- Topic timely and important: connects established and emerging journalism practices to changing discourses about sexual violence.. - Diverse range of perspectives, international in scope. Including contributions from authors situated in: Australia, US, Denmark, Sweden, Japan, India, Norway, Israel. - No other academic book on the market which explores sexual violence in the hashtag era of #metoo, #blacklivesmatter, #SayHerName from an intersectional lens

"Analysts," "political scientists," "scholars," and "consultants,"--The News Shapers describes the elite club of individuals that the media approach for "inside information," background, or predictions concerning the outcome of still-unfolding stories. Although they are presented as detached experts, Lawrence C. Soley uncovers their long histories of partisanship as former government officials or politicians, and charges that most of the shapers have no better credentials than the millions of people to whom the news media never turn. Soley's findings, based on a University of Minnesota study which examined three major networks' evening newscasts during 1987-1988, reveal that a small number of white, politically conservative men associated with Washington-based think tanks, former Republican administrations, and private, East Coast universities virtually monopolize political discourse in the mass media. Dispelling the myth of the media's liberal bias, Soley discusses the shortcomings of both print and broadcast journalism which lead to selection of partisan news analysts, and the effects of their commentaries on foreign and domestic affairs. Special attention is given to Henry Kissinger, Washington "Think Tanks," and the media's handling of the conflict with Iraq. The News Shapers identifies the "experts," their past political affiliations, and their often thin academic credentials. It is highly recommended for scholars in communications, journalism, and political science, as well as for newspaper readers and television news viewers.

The captivating story of an influential journalist demonstrates the value of a free press to democratic society In the decades between the Great Depression and the advent of cable television, when daily newspapers set the conversational agenda in the United States, the best reporter in the business was a rumpled, hard-drinking figure named Homer Bigart. Despite two Pulitzers and a host of other prizes, he quickly faded from public view after retirement. Few today know the extent to which he was esteemed by his peers. Get the Damn Story is the first comprehensive biography to encompass all of Bigart's journalism, including both his war reporting and coverage of domestic events. Writing for the New York Herald Tribune and the New York Times, Bigart brought to life many events that defined the era-the wars in Europe, the Pacific, Korea, and Vietnam; the civil rights movement; the creation of Israel; the end of colonialism in Africa; and the Cuban Revolution. The news media's collective credibility may have diminished in the age of Twitter, but Bigart's career demonstrates the value to a democratic society of a relentless, inquiring mind examining its institutions and the people who run them. The principle remains the same today: the truth matters. Historians and journalists alike will find Bigart's story well worth reading.

Bearing Witness While Black tells the story of this century's most powerful Black social movement through the eyes of 15 activists who documented it. At the height of the Black Lives Matter uprisings, African Americans filmed and tweeted evidence of fatal police encounters in dozens of US cities-using little more than the device in their pockets. Their urgent dispatches from the frontlines spurred a global debate on excessive police force, which claimed the lives of African American men, women, and children at disproportionate rates. This groundbreaking book reveals how the perfect storm of smartphones, social media, and social justice empowered Black activists to create their own news outlets, which continued a centuries-long, African American tradition of using the news to challenge racism. Bearing Witness While Black is the first book of its kind to identify three overlapping eras of domestic terror against African American people-slavery, lynching, and police brutality-and explain how storytellers during each period documented its atrocities through journalism. What results is a stunning genealogy-of how the slave narratives of the 1700s inspired the Abolitionist movement; how the black newspapers of the 1800s galvanized the anti-lynching and Civil Rights movements; and how the smartphones of today have powered the anti-police brutality movement. This lineage of black witnessing, Allissa V. Richardson argues, is formidable and forever evolving. Richardson's own activism, as an award-winning pioneer of smartphone journalism, informs this text. Weaving in personal accounts of her teaching in the US and Africa, and of her own brushes with police brutality, Richardson shares how she has inspired black youth to use mobile devices, to speak up from the margins. It is from this vantage point, as participant-observer, that she urges us not to become numb to the tragic imagery that African Americans have documented. Instead, Bearing Witness While Black conveys a crucial need to protect our right to look into the forbidden space of violence against black bodies, and to continue to regard the smartphone as an instrument of moral suasion and social change.

