independence, while being embedded in the existing organizational and professional structures of democratic societies. Organizing Independence will enrich the reader's understanding of media independence in practice, beyond the normative principles, and so will be a key reference point for researchers in management and organization studies, media studies and anyone interested in the future of media.

This revealing book goes behind the scenes of normative principles of media independence to investigate how that independence is actually practiced and realized in everyday working life. Taking an ethnographically rich journey through European news organizations, Elena Raviola exposes the diverse and complex ways in which the ideal of independence is upheld, and at the same time inevitably betrayed, in the organizational life of media companies. Elena Raviola presents a distinct organizational analysis of media independence throughout the book, offering a close study of three news organizations in Europe - the largest Italian financial newspaper Il Sole-24 Ore, the largest Swedish regional newspaper company Stampen and the French pioneer online-only news website Rue89. In each of them, the implications of digitalization on their practices of independence is explored and analyzed. The book ultimately sheds light on how digital technologies are practically reshaping democratic principles such as media independence, while being embedded in the existing organizational and professional structures of democratic societies. Organizing Independence will enrich the reader's understanding of media independence in practice, beyond the normative principles, and so will be a key reference point for researchers in management and organization studies, media studies and anyone interested in the future of media.

Covers all aspects of broadcast journalism, beginning with the basic principles of having a career in the field, the principles of journalism and basic broadcast skills, and continuing with in-depth practical aspects of radio and television news. A new dedicated chapter on social media discusses sourcing news, approaching witnesses, verifying information and subsequent changes in the production flow. New chapters discuss the rise of mobile journalism and podcasting, specifically looking at the kit involved, the production process and how audio and broadcast journalism can be incorporated.

On its 25th anniversary, Lunch with the Financial Times will showcase the most entertaining, incisive and fascinating interviews from the past five years. _____ Lunch with the Financial Times has been a permanent fixture in the Financial Times for almost 25 years, featuring presidents, film stars, musical icons and business leaders from around the world. The column is now as well-established institution which has reinvigorated the art of conversation in the convivial, intimate environment of a long boozy lunch. _____ Includes lunches with: Elon Musk Donald Trump Hilary Mantel Richard Branson Zadie Smith Nigel Farage Russell Brand David Guetta Yanis Varoufakis Jean-Claude Juncker Gwyneth Paltrow Rebecca Solnit Jordan Peterson Chimamanda Ngozi Adichie And more...

Journalism graduates today will hold a variety of positions throughout their careers that will require a skill set that transcends any one medium. Dynamics of News Reporting and Writing: Foundational Skills for a Digital Age, Second edition shows students how to approach their stories and think on their feet in the evolving media landscape. Vince F. Filak provides guidance on journalistic practices that are the bread-and-butter skills of the industry while weaving in the "how-to's" of producing digital news. By popular demand, the Second Edition includes even more writing and grammar exercises for students, discussions of social media and digital media advancements, and additional career-related examples to help students become successful upon their entry in the field. Recognizing that well-crafted stories are founded on sharp prose, Dynamics of News Reporting and Writing covers more foundational elements of a newswriting textbook, like lead writing, structure, and storytelling while also teaching students how to think critically and determine what matters most to their readers. KEY FEATURES: An audience-centric approach encourages students to reflect on why and how news is relevant to the lives of their readers before they even start digging into their stories. "Write Now! Exercises" provide students with an opportunity to immediately practice the writing skills required in today's newsroom. "Consider This" debates spark classroom discussions by asking students to take a closer look at a current issue or ideological dilemma and make a valid case for their position. "Thoughts from a Pro" offer students an up-close look at a specific aspect of reporting and writing from a professional who is plying their trade each day. "Helpful Hints" give students ways to provide vocabulary lists, short-cut options, and other tips to immediately improve a piece of copy. "Best of the Blog" feature in every chapter showcases posts from the author's blog at www.DynamicsofWriting.com, with tips for teaching the course, discussion of current events, industry related news, sample exercises & assignments, & more! "Think Ahead" discussions at the beginning of each chapter act as a roadmap to help students work through the chapter content. "The Big Three" summaries ensure students take three crucial ideas with them as they move on to the next chapter. "Discussion Questions" at the end of each chapter promote a broader understanding of the content based on varied interpretations of the students.

Chris Moore's second BBC memoir plunges into the same white-hot media furnace he so vividly evoked in 2015's Greg Dyke, My Part In His Downfall.

From Victoria Island, Lagos to Brooklyn, USA to Accra, Ghana to Paris, France; from across the Diaspora to the heart of the African continent, in this memoir Nigerian journalist Chike Frankie Edozien offers a highly personal series of contemporary snapshots of same gender loving Africans, unsung Great Men living their lives and finding joy in the face of great adversity.

EVENING STANDARD'S 'BEST FICTION BOOKS TO LOOK FORWARD TO IN 2022' What do you do, when you find the perfect family... ...and it's not yours? 'Rare and delightful . . . A beautifully crafted novel about female relationships. I couldn't put this book down' Marie Claire The only thing Abi ever wanted was a proper family. So when she falls pregnant by an Australian exchange student in London, she cannot pack up her old life in Croydon fast enough, to start all over in Sydney and make her own family. It is not until she arrives, with three-week-old Jude in tow, that Abi realises Stu is not quite ready to be a father after all. And he is the only person she knows in this hot, dazzling, confusing city, where the job of making friends is turning out to be harder than she thought. That is, until she meets Phyllida, her wealthy, charming, imperious older neighbour, and they become almost like mother and daughter. If only Abi had not told Phil that teeny tiny small lie, the very first day they met...

