This book examines the ethical concepts which lie at the heart of journalism, including freedom, democracy, truth, objectivity, honesty and privacy. The common concern of the authors is to promote ethical conduct in the practice of journalism, as well as the quality of the information that readers and audience receive from the media.

This book provides the first detailed analysis of how interactions between government policy and Fleet Street affected the political coverage of the Greek civil war, one of the first major confrontations of the Cold War. During this period the exponential growth of media influence was an immensely potent weapon of psychological warfare. Throughout the 1940s the press maintained its position as the most powerful medium and its influence remained unchallenged. The documentary record shows that a British media consensus was more fabricated than spontaneous, and the tools of media persuasion and manipulation were extremely important in building acceptance for British foreign policy. Gioula Koutsopanagou examines how this media consensus was influenced and molded by the British government and how Foreign Office channels were key to molding public attitudes to British foreign policy. These channels included system of briefings given by the News Department to the diplomatic correspondents, and the contacts between embassies and the British foreign correspondents.

Called 'a cross between Michael Moore and South Park', gonzo journalist Harmon Leon shares his undercover exploits among fringe right-wingers in this riotously funny book where he exposes the harrowing and hilarious reality of living in red-state America. Follow Harmon in this twisted sampler of 'infiltration journalism' on each of his missions impossible as he dons various ingenious disguises, goes undercover, tries various ways to eke out a living, and then just barely escapes to report on the shocking and very funny truth about surviving in conservative America.

The father fled East Prussia to escape the 1880s pogroms and, as a penniless immigrant boy, hawked newspapers on the streets of Chicago. The son, who lives on Philadelphia's Main Line and on a palatial California estate, is a multi-billionaire and America's most generous living philanthropist. Legacy is an epic saga of how Moses and Walter Annenberg built a vast publishing empire and one of the nation's greatest family fortunes. Sweeping through the century, the story encompasses brutal circulation wars, bookie parlors and racetracks, a lethal presidential vendetta, the glory days of Hollywood and of television, diplomatic drawing rooms, White House intrigues, tangled romances, a tragic suicide, extravagant social climbing, Britain's royal family, a fabled art collection, and astonishing generosity.

Two complex, driven business geniuses are the focus of this fascinating psychological portrait. Moses, the king of racing information, was the quintessential self-made millionaire, a rough man of action with enormous charm and a harsh temper who alternately indulged and brutally bullied his stuttering playboy son into becoming a man worthy of taking over his business. But when Moses used his Philadelphia Inquirer to battle Franklin D. Roosevelt and lost, landing in jail for income tax evasion, it was left to Walter - displaying talents no one knew he had to prove himself and redeem the family honor and fortune for his mother and seven sisters.

Succeeding beyond anyone's dreams, Walter founded Seventeen, TV Guide, and American Bandstand. After a failed first marriage that produced two children, he married Leonore Rosenstiel, his perfect partner and soul mate; became Richard Nixon's ambassador to Britain, the only U.S. envoy knighted by Queen Elizabeth; made billions investing; sold his publishing empire to Rupert Murdoch and began giving away the proceeds to improve U.S. education.

Unauthorized, but written with unprecedented access to the Annenberg family and their private papers, Legacy is at once a moving story of a family's triumph, a rich cultural history, and an irresistible reading experience.

A unique work of history that examines the story of a pivotal figure in American life, the U.S. war reporter, with contributions from some of the most influential journalists of our time.

Whether dodging sniper fire, accompanying strategic bombing raids over enemy territory, challenging the Pentagon's version of events, or crossing the frontlines to interview figures at the heart of the conflict, war correspondents have served as the eyes and ears of the nation, conveying the facts, the brutality and the drama of warfare, and shaping public opinion in the process.

Now for the first time, in Reporting America at War, the nation's most respected reporters share their stories to create a fascinating oral history. Contributors include:

• Christiane Amanpour
• Peter Arnett
• Malcolm Browne
• Walter Cronkite
• Gloria Emerson
• Frank Gibney
• David Halberstam
• Chris Hedges
• Ward Just
• Andy Rooney
• Morley Safer

In addition to telling their personal stories, the correspondents examine issues such as censorship, propaganda, ethics, the power of the press, and the future of war reporting, especially after September 11th.