Why do people read newspapers? How is community possible in an urban setting? Answers to both these questions have been attempted in the theorizing of urban sociologist and in journalist accounts of the role of local newspapers. Newspapers are said to foster a "sense of community." The existence of local community ties, on the other hand, is said to foster newspaper circulation and readership. By focusing on the community/communication relationship, this book raises questions and analyzes the nature of these relationships and how they work.

Every journalist must be able to conduct an interview and write snappy copy. No matter what field they are working in journalists also need to be able to wield a digital recorder, take photographs, talk to camera convincingly and create content for online delivery.Reporting in a Multimedia World offers a thorough overview of the core skills journalists need for the 21st century. The authors show how to generate story ideas, handle interviews, write for different audiences, and edit your own copy. They explain the basics of news photography and broadcast media, the requirements of different digital platforms and the challenges of user generated content. They also look at professional issues: the use of social media by journalists, legal and ethical issues, and career strategies.Thoroughly revised to reflect the rapid changes in media as a result of digital technologies, and written in a lively style with case studies and tips from experienced journalists, Reporting in a Multimedia World is an ideal introduction to an exciting and demanding profession.' Theoretical and practical aspects of journalism are perfectly matched, making it an invaluable resource for students and teachers alike.' - Padma Iyer in AsiaPacific MediaEducator

"Jesenska's essays offer firsthand observations on a society that was slowly imploding between the years 1920 and 1939 and] will certainly encourage lively classroom debates (especially in women's studies, political science and history courses) concerning politics, the condition of women, and social problems of yesterday and today." . Slavic and East European Journal

Milena Jesenska, born in Prague in 1896, is most famous as one of Franz Kafka's great loves. Although their relationship lasted only a short time, it won the attention of the literary world with the 1952 publication of Kafka's letters to Milena. Her own letters did not survive. Later biographies showed her as a fascinating personality in her own right. In the Czech Republic, she is remembered as one of the most prominent journalists of the interwar period and as a brave one: in 1939 she was arrested for her work in the resistance after the German occupation of Bohemia and Moravia, and died in Ravensbruck concentration camp in 1944.

It is estimated that Jesenska wrote well over 1,000 articles but only a handful have been translated into English. In this book her own writings provide a new perspective on her personality, as well as the changes in Central Europe between the two world wars as these were perceived by a woman of letters. The articles in this volume cover a wide range of topics, including her perceptions of Kafka, her understanding of social and cultural changes during this period, the threat of Nazism, and the plight of the Jews in the 1930s.

Kathleen Hayes received her Ph.D from the School of Slavonic and East European Studies, University of London, and has taught Czech literature and history at Charles University and New York University in Prague."

A comprehensive edited collection on the topic of responsible journalism in divided societies, drawing on a global range of contributions Contributors engage with longstanding questions and new challenges surrounding concepts of responsibility, trust, public service, and public interest in journalism Divided into three parts, the book explores the themes of local news, peace journalism, and audience relationships and how they relate to the practice of responsible journalism The book applies an inclusive concept of 'conflicted societies', going beyond those affected by violent conflict to include traditionally 'stable' but increasingly polarised democracies, such as the UK and the USA The studies also include societies often overlooked in media and journalism studies, such as Northern Ireland, Turkey, Cyprus, Pakistan, The Democratic Republic of Congo, and the Central African Republic Chapters also feature contemporary case studies, such as the Covid-19 pandemic, as a route into understanding the pertinent issue of fake news, and the 'local turn' in journalism The book will be a valuable resource for those studying conflict reporting and international journalism and will also appeal to any scholars working at the intersection of media, journalism, communication, peace, conflict, and security studies

This collection takes the study of diasporic communication beyond the level of simply praising its existence, to offering critical engagements and analysis with the systems of journalistic production, process and consumption practices as they relate to people who are living outside the borders of their birth nation.

This resource guide brings the comprehensive bibliographic coverage of American Indian and Alaska Native publications up to the present time. It contains newspapers and periodicals edited or published by American Indians or Alaska Natives, as well as publications with the primary purpose of publishing information about contemporary Indians or Alaska Natives. This volume is the result of the first-hand examination of as many copies of each publication as possible, with the assistance of over thirty contributors. Titles are arranged alphabetically and include variant titles which are cross-referenced. Each entry contains an essay profile of the publication listed, and includes a discussion of its founding, intentions, editors, content, affiliations with tribes, organizations, or other groups, and demise. Following each profile is an information section which includes a bibliography and a list of sources for locating holding institutions. A succinct publication history appears at the end of each entry, with title changes and issue data, and full information on publishers and editors. Appendixes of titles listed by chronology and location are also provided, along with an index and list of contributors.

