The Thematic Evolution of Sports Journalism's Narrative of Mental Illness: A Little Less Conversation contends that the conversation developed and sustained by sports journalists about professional athletes' experience with mental illness has evolved through three slightly overlapping stages, each marked by a primary theme. During the first stage, from the end of the 19th Century to the middle of the 20th century, sports journalists sensationalized the experience and portrayed the athletes - breathlessly labeled insane - as tragic figures. During the roughly two-decade second stage, an athlete's experience with mental illness was portrayed as an inconvenience that flummoxed and infuriated team officials who had neither the ability nor the inclination to address the issue. The final stage, leading up to present day and beyond, is most notable for the development and widespread adoption of a coverage template that centers around an athlete's brave decision to reveal and discuss their experiences. Combining historical research and narrative analysis, Ronald Bishop interrogates whether sports journalists have finally begun to cover the experience of mental illness with sufficient depth. Scholars of media studies, journalism, celebrity studies, and sports psychology would find this book of particular interest.

International news-agencies, such as Reuters, the Associated Press and Agence France-Presse, have long been 'unsung heroes' of the media sphere. From the mid-nineteenth century, in Britain, the US, France and, to a lesser extent, Germany, a small number of agencies have fed their respective countries with international news reports. They informed governments, businesses, media and, indirectly, the general public. They helped define 'news'. Drawing on years of archival research and first-hand experience of major news agencies, this book provides a comprehensive history of the leading news agencies based in the UK, France and the USA, from the early 1800s to the present day. It retraces their relations with one another, with competitors and clients, and the types of news, information and data they collected, edited and transmitted, via a variety of means, from carrier-pigeons to artificial intelligence. It examines the sometimes colourful biographies of agency newsmen, and the rise and fall of news agencies as markets and methods shifted, concluding by looking to the future of the organisations.

This book examines the idea of fake news through an analysis of the work of early to mid-twentieth century press critic George Seldes. By examining fake news - also known as propaganda and misinformation - from this period it becomes evident that it is a phenomenon that emerges in response to particular social, political and economic conditions. It is, therefore, not a new process but always a feature of the media ecosystem. Seldes' work makes evident that contemporary anxieties about the role, function, future and credibility of journalism were expressed in the 1930s and 1940s. The same fears were circulated about the consequences of fake news and propaganda on democratic debate. The same concerns were also expressed about how technology extends the circulation of propaganda and fake news, and affects journalism practices. An analysis of Seldes' media criticism of the fake news, lies and propaganda in daily newspapers in the 1930s and 1940s exposes the historical nature and impact of fake news on public debate, and affirms the critical role of journalists in exposing fake news.

This is the first book that looks into the state and role of investigate journalism in the Arab world. It explores the vital role the media could potentially play in informing and empowering society, to assist in opening up the communicative space in a region where this has previously been taboo.

This book examines the brief yet accelerated evolution of newsgames, a genre that has emerged from puzzles, quizzes, and interactives augmenting digital journalism into full-fledged immersive video games from open-world designs to virtual reality experiences. Critics have raised questions about the credibility and ethics of transforming serious news stories of political consequence into entertainment media, and the risks of trivializing grave and catastrophic events into mere games. Dowling explores both the negatives of newsgames, and how the use of entertainment media forms and their narrative methods mainly associated with fiction can add new and potentially more powerful meaning to news than traditional formats allow. The book also explores how industrial and cultural shifts in the digital publishing industry have enabled newsgames to evolve in a manner that strengthens certain core principles of journalism, particularly advocacy on behalf of marginalized and oppressed groups. Cutting-edge and thoughtful, The Gamification of Digital Journalism is a must-read for scholars, researchers, and practitioners interested in multimedia journalism and immersive storytelling.

This book focuses on ethnic journalism in the Global South, approaching it from two angles: as a professional area and as a social mission. The book discusses journalistic practices and ethnic media in the Global South, managerial and editorial strategies of ethnic media outlets, their content specifics, target audience, distribution channels, main challenges and trends of development in the digital age.