From the arrival of the penny papers in the 1830s to the coming of radio news around 1930, the American newspaper celebrated its Golden Age and years of greatest influence on society. Born in response to a thirst for news in large eastern cities such as New York, Boston, and Philadelphia, the mood of the modern metropolitan papers eventually spread throughout the nation. Douglas tells the story of the great innovators of the American press--men like Bennett, Greeley, Bryant, Dana, Pulitzer, Hearst, and Scripps. He details the development of the bond between newspapers and the citizens of a democratic republic and how the newspapers molded themselves into a distinctly American character to become an intimate part of daily life.

Technological developments in papermaking, typesetting, and printing, as well as the growth of advertising, gradually made possible huge metropolitan dailies with circulations in the hundreds of thousands. Soon journalism became a way of life for a host of publishers, editors, and reporters, including the early presence of a significant number of women. Eventually, feature sections arose, including comics, sports, puzzles, cartoons, advice columns, and sections for women and children. The hometown daily gave way to larger and impersonal newspaper chains in the early twentieth century. This comprehensive and lively account tells the story of how newspapers have influenced public opinion and how public demand has in turn affected the presentation of the news.

Fashion Writing and Criticism provides students with the tools to critique fashion with skill and style. Explaining the history and theory of criticism, this innovative text demonstrates how the tradition of criticism has developed and how this knowledge can be applied to fashion, enabling students to acquire the methods and proper vocabulary to be active critics themselves. Integrating history and theory, this innovative book explains the development of fashion writing, the theoretical basis on which it sits, and how it might be improved and applied. Through concise snapshot case studies, top international scholars McNeil and Miller analyse fashion excerpts in relation to philosophical ideas and situate them within historical contexts. Case studies include classic examples of fashion writing, such as Diana Vreeland at Harper's Bazaar and Richard Martin on Karl Lagerfeld, as well as contemporary examples such as Suzy Menkes and the blogger Tavi. Accessibly written, Fashion Writing and Criticism enables readers to understand, assess and make value judgments about the fascinating and changeable field of fashion. It is an invaluable text for students and researchers alike, studying fashion, journalism, history and media studies.

Press coverage of the 1888 mutilation murders attributed to Jack the Ripper was of necessity filled with gaps and silences, for the killer remained unknown and Victorian journalists had little experience reporting serial murders and sex crimes. This engrossing book examines how fifteen London newspapers - dailies and weeklies, highbrow and lowbrow - presented the Ripper news, in the process revealing much about the social, political, and sexual anxieties of late Victorian Britain and the role of journalists in reinforcing social norms. L. Perry Curtis surveys the mass newspaper culture of the era, delving into the nature of sensationalism and the conventions of domestic murder news. Analyzing the fifteen newspapers - several of which emanated from the East End, where the murders took place - he shows how journalists played on the fears of readers about law and order by dwelling on lethal violence rather than sex, offering gruesome details about knife injuries but often withholding some of the more intimate details of the pelvic mutilations. He also considers how the Ripper news affected public perceptions of social conditions in Whitechapel. 'It is a major contribution to cultural history', Christopher Frayling, Rector of the Royal College of Art, London 'An excellent book that offers a new angle on an always fascinating subject', John Davis, Queen's College, Oxford L. Perry Curtis, Jr., is professor of history and modern culture and media at Brown University, Rhode Island.

This book explores Cold War journalism and journalists as threat, representing 'enemy' systems and ideologies. The book also examines Cold War aspirations of forging transnational journalistic connections across the Iron Curtain as well as finding common journalistic ground within the East and West blocs. The book shines a critical light on overly idealistic visions for that journalistic common ground, drawing on primary archival source material to investigate journalists and reporting work, journalistic content and journalistic venues during the Cold War era. This is not a book about traditional war correspondence - rather, it is about the rhetorical battles and the ideological fronts that have shaped and continue to shape our world. By fully understanding how journalism and journalists have intersected with hostile barriers and divisions in the past, we can have a more nuanced understanding of the current global media environment.