Press photography is not just a career - it's a way of life - and photojournalists have a ringside seat on contemporary history. This book explains how to capitalise on that ringside seat. Written by an expert in the field, the core skills of the working photographer are detailed, with reference to areas of speciality in news, fashion, royalty, advertising, sport and war photography, and social history issues. Allied essential skills such as caption-writing, keywording and archiving images are also covered. This comprehensive book includes invaluable information on the latest developments in picture transmission, the role of the picture desk in the modern newspaper or news agency, the legal aspects of photojournalism and the rights and moral responsibility of the photographer. Finally, a guide to established career paths into photojournalism offers useful sources for further investigation.

Praise for the first edition:
This collection of essays comes mainly from academics but nobody should bridle at theorists lecturing practitioners. They properly challenge the way September 11th was reported - in a way that's both an endorsement of the role of the media and a wake-up call on its failures . . . anyone interested in our trade should read it.' - Roger Mosey, Ariel
'A thoughtful and engaging examination of the effects of 9/11 on the field of journalism. Its unique aim is to discuss the impact of the attack as a personal trauma and its current and future effects on journalism and the reporting of the news. . . highly recommended.' - Library Journal

Journalism After September 11 examines how the traumatic attacks of that day continue to transform the nature of journalism, particularly in the United States and Britain. Familiar notions of what it means to be a journalist, how best to practice journalism, and what the public can reasonably expect of journalists in the name of democracy, were shaken to their foundations.

Ten years on, however, new questions arise regarding the lasting implications of that tragic day and its aftermath.

Bringing together an internationally respected collection of scholars and media commentators, Journalism After September 11 addresses topics such as: journalism and public life at a time of crisis; broadsheet and tabloid newspaper coverage of the attacks; the role of sources in shaping the news; reporting by global news media such as CNN; Western representations of Islam; current affairs broadcasting; news photography and trauma; the emotional well-being of reporters; online journalism; as well as a host of pertinent issues around news, democracy and citizenship.

This second edition includes four new chapters ? examining Arabic newspaper reporting of the attacks, the perceptions of television audiences, national magazine coverage of the ensuing crisis, and the media politics of ?othering? ? as well as revised chapters from the first edition and an updated Introduction by the co-editors. A foreword is provided by Victor Navasky and an afterword by Phillip Knightley.

Through a detailed examination of newspaper coverage from 1899-1914, this book seeks to understand the vicarious experience of warfare held by Edwardians at the outset of the First World War. The attitudes towards and perceptions of war held by those who participated in it or encouraged others to do so, are crucial to our understanding of the origins of the First World War. Taking into account media history, cultural studies, and military history, the author argues that the press depicted war as distant and safe; beneficial and desirable and even as some kind of sport or game.

The future of journalism is hotly contested and highly uncertain reflecting developments in media technologies, shifting business strategies for online news, changing media organisational and regulatory structures, the fragmentation of audiences and a growing public concern about some aspects of tabloid journalism practices and reporting, as well as broader political, sociological and cultural changes. These developments have combined to impoverish the flow of existing revenues available to fund journalism, impact radically on traditional journalism professional practices, while simultaneously generating an increasingly frenzied search for sustainable and equivalent funding -- and from a wide range of sources - to nurture and deliver quality journalism in the future. This book brings together journalists and distinguished academic specialists from around the globe to present the findings from their research and to discuss the future of journalism, the shifting quality of its products, its wide ranging sources of finance, as well as the economic and democratic consequences of the significant changes confronting Journalism. The Future of Journalism details the challenges facing the press in contemporary societies and provides essential reading for everyone interested in the role of journalism in shaping and sustaining literate, civil and democratic societies. This book consists of special issues from Journalism Studies and Journalism Practice.

