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Books > Business & Economics > Industry & industrial studies > Media, information & communication industries > Press & journalism
Before Liz Smith and Perez Hilton became household names in the world of celebrity gossip, before Rush Limbaugh became the voice of conservatism, there was Hedda Hopper. In 1938, this 52-year-old struggling actress rose to fame and influence writing an incendiary gossip column, "Hedda Hopper's Hollywood," that appeared in the Los Angeles Times and other newspapers throughout Hollywood's golden age. Often eviscerating moviemakers and stars, her column earned her a nasty reputation in the film industry while winning a legion of some 32 million fans, whose avid support established her as the voice of small-town America. Yet Hopper sought not only to build her career as a gossip columnist but also to push her agenda of staunch moral and political conservatism, using her column to argue against U.S. entry into World War II, uphold traditional views of sex and marriage, defend racist roles for African Americans, and enthusiastically support the Hollywood blacklist. While usually dismissed as an eccentric crank, Jennifer Frost argues that Hopper has had a profound and lasting influence on popular and political culture and should be viewed as a pivotal popularizer of conservatism. The first book to explore Hopper's gossip career and the public's response to both her column and her politics, Hedda Hopper's Hollywood illustrates how the conservative gossip maven contributed mightily to the public understanding of film, while providing a platform for women to voice political views within a traditionally masculine public realm. Jennifer Frost builds the case that, as practiced by Hopper and her readers, Hollywood gossip shaped key developments in American movies and movie culture, newspaper journalism and conservative politics, along with the culture of gossip itself, all of which continue to play out today. Read a review of the book from the Chronicle of Higher Education blog, Tenured Radical.
This book is a critical examination of how newspaper and television journalists reported three catastrophes. The focus is on the processes by which journalists identified news sources and gathered data, on the professional values of the journalists and on the ways that those values contributed to or interfered with good reporting. The book is based on examination of several thousand newspaper and television stories, on surveys of more than 600 journalists and their sources, on evaluations of news accounts by independent experts, on personal visits to the sites of the catastrophes, and on interviews with more than 100 reporters, correspondents, producers, editors, and their sources. The scholarly goal of the book is to provide a theoretical understanding of the process by which reporters gather information for these kinds of stories and thus to identify changes in the journalistic routine that might encourage more accurate and comprehensive coverage of public issues. He shows how television reports sometimes influence the ways print reporters structure their stories, an effect he calls journalistic priming. He examines the ways in which Pulitzer Prize-winning stories are different from others, and attempts to integrate reporters' and sources' comments with the theoretical literature. This is the first book-length effort that uses a single research design to compare how both print and television journalists covered several major events, and to examine the interrelationship between the television and newspaper reporting. Other scholars often ignore one or the other, as though the two media operated independently.
This book provides an historical overview of the formation of sports media in Latin America and its role in the construction of the political history of Latin American sport. The sports press was a privileged observer of the development of modern sports, but it was also a key factor in the making of professional sports in Latin America. Most of the literature on sport in Latin America treats the sports press as an historical source, rarely taking it as an object of study in itself. However, the development of sports in the region is connected to national and state-building processes and the role of media narratives is crucial to understanding how sports participate in those processes. Spanning the globalization of football in the late nineteenth century to the shift promoted by television in the 1970s, the chapters survey the historical development of sports media in Latin America. Representing ten countries, the contributors follow a framework that presents the press not as a passive narrator of the sports phenomenon, but as a social agent of the sports field. This book is of use to those interested in the history of sports and the media, and it will be a good resource for undergraduates taking courses on Sports History, Latin American History, Sports Management, and Journalism and Communication.  Â
Bringing together the diverse perspectives of over 20 leading journalism scholars, this collection provides an original insight into the history of American journalism and issues that exist and have existed within the industry for decades. The culture of journalism is in constant flux, with both individual journalists and the news industry as a whole regularly finding themselves at the center of controversy. While heightened in recent years, such controversy is not new and could in fact be considered a hallmark of the profession. With this in mind, this book presents original perspectives into issues and debates regarding the role of journalism in America, journalistic objectivity and ethics, diversity and representation, war and conflict reporting, local news, fake news, and hostility towards journalists. Each of the seven sections begins with a topical overview and ends with a short essay written by a leader in the field. Issues in Contemporary American Journalism is recommended reading for anyone studying the history and evolution of journalism in the US at an advanced level.