Contributors from diverse backgrounds explore a range of issues in relation to the media and journalism's role in ascribing meaning to tourism practices. This fascinating account offers a thoroughly international and interdisciplinary perspective on an increasingly important field of journalism scholarship.

Social responsibility theory calls on the American press to serve as watchdog over powerful government and to provide a forum for robust democratic debate. Based on five current case studies, "The Publisher-Public Official" explores the extent to which politicians who simultaneously serve as newspaper editors or publishers fulfill this ethical duty. The book features interviews with the editors/publishers and with a sample of their readers, and provides results of a survey of readers who were asked whether it is possible to wear two hats and do both jobs effectively and responsibly. Newspaper articles and editorial pages are also examined for possible conflicts of interest in occupying two roles.

Veteran newspapermen Don Sneed and Daniel Riffe present an overview and history of the press's role as watchdog, outlining what professional ethical codes say about publishers' political involvement and offering perspective by today's newspaper group executives. Chapters 4 through 8 provide a composite portrait of the five publisher-public officials as seen through their own eyes and their readers' eyes. A final chapter details how extensive the phenomenon of publisher-public official is and offers concluding thoughts to the study. This illuminating work will be particularly useful to journalism professionals and educators, politicians, and political scientists.

This book explores communication during the first year of the COVID-19 pandemic. Featuring the work of leading communication scholars from around the world, it offers insights and analyses into how individuals, organisations, communities, and nations have grappled with understanding and responding to the pandemic that has rocked the world. The book examines the role of journalists and news media in constructing meanings about the pandemic, with chapters focusing on public interest journalism, health workers and imagined audiences in COVID-19 news. It considers public health responses in different countries, with chapters examining community-driven approaches, communication strategies of governments and political leaders, public health advocacy, and pandemic inequalities. The role of digital media and technology is also unravelled, including social media sharing of misinformation and memetic humour, crowdsourcing initiatives, the use of data in modelling, tracking and tracing, and strategies for managing uncertainties created in a pandemic.

Journalism Today: A Themed History provides a cultural approach to journalism's history through the exploration of overarching concepts, as opposed to a typical chronological overview. Rich with illuminating stories and biographies of key figures, it sheds new light on the relationship between the press and society and how each has shaped the other. * Thematic study of the history of journalism, examining the role of journalism in democracy, the influence of new technology, the challenge of balancing ethical values, and the role of the audience * Charts the influence of the historical press for today s news in print, broadcast, and new media * Situates journalism in a rich cultural context with lively examples and case studies that bring the subject alive for contemporary readers * Provides a comparative analysis of American, British, and international journalism * Helpful feature boxes on important figures and case studies enhance student understanding of the development of journalism and news as we know it today, providing a convenient springboard for follow-up work.

From the quality of the air we breathe to the national leaders we choose, data and statistics are a pervasive feature of daily life and daily news. But how do news, numbers and public opinion interact with each other - and with what impacts on society at large? Featuring an international roster of established and emerging scholars, this book is the first comprehensive collection of research into the little understood processes underpinning the uses/misuses of statistical information in journalism and their socio-psychological and political effects. Moving beyond the hype around "data journalism," News, Numbers and Public Opinion delves into a range of more latent, fundamental questions such as: * Is it true that most citizens and journalists do not have the necessary skills and resources to critically process and assess numbers? * How do/should journalists make sense of the increasingly data-driven world? * What strategies, formats and frames do journalists use to gather and represent different types of statistical data in their stories? * What are the socio-psychological and political effects of such data gathering and representation routines, formats and frames on the way people acquire knowledge and form attitudes? * What skills and resources do journalists and publics need to deal effectively with the influx of numbers into in daily work and life - and how can newsrooms and journalism schools meet that need? The book is a must-read for not only journalists, journalism and media scholars, statisticians and data scientists but also anybody interested in the interplay between journalism, statistics and society.