This book explores journalism practices and the dynamics of international news media in Korea, and examines the ways in which Korean journalists and foreign correspondents cover news stories about the Korean conflict. It notably explores news gathering practices concerning the Korean conflict, and investigates factors that influence journalists' news production through interview with foreign correspondents including bureau chiefs from news outlets as diverse as AP, Reuters, The New York Times, the BBC, Le Figaro, and the Mainichi Shimbun. Extending its coverage to provide a rationale for the proliferation of new media both from encoders and decoders' perspectives, and drawing on lively empirical data to examine the processes of news production, the book addresses how international media impacts on the stability and security in the region under the influence of the competing superpowers - the United States and China.

This book explores whether a beleaguered press in recent years has been developing an emotive, Eurosceptic post-truth rhetoric of its own - competing for attention with populist politicians. These politicians now by-pass the media, talking directly to their publics in blogs, on Twitter and Facebook. In the post-truth age, objective facts are less influential in shaping opinion than appeals to emotion. Audiences congregate around views they share and want to believe. The author presents a critical discourse analysis of the language used by populist politicians online, on Facebook, and subsequently quoted in the press, which highlights how the political rhetoric of Italian and British politicians is often at its most inflammatory around the issue of immigration. The same goes for the press. The Italian case study focuses on media coverage of the 2014 and 2019 European elections and 2018 general election. The British case study examines press reporting of the 2016 UK referendum on EU membership, the 2017 general election, and the September 2019 parliamentary debate immediately following the UK Supreme Court ruling that proroguing of Parliament was illegal. From the picture that emerges, the author argues that journalists need to change how they report, to challenge the post-truthers, holding them to account and pressing them on the facts while also harnessing the emotions of disaffected publics.

In this book, contributors analyze the knowledge about human mobility, its interaction with news and social media, and the way this impacts the attitudes of local societies and the integration of immigrants. After a general contextualization of migration dynamics in Southern Europe and its impact during the 21st Century, the central chapters of the book offer the results of three scientific studies conducted in Spain, Italy, and Greece about the representation of migration in news media and social platforms. These studies consist of an analysis of the frames used in news photographs about migrants and refugees in relevant news outlets; a computational study of online hate speech in social media based on racism and xenophobia; and a comprehensive qualitative evaluation of the perceptions that journalists specializing in migration may have about the interconnection between migration and journalism. Scholars of communication, migration studies, and journalism will find this book of particular interest.

In this edited collection, contributors analyze how the media is navigating Africa's most populous nation, Nigeria, and its mediated democracy. Despite its constitutional role, recognizable as the fourth estate of the realm, the Nigerian media has a history of confronting daunting challenges headlong. This book captures an array of the challenges faced, from British colonialism and military rule to democratic dispensation. Ordinarily, democracy is purposefully streamlined to elevate freedom of expression to an inalienable right and a necessary corollary of democracy. Yet, media freedom in Nigeria has been tortuous and nebulous, and there is a paradoxical difference in how the state relies on the media for partnership while also obstructing accountable journalism that would hold the state and the media itself accountable. The editors provide a poignant outlook of the onerous interactions and dialectics of media and democracy, and the cascading state power. Contributors argue for open democratic deliberations, civic space, and freedom of the press, all rooted in public good. Scholars of journalism, political communication, media studies, and African studies will find this book of particular interest.