This edited volume of essays analyzes how the entire practice of journalism in America has changed irrevocably due to the Covid-19 pandemic. Written by journalists and other industry professionals, essays outline an assortment of related topics, including the rapid adoption of new technology like Zoom, the state of public health reporting, diversity in journalism and more. This book also outlines major implications for the future of journalism, detailing some long-lasting changes that could impact generations to come. These shifts in journalism will have economic, social and ethical consequences long after the pandemic ends and could shift the entire paradigm for deciding what news is and how it is covered.
Mexico today is one of the most dangerous places in the world to report the news, and Mexicans have taken to the street to defend freedom of expression. As Benjamin T. Smith demonstrates in this history of the press and civil society, the cycle of violent repression and protest over journalism is nothing new. He traces it back to the growth in newspaper production and reading publics between 1940 and 1976, when a national thirst for tabloids, crime sheets, and magazines reached far beyond the middle class. As Mexicans began to view local and national events through the prism of journalism, everyday politics changed radically. Even while lauding the liberty of the press, the state developed an arsenal of methods to control what was printed, including sophisticated spin and misdirection techniques, covert financial payments, and campaigns of threats, imprisonment, beatings, and murder. The press was also pressured by media monopolists tacking between government demands and public expectations to maximize profits, and by coalitions of ordinary citizens demanding that local newspapers publicize stories of corruption, incompetence, and state violence. Since the Cold War, both in Mexico City and in the provinces, a robust radical journalism has posed challenges to government forces.
The second volume within this series presents more than fifty series characters within pulp fiction, selected to represent four popular story types from the 1907 1939 pulps scientific detectives, occult and psychic investigators, jungle men, and adventurers in interplanetary romance. Some characters Tarzan, John Carter of Mars, Craig Kennedy, Anthony (Buck) Rogers became internationally known. Others are now almost forgotten, except by collectors and specialists."
Politics today is inextricably bound to the media, indeed it is now a routine assumption that the media can determine election outcomes. Consequently, over the last 20 years, the conduct of politics has become increasingly driven by what might "play well" on televison or in the press. Not just election campaigning, but other major political platforms including by-elections, budgets, party conferences and set piece speeches have become dominated by media considerations. This is a book about how that relationship works in practice. What sort of deals are done between politicians and journalists? What tactics do politicians use to try and manipulate the media? What are journalists' techniques of resistance? What determines how a campaign is put together? Have policy issues and the national good really been surrendered to image-making and sound-bite tactics? This book examines the modern process of political communication through the eyes of the many different actors who are now involved. Through their own experience, and through personal interviews conducted with many of the key media and political figures, the authors construct a vivid picture of how political communication is managed today and the direction in which it is going.
Both as chief reporter and news editor for nearly twenty years at the now defunct News of the World, Neville Thurlbeck is uniquely placed to give an insider's view of life on the paper. Thurlbeck served up some of the most famous, memorable and notorious headlines in the paper's existence; headlines that lit up the world of tabloid journalism and included names such as David Beckham, Jeffrey Archer, Fred and Rose West, Gordon Brown and Robin Cook, among many others. In Tabloid Secrets, he reveals for the very first time how he broke the award-winning stories which thrilled, excited and shocked the nation, and secured the paper up to fifteen million readers every week. His journalism led him into encounters with Cabinet ministers, rent boys, sports stars, serial killers, drug lords and on one occasion a devil-worshipping police officer. Stories that will fascinate the reader and ensure that this book is a real page turner. Thurlbeck's undercover, investigative work is revealed in great detail, with the methods and subterfuge explained. It also describes how the reporter was recruited to MI5, the characters he met and the type of work he carried out there.Ultimately, Tabloid Secrets is a journey through a world which has vanished for good, by the best-known reporter of recent times. It is a vivid, surprising and wildly entertaining insider account of a Fleet Street which is suddenly no more.