Frank Kearns was the go-to guy at CBS News for dangerous stories in Africa and the Middle East in the 1950s, '60s, and early '70s. By his own account, he was nearly killed 114 times. He took stories that nobody else wanted to cover and was challenged to get them on the air when nobody cared about this part of the world. But his stories were warning shots for conflicts that play out in the headlines today. In 1957, Senator John Kennedy described America's view of the Algerian war for independence as the Eisenhower Administration's "head in the sand policy." So CBS News decided to find out what was really happening there and to determine where Algeria's war for independence fit into the game plan for the Cold War. They sent Frank Kearns to find out. Kearns took with him cameraman Yousef ("Joe") Masraff and 400 pounds of gear, some of which they shed, and hiked with FLN escorts from Tunisia, across a wide "no-man's land," and into the Aures Mountains of eastern Algeria, where the war was bloodiest. They carried no passports or visas. They dressed as Algerians. They refused to bear weapons. And they knew that if captured, they would be executed and left in unmarked graves. But their job as journalists was to seek the truth whatever it might turn out to be. This is Frank Kearns's diary.

Dispatches from the Edge meets In an Instant in this dramatic memoir of war, family, resilience, and recovery from Benjamin Hall, the Fox News journalist who was gravely injured by a Russian drone attack in the early days of the invasion of Ukraine. Over the course of his career, seasoned war correspondent Benjamin Hall covered some of the deadliest armed conflicts of our time, including violence in Syria, Libya, and Somalia. But with a young family at home, Hall chose to trade life on the edge for a safer beat covering the US Department of State. Then Russia viciously attacked Ukraine in February 2022. Though he knew the dangers of war and was no longer traveling to war zones, Hall quickly accepted the assignment. He had to tell this story-Americans needed to understand the gravity of this stunning, world-altering conflict. Though he had witnessed and survived years of violence, on March 14, a month into the invasion of Ukraine, Hall and his crew were hit by a Russian drone strike, killing his cameraman and a fellow journalist and gravely injuring him. Stuck inside the warzone, it was feared Hall might not make it out alive. This is the story of how he survived-including his dramatic rescue and his arduous and ongoing recovery. For the first time, Hall shares his experiences in full-of his time in Ukraine and on the frontlines of the world's most perilous conflicts, of the terrible attack that nearly killed him, of the love of his family, of the strength and perseverance it has taken to endure multiple surgeries and learn how to walk again. Going inside the events that have permanently transformed him, Hall speaks honestly about the struggle to step away from the peril and how his years of experience kept him safe-until they failed him. And he pays tribute to American service members who not only helped save him, but decades earlier rescued his father, who, during World War II at age twelve, escaped a Japanese camp in the Philippines and eventually reached American GIs. Most remarkably, Hall's spirit has remained undaunted throughout his ordeal-a spirit of hope and positivity which infuses this exceptional story. Evocative, harrowing, and deeply moving, Untitled is a powerful memoir of family and perseverance, of life and healing, and of what to do when you are tested in ways you never thought possible. Benjamin Hall's memoir includes a 16-page color photo insert.

Community journalism in the era of clickbait A chilling, incisive, and firsthand look at the landscape of community news today, Lost Storytellers argues that the decline of local journalism threatens the future of democracy. Award-winning photojournalist John Pendygraft asks: How did Americans lose trust in the media, and how can their local newsrooms earn it back? Pendygraft uses his own experiences at Florida's largest newspaper, the Tampa Bay Times, to illustrate why trusted local reporting matters more than ever in the era of "fake news," clickbait, conspiracy theories, and social media. Through interviews with his colleagues, the history of his own beloved paper, journeys into the evolutionary psychology of storytelling, and examples of the ways multi-national media conglomerates hook readers on news cycles of chaos and crisis, Pendygraft argues that community journalists can reclaim their roles as local storytellers-and that the public good demands that they try. Lost Storytellers offers insights for all who feel confused about the media, politics, and the well-being of their communities in the information age.

Reporter is an account of John McBeth's 50-year journey through Asia, more than half of that time as a correspondent for the Far Eastern Economic Review, the venerable magazine long regarded as the region's English-language Bible on political and economic affairs. While necessarily a memoir, the book is more a reflection of the lives of a small group of foreign journalists who came to Asia on a wing and a prayer - and in McBeth's case by ship - and stayed on as fascinated witnesses to a region going through turbulent times and historic change. Part-history, part-analysis, part story-telling and, in a smaller way, part-commentary on the salad days of print journalism and its steady decline under the onslaught of television and the Internet, Reporter introduces us to a diverse cast of journalists, diplomats, officials, politicians and generals McBeth meets and befriends along the way. New in paperback to make 50 years reporting in Asia, the original book has been complemented with a new introduction and a new chapter "The Defining Years" which bring McBeth's story up to date.