In 1964, less than one year into his tenure as publisher of the Bogalusa Daily News, New Orleans native Lou Major found himself guiding the newspaper through a turbulent period in the history of American civil rights. Bogalusa, Louisiana, became a flashpoint for clashes between African Americans advocating for equal treatment and white residents who resisted this change, a conflict that generated an upsurge in activity by the Ku Klux Klan. Local members of the KKK stepped up acts of terror and intimidation directed against residents and institutions they perceived as sympathetic to civil rights efforts. During this turmoil, the Daily News took a public stand against the Klan and its platform of hatred and white supremacy. Against the Klan, Major's memoir of those years, recounts his attempts to balance the good of the community, the health of the newspaper, and the safety of his family. He provides an in-depth look at the stance the Daily News took in response to the city's civil rights struggles, including the many fiery editorials he penned condemning the KKK's actions and urging peaceful relations in Bogalusa. Major's richly detailed personal account offers a ground-level view of the challenges local journalists faced when covering civil rights campaigns in the Deep South and of the role played by the press in exposing the nefarious activities of hate groups such as the Klan.

This volume is the first scholarly treatment of the News of the World from news-rich broadsheet to sensational tabloid. Contributors uncover new facts and discuss a range of topics including Sunday journalism, gender, crime, empire, political cartoons, the mass market, investigative techniques and the Leveson Inquiry.

This timely book examines the role of fact-checking journalism within political policy debates, and its potential contribution to public engagement. Understanding facts not to operate in a political vacuum, the book argues for a wide remit for fact-checking journalism beyond empirically-checkable facts, to include the causal relationships and predictions that form part of wider political arguments and are central to electoral pledges. Whilst these statements cannot be proven or disproven, fact-checking can, and sometimes does, ask pertinent critical questions about the premises of those claims and arguments. The analysis centres on the three dedicated national British fact-checkers during the UK's 2017 snap general election, including their activity and engagement on Twitter. The book also makes a close political discourse and argumentation analysis of three key issue debates in flagship reporting from Channel 4 News and the BBC.

*Winner of the European Award for Investigative And Judicial Journalism 2021* *Winner of the Premio Alessandro Leogrande Award for Investigative Journalism 2022* 'I want to live in a society where secret power is accountable to the law and to public opinion for its atrocities, where it is the war criminals who go to jail, not those who have the conscience and courage to expose them.' It is 2008, and Stefania Maurizi, an investigative journalist with a growing interest in cryptography, starts looking into the little-known organisation WikiLeaks. Through hushed meetings, encrypted files and explosive documents, what she discovers sets her on a life-long journey that takes her deep into the realm of secret power. Working closely with WikiLeaks' founder Julian Assange and his organisation for her newspaper, Maurizi has spent over a decade investigating state criminality protected by thick layers of secrecy, while also embarking on a solitary trench warfare to unearth the facts underpinning the cruel persecution of Assange and WikiLeaks. With complex and disturbing insights, Maurizi's tireless journalism exposes atrocities, the shameful treatment of Chelsea Manning and Edward Snowden, on up to the present persecution of WikiLeaks: a terrifying web of impunity and cover-ups. At the heart of the book is the brutality of secret power and the unbearable price paid by Julian Assange, WikiLeaks and truthtellers.

This book provides an account of current work on letters to the editor from a range of different national, cultural, conceptual and methodological perspectives. Letters to the editor provide a window on the reflexive relationship between editorial and readership identities in historical and international contexts. They are a forum through which the personal and the political intersect, a space wherein the implications of contemporaneous events are worked out by citizens and public figures alike, and in which the meaning and significance of unfolding media narratives and events are interpreted and contested. They can also be used to understand the multiple and overlapping ways that particular issues recur over sometimes widely distinct periods. This collection brings together scholars who have helped open up letters to the editor as a resource for scholarship and whose work in this book continues to provide new insights into the relationship between journalism and its publics.