During this period of rapid and significant change in journalistic practices, journalism educators are re-examining their own profession and contributing to the invention of new models and practices. This edited volume of studies by respected international scholars describes the diverse issues journalism educators are grappling with and the changes they are making in purpose and practice. The book is organized into three sections -- education, training and employment - that explore common themes: How the assumptions embedded in journalism education are being examined and revised in the light of transformative changes in communication; How the definitions of journalism and journalists are broadening in scope and what this means for educators; How newsrooms and training programs around the world are being re-examined and made more effective. An introductory essay and section summaries provide context for the thirteen chapters that constitute the collection. The section on journalism education explores fundamental ways educators are seeking to make their institutions and practices stronger and more responsive. The section on training includes case studies of journalism training programs in sub-Saharan Africa, Turkey, Sweden and the U.S. The final section examines the job prospects and employment market for journalism students with data from the U.S., U.K, Australia, and Sweden. The scope of issues considered in the book makes it a valuable resource for journalism scholars from around the world, as well as doctoral students, journalism and communication administrators in universities, organizations that fund journalism training programs, and practitioners interested in understanding employment and education trends.

This edited volume of essays analyzes how the entire practice of journalism in America has changed irrevocably due to the Covid-19 pandemic. Written by journalists and other industry professionals, essays outline an assortment of related topics, including the rapid adoption of new technology like Zoom, the state of public health reporting, diversity in journalism and more. This book also outlines major implications for the future of journalism, detailing some long-lasting changes that could impact generations to come. These shifts in journalism will have economic, social and ethical consequences long after the pandemic ends and could shift the entire paradigm for deciding what news is and how it is covered.

• Practical, with easy to follow rules, without getting into the technicalities of linguistics. • Includes examples of correct and incorrect ways to report stories, as well as examples of common mistakes, problem words, and real journalism headlines. • Suitable for practicing journalists as well as students of journalism. • Written by a respected and well known journalist, experienced in working on national newspapers and in teaching.

Here is an inside look at how a Congressional Committee, supported by the Nixon White House, sought to establish control over broadcast news by investigating editorial news judgment. Frank Stanton, legendary President of CBS, refused to produce outtakes from the award-winning documentary, The Selling of the Pentagon, subpoenaed by the Committee in an attempt to condemn the program and CBS. The Committee voted to hold Stanton and CBS in contempt, and the House of Representatives held a full debate on its power to investigate and control broadcast news. Had Stanton not taken up the fight he describes to gain First Amendment protection, broadcast news would have been shaped by Congressional hearings and intimidation. Will new electronic media publishers resist such government efforts on the Information Superhighway? Fighting for the First Amendment can serve as a model for that struggle. Finally Stanton's story is told in his own words in this extraordinary account of his fight to secure First Amendment freedom for the news media. This remarkable book examines the ongoing conflict between media and government and dismisses the theory that press regulation by a government agency is desirable. CBS's fight over The Selling of the Pentagon clearly illustrates how government interference can keep vital information from the public. Broadcast news history shows that press regulations are not benign-despite government claims-and once they are in place, neither great resources nor the urgent need for truth may fully remove them. As public opinion polls show increasing support for such regulations, Stanton's story serves as a timely reminder of the need for a press free of government interference as print, cable, broadcast and satellite news move onto the Information Superhighway.

Bringing together original contributions from a worldwide group of scholars, this book critically explores the changing role and influence of institutions in the production of news. Drawing from a diverse set of disciplinary and theoretical backgrounds, research paradigms and perspectives, and methodologies, each chapter explores different institutions currently impacting journalism, including government bodies, businesses, technological platforms, and civic organisations. Together they outline how cracks in the autonomy of the journalism industry have allowed for other types of organizations to exert influence over the manner in which journalism is produced, funded, experienced and even conceptualized. Ultimately, this collective work argues for increased research on the impact of outside influences on journalism, while providing a roadmap for future research within journalism studies. The Institutions Changing Journalism is an invaluable contribution to the field of journalism, media, and communication studies, and will be of interest to scholars and practitioners alike who want to stay up to date with fundamental institutional changes facing in the industry.

This volume places the spotlight on the role different media and communications systems played in informing the public about the pandemic, shaping their views about what was happening and contributing to behavioural compliances with pandemic-related restrictions. Throughout the pandemic, media coverage has played an important role in drawing attention to specific messages, influencing public risk perceptions and fear responses. Mainstream media and other electronic communication systems such as Facebook and WhatsApp have been pivotal in getting pandemic information out to the public, thereby influencing their beliefs, attitudes and behaviour and engaging them generally in the pandemic as stakeholders. In this timely volume, author Barrie Gunter considers how people reacted to this coverage and its contribution to their understanding of what was going on, including the influence of fake news and misinformation on public beliefs about the pandemic, from anti-lockdown protests to the "anti-vaxx" movement. In addition, looking at how government messaging was not always consistent or clear and how different authorities were found not always to be in harmony or compliance with the messages they put out, Gunter examines the harm done by presenting different publics with ambiguous or conflicting narratives. Drawing out important communications strategy lessons to be learned for the future, this is essential reading for students and researchers in psychology, public health and medical sciences and for policymakers who assess government strategies, responses and performance.