Sex crime has become one of the most intense areas of public and political concern in recent decades. This book explores the complex influences that shape its construction in the press. Media representations give important clues as to how we should perceive the nature and extent of sex crime, how we should think and feel about it, how we should respond to it, and the measures that might be taken to reduce risk. Understanding the media construction of sex crime is central to understanding its meaning and place in our everyday lives. Unlike much of the existing research, this book explores the construction of sex crime at every stage of the news production process. It then locates the findings within a wider context of cultural, economic and political change in late modernity. The book; shows how increased market competition and tabloidisation has altered fundamentally the way in which news is produced, communicated and consumed discusses representations of the full range of sex crimes from consensual homosexual offences and prostitution to serial rape and sex murder draws upon extensive empirical research in Northern Ireland, while addressing issues relevant to advance capitalist societies across the globe
Great powers are not supposed to lose wars, so how do leaders explain military defeat when it happens? "Media and the Politics of Failure" analyzes the American experience in Vietnam and the Soviet experience in Afghanistan to draw larger conclusions about how and why political leaders explain the end of military involvement. In spite of differences in political and media systems, there are remarkable similarities between American and Soviet leaders' communication strategies. Great power identity and domestic politics shape an explanation of withdrawal that emphasizes success and invokes prestige. The factors that shape the construction of the story did not disappear with the end of the Cold War, thus this work offers important insights for current American and Russian military efforts.
This volume includes seven essays on the development of the press and the significance of political oratory in nineteenth-century Latin America. The authors discuss developments in Mexico, Guatemala, Colombia, Venezuela, Peru, Chile and Agentina, while paying attention to influences and comparisons with the United States and Europe. Four essays concentrate on the periodical press and the wider spectrum of print, and three others on oratory, but all posit and explore a significant overlap between written and oral cultures. The findings and theoretical issues discussed in this volume provide fresh evidence on largely unknown areas of nineteenth-century history and invite further research on a rich new topic of study. Contributors include: Charles A. Hale, University of Iowa; Rebecca Earle, University of Warwick; Carmen McEvoy, University of the South, Sewanee; Carlos Malamud, Universidad Nacional de Educacion a Distancia, Spain; Eduardo Posada-Carbo, University of Warwick; Sol Serrano, Pontifica Universidad Catolica de Chile; Douglass Sullivan Gonzalez, University of Mississippi.
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This is a study of the noted newspaper proprietor, publisher and editor, George Newnes and his involvement in the so-called New Journalism in Britain from 1880 to 1910. The author examines seven of Newnes's most successful periodicals - Tit-Bits (1881), The Strand Magazine (1891), The Million (1892), The Westminster Gazette (1893), The Wide World Magazine (1898), The Ladies' Field (1898) and The Captain (1899) - from a biographical, journalistic and broader cultural perspective. Newnes assumed a pioneering role in the creation of the penny miscellany paper, the short-story magazine, the true-story magazine and the respectable boys' paper, in the development of colour printing, magazine illustration and photographic reproduction, and in the redefinition of both political and sporting journalism. His publications were shaped by his own distinctive brand of paternalism, his professional progression within the field of journalism, his liberal-democratic and imperialist beliefs, and his particular skill as an entrepreneur. This innovative periodical publisher utilised the techniques of personalised journalism, commercial promotion and audience targeting to establish an interactive relationship and a strong bond of identification with his many readers. Kate Jackson employs an interdisciplinary approach, building on recent scholarship in the field of periodical research, to demonstrate that Newnes balanced and synthesised various potentially conflicting imperatives to create a kind of synergy between business and benevolence, popular and quality journalism, old and new journalism and , ultimately, culture and profit.
Seib examines the ethical issues underlying the volatile relationship between journalists and politicians. It provides an inside look at how reporters and candidates do their jobs. From the screening process news organizations use to decide which candidates to cover, to the truth-testing of political ads, to the controversies surrounding election night projections, this work articulates crucial ethical questions and helps readers in their search for answers. As a political communications text, "Campaigns and Conscience" looks at the many facets of political journalism: what reporters need to know before covering a campaign; how to approach the character issue; how to keep up with the frantic pace of a campaign; why campaign ads should be covered as news; the allure and dangers of polls, projections, and endorsements; and the responsibility of the press to cover one of the most powerful quasi-political institutions--the press itself.