W. Joseph Campbell, longtime newspaper and wire service journalist, examines the origins and development of the ethos of independent journalism in two former single-party states in francophone West Africa—Benin and Côte d'Ivoire. In both countries since the late 1980s and early 1990s, a diverse and outspoken press, free of direct state control, has emerged and taken hold. Campbell shows how the ethos of independent journalism can emerge from disparate sources and dissimilar historical legacies, despite prolonged periods of repression and autocratic rule. In Benin, the ethos of independent journalism has been shaped by traditions of expressing dissent through the press—traditions established during the long period of French rule. The etiologies of independent journalism in Côte d'Ivoire include policies of the post-colonial regime that sought to channel and constrain dissent and dissident opinion within state structures. Demonstration effects of freely circulated French-language titles also helped shape and give rise to independent journalism in Côte d'Ivoire. The dominant trend in the press in both countries has been toward daily periodicity—a trend that suggests a resilience and little-recognized hardiness of journalism in Africa. Campbell draws on extensive interviews with Beninese and Ivorian journalists to challenge the pessimism that defines most studies of Africa's press. This is an important study for scholars and researchers of journalism in the developing world, particularly West Africa, and for students of African political life.

Small Press is an annotated guide to the sources for the study of the literary small press, focusing on small press publishing since 1960 when the Mimeo Revolution occurred allowing small presses in the United States to flourish in unprecedented numbers. The guide provides a selected enumeration of sources from 1960 to 1992 about the small press phenomenon, its constituent small presses and little magazines, and its cultural and commercial significance.

The volume first examines sources of current information, such as directories, indexes, guides, and trade journals. It then reviews sources on the cultural and business activities of the small press. In the end, it provides a beginning base of core secondary materials essential to librarians, scholars, book collectors, and anyone working in the field of the small press.

This book deals with an aspect of the Great War that has been largely overlooked: the war reportage written based on British and American authors' experiences at the Western Front. It focuses on how the liminal experience of the First World War was portrayed in a series of works of literary journalism at different stages of the conflict, from the summer of 1914 to the Armistice in November 1918. Sara Prieto explores a number of representative texts written by a series of civilian eyewitness who have been passed over in earlier studies of literature and journalism in the Great War. The texts under discussion are situated in the 'liminal zone', as they were written in the middle of a transitional period, half-way between two radically different literary styles: the romantic and idealising ante bellum tradition, and the cynical and disillusioned modernist school of writing. They are also the product of the various stages of a physical and moral journey which took several authors into the fantastic albeit nightmarish world of the Western Front, where their understanding of reality was transformed beyond anything they could have anticipated.

Based on extended interviews conducted from the Pakistani countryside to Washington, AP Foreign Correspondents in Action: World War II to the Present reveals for the first time what it takes to get the stories that brought the world home to America. It gives new front-line insights into major events from the Japanese surrender in 1945 to the 2010s Syrian civil war, and it helps to understand news impact on international affairs through evolving journalistic practices. Both successes and failures through eight decades of foreign correspondence from Afghanistan to Zimbabwe show that public discourse has been best served by correspondents who, at great risk, challenged accepted narratives, exposed omnipresent lies, gave a voice to the voiceless, and stymied the frequently violent efforts of those who feared truth-telling eyewitnesses.

The perception that the news media in the United States have a liberal bias is a phenomenon that animates conservatives and affects the ways in which they consider both media content and political discourse. Despite professional standards that have been put in place to prevent deliberate bias, conservatives would argue that the news media tilt deliberately to the left. Barry Goldwater, Distrust in Media, and Conservative Identity: The Perception of Liberal Bias in the News explores the origins of this perception of a liberal bias-while managing to avoid the highly subjective quagmire of attempting to measure bias-by instead positing a social identity explanation for the perception. Rich Shumate posits that conservatives' need to foster and maintain social identity as conservatives led them to perceive content from elite news media outlets as biased when it did not validate the way they saw the world, deeming it hostile and, by extension, "liberal". Shumate explores the formation of this perception during the period from 1960-1964, a critical juncture in the American political sphere when conservatives organized to elect Barry Goldwater as president and ultimately came away from the experience bitter with the belief that the news media had stacked the deck against their candidate of choice. Scholars of communication, media studies, journalism, political science, and American history will find this book particularly useful.