As the pioneering work in its field, Jewish Serials of the World brings together a diverse body of literature essential to the study of the Jewish press from 1674 to the present. It identifies pertinent primary source materials and provides comprehensive coverage of the secondary literature in a field where no bibliographical control has ever existed. Arranged for the most part geographically, the citations include descriptions of significant publications of books, pamphlets, theses and articles, as well as jubilee issues of Jewish newspapers and magazines. In addition to internal cross-references, the work also contains subject and author indexes.

This study of journalism training analyzes training programs in 70 countries and lists 600 training institutions around the world. This first worldwide survey of communication training since 1958 was sponsored by UNESCO. In analyzing different programs, the study examines such areas as the type of institution in which training is given, the kinds of courses offered, entrance requirements, the number of students, qualifications of educators, diplomas or degrees awarded and the placement of graduates. It also explores different press concepts as they relate to training and identifies the specific needs arising from each system. In particular, it notes the massive changes that have taken place in Eastern and Central Europe and speculates what kind of system will emerge in that region.

After analyzing the programs in the seven regions of the world, the study identifies the principal challenges facing communication training in both the developing world and the industrialized nations. It concludes that, while differences are likely to remain for a long time to come, there is at least the possibility that journalism and journalism training will become more homogeneous in the future. This volume, both a scholarly work and a directory, will become the standard reference on communication training.

This book examines how sports journalists covered the historic coming out stories of National Basketball Association (NBA) veteran Jason Collins and football All-American Michael Sam in the context of sports' "toy department" reputation as a field whose standards are often criticized as lacking in rigor and depth compared to other forms of journalism. Employing a media sociology approach, reporting about Collins and Sam is addressed in the book via three content analysis studies and interviews with two prominent sports journalists. An overview of other pertinent research is provided along with a detailed account of both athletes' stories. This work should appeal to readers interested in sports journalism, the role of sport in society, and media coverage of gay professional athletes.

Newspapers and journalism began in the Middle East in the nineteenth century and evolved during a period of accelerated change which shaped their unique political, social and cultural role. Drawing on a wealth of sources, this study for the first time explores the press as a Middle Eastern institution. It focuses on the circumstances that influences the growth of the Arab press, its own impact on local historical developments, and the long-term effects that early patterns of its emergence have had on later evolution.

During World War II, women correspondents wanted to be a part of the dramatic and exhilarating scene of wartime conflict as much as their male colleagues. They reported from the war scene because that was where the big story was. This study is an important part of the growing literature which deals with women in journalism. The women who were interviewed were asked about their experiences, including conditions under which they reported, the types of stories they wrote, and their accomplishments as journalists. Those studied were largely newspaper or wire service reporters who were at the front. A few others who wrote for magazines are included because of particularly interesting experiences or personalities. The obstacles that women correspondents faced are recounted here. For example, they found it difficult to get passports from the State Department and accreditation from the War Department. They faced antagonism from certain generals and sometimes bias and fear of competition from their male colleagues. On the other hand, many women discuss the help and support they received from men at the front. Women War Correspondents of World War II is an in-depth analysis of the life of the woman correspondent. The problems of censorship, a war fought on different fronts, and the dangers of then-modern warfare are recounted. Many women entered the field through newspaper jobs vacated by men who left for the front; they then worked their way into becoming war correspondents. For the most part they did not expect preferential treatment and avoided exceptional notice. According to their own accounts, they encountered problems unique to their sex, but were adept at handling the problems and were professional in their work.