Kuypers combines rhetorical theory and framing analysis in an examination of the interaction of the press and the president during international crisis situations in the post-Cold War world. Three crises are examined: Bosnia, Haiti, and the North Korean nuclear capability issue. Kuypers effectively demonstrates the changed nature of presidential crisis rhetoric since the end of the Cold War. Kuypers employs a new historical/critical approach to analyze both the press and the Clinton administration's handling of three international crisis situations. Using case studies of Bosnia, Haiti, and the alleged North Korean nuclear buildup in 1993, he examines contemporary presidential crisis communication and the agenda-setting and agenda-extension functions of the press. The importance of this study lies in its timeliness; President Clinton is the first atomic-age president not to have the Cold War meta-narrative to use in legitimating international crises. Prior studies in presidential crisis rhetoric found that the president received broad and consistent support during times of crisis. Kuypers found that the press often advanced an oppositional frame to that used by the Clinton administration. The press frames were found to limit the options of the President, even when the press supported a particular presidential strategy. This is a major study that will be of interest to scholars and researchers of the press, the modern presidency, and American foreign policy.
This book looks at the news media's portrayal of reality and seeks answers as to why this portrayal often falls short of reality itself. Jim Willis examines the factors that contribute to the journalist's often faulty perception of reality, factors that are beyond the immediate control of the reporter: errant sources, competitive influences, the embedding process of storytelling, marketing's influence on the news, and the structure of news stories. The book stresses that the reporting process is more difficult than most critics and reporters realize, and points out that the best reporters are those who will take time to recognize challenges and work to overcome them. Ideal as a supplementary text for advanced courses in reporting, The Shadow World focuses on the complexities of good reporting. It studies the challenges that face today's journalist and provides practical guidance for the novice reporter. Studying actual reporting cases, Willis discusses the difference between seeking accuracy and seeking truth in journalism. He examines state-of-the-art methods of good reporting and stresses the need for specializing, remembering the larger truth, treating rumors as rumors, and following appropriate role models. A useful guide discussing the full range of philosophical, theoretical, and practical considerations influencing the reporter, "The Shadow World" will be a valuable resource for the student of journalism.
Tavistock Press was established as a co-operative venture between the Tavistock Institute and Routledge & Kegan Paul (RKP) in the 1950s to produce a series of major contributions across the social sciences. This volume is part of a 2001 reissue of a selection of those important works which have since gone out of print, or are difficult to locate. Published by Routledge, 112 volumes in total are being brought together under the name The International Behavioural and Social Sciences Library: Classics from the Tavistock Press. Reproduced here in facsimile, this volume was originally published in 1977 and is available individually. The collection is also available in a number of themed mini-sets of between 5 and 13 volumes, or as a complete collection.
"I would rather live in a country with newspapers and without a government, than in a country with a government but without newspapers" - Thomas Jefferson. This is the sixth volume in a set traces the development of American journalism from its early beginnings in the 17th century up until 1940. Together the books outline the enormous changes which the industry underwent, from the production techniques to journalistic practices and changes in distribution methods. Media historians considered Hudson's history, "Journalism in the United States, from 1600-1872 (1873)", to be the authoritative text for the study of the development of American journalism, a subject previously neglected by American historians. The work has remained an important source for modern day scholars. Hudson (1819-75) became known as "the father of journalism" for his innovative news-gathering practices and was managing editor of the New York Herald, which by the outbreak of the Civil War was the most widely read newspaper in the United States. Alfred McClung Lee's "The Daily Newspaper in America. The Evolution of a Social Instrument" is an extensive examination of the newspaper industry from 1710 to 1936, from a
'Thoughtful, very readable ... We have been lucky, lucky, lucky to have him' - The Times 'Pithy and amusing' - Sunday Times David Dimbleby has interviewed prime ministers and presidents, made award-winning documentaries, chaired Question Time for 25 years, and anchored the BBC's live coverage of historic national and world events. KEEP TALKING is David's wry look at his own extraordinary career, and the people, events and controversies he has encountered along the way. As a broadcaster for the BBC, David had an obligation to appear a neutral observer. Now finally 'off the leash' he writes without inhibition but with his characteristic wit, clarity and insight, about monarchy, politics, and the state of Britain. His book is enlivened with honest accounts of broadcasting from the inside - from commentating on Diana's funeral to anchoring ten successive General Election night results programmes. The faux pas, the secrets of the craft and what he was really thinking are shared for the first time. He reveals his own battles with politicians; queries the purpose and effect of political interviews; and considers the power of broadcasting - through programmes such as Question Time - to explore and amplify the public voice. Whilst profoundly British, the book ranges wider, in particular reflecting David's time in many countries, including Southern Africa and the United States. David has been there for us at nearly every major national event of the last fifty years. Serious, outspoken, and leavened with humour, KEEP TALKING reveals how David has seen it all - and is now telling it as he sees it.