This book explores contemporary approaches to mobile storytelling, with contributions covering mobile education, news and screen storytelling, creative practice research, and the impact on vulnerable communities and social innovation. With 18 original chapters, Schleser and Xu bring together international media and communication scholars, digital storytellers, filmmakers, musicians, and educators to discuss the significant contributions made by mobile storytelling within academia, culture and society, resulting in a vibrant and interdisciplinary collection that will be a valuable resource to researchers across the arts, humanities and social sciences. This edited collection is a result of the collaboration between Mobile Studies International (MSI) and the Mobile Innovation Network & Association (MINA) at the International Mobile Storytelling Congress (IMSC) at the University of Nottingham Ningbo China.

The Cold War was a media phenomenon. It was a daily cultural political struggle for the hearts and minds of ordinary people-and for government leaders, a struggle to undermine their enemies' ability to control the domestic public sphere. This collection examines how this struggle played out on screen, radio, and in print from the late 1970s through the early 1990s, a time when breaking news stories such as Ronald Reagan's "Star Wars" program and Mikhail Gorbachev's policy of glasnost captured the world's attention. Ranging from the United States to the Soviet Union and China, these essays cover photojournalism on both sides of the Iron Curtain, Polish punk, Norwegian film, Soviet magazines, and more, concluding with a contribution from Stuart Franklin, one of the creators of the iconic "Tank Man" image during the Tiananmen Square protests. By investigating an array of media actors and networks, as well as narrative and visual frames on a local and transnational level, this volume lays the groundwork for writing media into the history of the late Cold War.

Regional newspapers around the globe are fighting to survive in the face of challenges to their economic model, due to the constant influx of new technology. At the same time, while studies of the national press have created a continuous narrative on the newspaper, the history of the regional press has been subject to relatively little academic scrutiny, despite being a significant industry in terms of a readership, circulation and profit. By focusing on provincial English newspapers, Matthews makes the case for the larger issue of the future of local newspapers worldwide. She argues that a comprehensive approach to the history of the regional press can result in a conceptualization of the industry in terms of the shift in emphasis between the key elements of state control, ownership, social influence and production techniques. They can be categorized into six distinct stages: the local newspaper as opportunistic creation; the characterization of the local newspaper as fourth estate; the impact of New Journalism; the growth of chain control, the shock of the free paper and new technology and finally, the current picture, the search for a new business model.

On the morning of January 31, 2009, Roxana Saberi, an Iranian-American journalist working in Iran, was forced from her home by four men and secretly detained in Iran's notorious Evin Prison. The intelligence agents who captured her accused her of espionage - a charge she denied. For several days, Saberi was held in solitary confinement, ruthlessly interrogated, and cut off from the outside world. For weeks, neither her family nor her friends knew her whereabouts. After a sham trial that made headlines around the world, the thirty-one-year-old reporter was sentenced to eight years in prison. But following international pressure by family, friends, colleagues, various governments, and total strangers, she was released on appeal on May 11, 2009. Now Saberi breaks her silence to share the full account of her ordeal, describing in vivid detail the methods that Iranian hard-liners are using to try to intimidate and control many of the country's people. In this gripping and inspirational true story, Saberi writes movingly of her imprisonment, her trial, her eventual release, and the faith that helped her through it all. Her recollections are interwoven with insights into Iranian society, the Islamic regime, and U.S.-Iran relations, as well as stories of her fellow prisoners - many of whom were jailed for their pursuit of human rights, including freedom of speech, association, and religion. Saberi gains strength and wisdom from her cellmates who support her throughout a grueling hunger strike and remind her of the humanity that remains, even when they are denied the most basic rights. "Between Two Worlds" is also a deeply revealing account of this tumultuous country and the ongoing struggle for freedom that is being fought inside Evin Prison and on the streets of Iran. From her heartfelt perspective, Saberi offers a rich, dramatic, and illuminating portrait of Iran as it undergoes a striking, historic transformation.