This book explores popular music in Eastern Europe during the period of state socialism, in countries such as Poland, Hungary, Yugoslavia, Romania, Czechoslovakia, the GDR, Estonia and Albania. It discusses the policy concerning music, the greatest Eastern European stars, such as Karel Gott, Czeslaw Niemen and Omega, as well as DJs and the music press. By conducting original research, including interviews and examining archival material, the authors take issue with certain assumptions prevailing in the existing studies on popular music in Eastern Europe, namely that it was largely based on imitation of western music and that this music had a distinctly anti-communist flavour. Instead, they argue that self-colonisation was accompanied with creating an original idiom, and that the state not only fought the artists, but also supported them. The collection also draws attention to the foreign successes of Eastern European stars, both within the socialist bloc and outside of it. v>

On its 25th anniversary, Lunch with the Financial Times will showcase the most entertaining, incisive and fascinating interviews from the past five years. _____ Lunch with the Financial Times has been a permanent fixture in the Financial Times for almost 25 years, featuring presidents, film stars, musical icons and business leaders from around the world. The column is now as well-established institution which has reinvigorated the art of conversation in the convivial, intimate environment of a long boozy lunch. _____ Includes lunches with: Elon Musk Donald Trump Hilary Mantel Richard Branson Zadie Smith Nigel Farage Russell Brand David Guetta Yanis Varoufakis Jean-Claude Juncker Gwyneth Paltrow Rebecca Solnit Jordan Peterson Chimamanda Ngozi Adichie And more...

The Management of Savagery of tells the story of the parallel rise of international jihadism and Western ultra-nationalism. Since Washington's secret funding of the Mujahideen following the Russian invasion of Afghanistan in the 1970s, America has supported extremists with money and hardware, including enemies such as Bin Laden. The Pentagon's willingness to make alliances abroad have seen the war coming home with inevitable consequences: by funding, training, and arming jihadist elements in Afghanistan, Syria, and Libya since the Cold War and waging wars of regime change and interventions that gave birth to the Islamic State. Meanwhile, Trump's dealings In the Middle East are likely only to exacerbate the situation further. Blumenthal excavates the real story behind America's dealing with the world and shows how the extremist forces that now threaten peace across the globe are the inevitable flowering of America's imperial designs of a national security state. And shows how this has ended with the rise of the Trump presidency.

This book argues for an overhaul of the way media assistance is evaluated, and explores how new thinking about evaluation can reinforce the shifts towards better media development. The pursuit of media freedom has been the bedrock of media development since its height in the 1990s. Today, citizen voice, participation, social change, government responsiveness and accountability, and other 'demand-side' aspects of governance, are increasingly the rubric within which assistance to media development operates. This volume will appeal to scholars and students of media development and communication for social change whilst simultaneously representing a deep commitment to translating theoretical concepts in action-oriented ways.

As immigration, technological change, and globalization reshape the world, journalism plays a central role in shaping how the public adjusts to moral and material upheaval. This, in turn, raises the ethical stakes for journalism. In short, reporters have a choice in the way they tell these stories: They can spread panic and discontent or encourage adaptation and reconciliation. In Murder in Our Midst, Romayne Smith Fullerton and Maggie Jones Patterson compare journalists' crime coverage decisions in North America and select Western European countries as a key to examine culturally constructed concepts like privacy, public, public right to know, and justice. Drawing from sample news coverage, national and international codes of ethics and style guides, and close to 200 personal interviews with news professionals and academics, they highlight differences in crime news reporting practices and emphasize how crime stories both reflect and shape each nation's attitudes in unique ways. Murder in Our Midst is both an empirical look at varying journalistic styles and an ethical evaluation of whether particular story-telling approaches do or do not serve the practice of democracy.

Although journalism has always been an important vehicle of collective memory, it has been neglected in discussions about how memory works. This fascinating book aims to correct that disjuncture, by tracking the ways in which journalism and shared memory mutually support, undermine, repair and challenge each other. How is journalism's address to memory different from that of other institutions? What would the study of memory look like without journalism? And how would our understanding of journalism fall short without paying attention to memory? Bringing together leading scholars in journalism and memory studies, this collection makes explicit the longstanding and complicated role that journalism has played in keeping the past alive. From anniversary issues and media retrospectives to simple verbal and visual analogies connecting past and present, journalism incorporates an address to earlier times across the wide array of its conventions and practices. How it does so and which triumphs and problems ensue in our understanding of collective memory constitute the charter of this volume.