This edited collection seeks to better understand how journalism across cultures differs, presenting an in-depth exploration of global practices that departs from the typical Western-centric approach. Journalists across the world are trained, generally speaking, within Western models of reporting and are taught to do so as a practice where reporters need to aspire and aim for. Yet what such training is short of achieving is teaching reporters how to 'do' journalism within their own environments. In turn, what is required is a method of journalistic training and practice that is reflective of the actual practice reporters encounter on the ground. In order to do so, a better understanding of how journalism is practised in different parts of the world, the context surrounding such practices, the issues and challenges associated, and the positive practices that Western journalism can offer, is necessary. Promoting and deploying a culturally-specific and politically-relevant journalism, this book provides just that.
"I would rather live in a country with newspapers and without a government, than in a country with a government but without newspapers" - Thomas Jefferson. This is the second volume in a set traces the development of American journalism from its early beginnings in the 17th century up until 1940. Together the books outline the enormous changes which the industry underwent, from the production techniques to journalistic practices and changes in distribution methods. Media historians considered Hudson's history, "Journalism in the United States, from 1600-1872 (1873)", to be the authoritative text for the study of the development of American journalism, a subject previously neglected by American historians. The work has remained an important source for modern day scholars. Hudson (1819-75) became known as "the father of journalism" for his innovative news-gathering practices and was managing editor of the New York Herald, which by the outbreak of the Civil War was the most widely read newspaper in the United States. Alfred McClung Lee's "The Daily Newspaper in America. The Evolution of a Social Instrument" is an extensive examination of the newspaper industry from 1710 to 1936, from
"I would rather live in a country with newspapers and without a government, than in a country with a government but without newspapers" - Thomas Jefferson. This is the fourth volume in a set traces the development of American journalism from its early beginnings in the 17th century up until 1940. Together the books outline the enormous changes which the industry underwent, from the production techniques to journalistic practices and changes in distribution methods. Media historians considered Hudson's history, "Journalism in the United States, from 1600-1872 (1873)", to be the authoritative text for the study of the development of American journalism, a subject previously neglected by American historians. The work has remained an important source for modern day scholars. Hudson (1819-75) became known as "the father of journalism" for his innovative news-gathering practices and was managing editor of the New York Herald, which by the outbreak of the Civil War was the most widely read newspaper in the United States. Alfred McClung Lee's "The Daily Newspaper in America. The Evolution of a Social Instrument" is an extensive examination of the newspaper industry from 1710 to 1936, from
"I would rather live in a country with newspapers and without a government, than in a country with a government but without newspapers" - Thomas Jefferson. This is the first volume in a set traces the development of American journalism from its early beginnings in the 17th century up until 1940. Together the books outline the enormous changes which the industry underwent, from the production techniques to journalistic practices and changes in distribution methods. Media historians considered Hudson's history, "Journalism in the United States, from 1600-1872 (1873)", to be the authoritative text for the study of the development of American journalism, a subject previously neglected by American historians. The work has remained an important source for modern day scholars. Hudson (1819-75) became known as "the father of journalism" for his innovative news-gathering practices and was managing editor of the New York Herald, which by the outbreak of the Civil War was the most widely read newspaper in the United States. Alfred McClung Lee's "The Daily Newspaper in America. The Evolution of a Social Instrument" is an extensive examination of the newspaper industry from 1710 to 1936, from a |
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