As the art world eagerly embraces a journalistic approach, Aesthetic Journalism explores why contemporary art exhibitions often consist of interviews, documentaries and reportage. This new mode of journalism is grasping more and more space in modern culture and Cramerotti probes the current merge of art with the sphere of investigative journalism. The attempt to map this field, here defined as 'Aesthetic Journalism', challenges, with clear language, the definitions of both art and journalism, and addresses a new mode of information from the point of view of the reader and viewer. The book explores how the production of truth has shifted from the domain of the news media to that of art and aestheticism. With examples and theories from within the contemporary art and journalistic-scape, the book questions the very foundations of journalism. Aesthethic Journalism suggests future developments of this new relationship between art and documentary journalism, offering itself as a useful tool to audiences, scholars, producers and critics alike.

Re-Evaluating Women's Page Journalism in the Post-World War II Era tells the stories of significant women's page journalists who contributed to the women's liberation movement and the journalism community. Previous versions of journalism history had reduced the role these women played at their newspapers and in their communities-if they were mentioned at all. For decades, the only place for women in newspapers was the women's pages. While often dismissed as fluff by management, these sections in fact documented social changes in communities. These women were smart, feisty and ahead of their times. They left a great legacy for today's women journalists. This book brings these individual women together and allows for a broader understanding of women's page journalism in the 1950s and 1960s. It details the significant roles they played in the post-World War II years, laying the foundation for a changing role for women.

The media and more recently journalism have provided rich areas of study for many years but magazines, perhaps the most prolific single medium, have been largely ignored. Mapping The Magazine aims to redress the balance with an unprecedented collection of original, scholarly, detailed but wide-ranging examinations of the magazine form. Drawing on a variety of theoretical approaches and a wealth of titles from around the world, the contributions demonstrate just how significant the magazine has been, and continues to be, in the realm of journalism and cultural production. From the science magazines of the Victorian era to women's magazines of South Africa and Israel, via rock music and photojournalism past and present, the material in Mapping The Magazine illuminates and explores the all-encompassing, global and historical nature of the subject matter. Some of the most notable names in the field of magazine studies, including John Hartley, Sammye Johnson, David Abrahamson, Bethan Benwell, and Patrick Roessler contribute research based analyses of various aspects of magazine journalism from around the globe and across a wide historical span. This book will help to establish the magazine as a medium which is not only suitable for research but which also opens up a huge new field of possibilities. This book was previously published as a special issue of Journalism Studies

This edited collection seeks to better understand how journalism across cultures differs, presenting an in-depth exploration of global practices that departs from the typical Western-centric approach. Journalists across the world are trained, generally speaking, within Western models of reporting and are taught to do so as a practice where reporters need to aspire and aim for. Yet what such training is short of achieving is teaching reporters how to 'do' journalism within their own environments. In turn, what is required is a method of journalistic training and practice that is reflective of the actual practice reporters encounter on the ground. In order to do so, a better understanding of how journalism is practised in different parts of the world, the context surrounding such practices, the issues and challenges associated, and the positive practices that Western journalism can offer, is necessary. Promoting and deploying a culturally-specific and politically-relevant journalism, this book provides just that.

Recent instances of global crisis reporting on climate change and the financial crisis are early embryos of a new form of journalism that is increasingly needed in global times: global journalism. Instead of associating global journalism with national comparisons of media systems or defining it as an ethically "corrective" form of journalism, Peter Berglez sets out to develop the idea of global journalism as an epistemological updating of everyday mainstream news media. He theoretically understands and explains global journalism as a concrete practice, which can be applied in research, training, and reporting. He argues that the future of professional news journalism is about leaving behind the dominant national outlook for the sake of a more integrated (global) outlook on society. Emerging examples of global journalism are analyzed throughout the book alongside the historical background and the challenges it faces.