Newspaper editorials say a lot about the society in which we live. They are not just an indication and reflection of the issues of the day and of which way the political wind is blowing. They are also a part of the political climate that sets the agenda for politicians, and helps them discern which are the hot-button issues and which side people are on. Journalists and politicians enjoy a level of symbiosis in their relationships-they influence each other indirectly. It therefore follows that when fewer ideas, and a narrower range of opinions, are expressed in the nation's newspapers, there is a real danger that our thinking can become more simplistic as well. In 1930 there were 288 competitive major newspaper markets in the United States. Today, there are fewer than 30. In this dwindling marketplace of ideas, national themes tend to crowd out local issues. Moreover, newspapers must compete with 24-hour news channels like CNN and national newspapers like USA Today. This diminishing diversity of opinion and voices, as expressed in our newspapers' editorials, is taking place even as technological advances seemingly provide more sources of (the same) information. At the same time, as Hallock shows, the concentration of media ownership in fewer and fewer hands allows those individuals and entities an inordinate amount of influence. In this intriguing book, Hallock examines 18 newspaper markets to show us exactly how and where this troubling trend is occurring, what it means for the political landscape, and, ultimately, how it can affect us all.

This book offers a diverse approach to journalism history told from a multimedia perspective, re-examining mainstream stories and highlighting contributions that are often overlooked. Bringing together a team of prominent journalism historians, the volume centers race and ethnicity, gender and sexuality, class, religion, disability, mental health and generations to tell forgotten stories of journalism’s historical influence. The book is designed to appeal to Generation Z college students, offering budding mass communicators a valuable tool that addresses gaps in historical pedagogy and fosters representation in the classroom. Each chapter contains access to video and podcast extras, chapter summaries, guides to further reading and suggested activities to bring these narratives alive and keep readers engaged. Interactive and accessible, Social Justice, Activism and Diversity in U.S. Media History is an indispensable resource for Generation Z, scholars in mass communication and American history, journalists and general readers.

The ownership and funding of media organisations inevitably affects what news we receive everyday. But is public or private ownership better? Looking at how news is constructed in different contexts under public and commercial models, this book uses global comparative examples to give a topical insight into the world of broadcasting today.

News media, movies, blogs and video games issue constant invitations to picture war, experience the thrill of combat, and revisit battles past. War, it's often said, sells. But what does it take to sell a war, and to what extent can news media be viewed as disinterested reporters of truth? Lively and highly readable, this book explores how wars have been reported, interpreted and perpetuated from the dawn of the media age to the present digital era. Spanning a broad geographical and historical canvas, Susan L. Carruthers provides a compelling analysis of the forces that shape the production of news and images of war - from state censorship to more subtle forms of military manipulation and popular pressure. This fully revised second edition has been updated to cover modern-day conflict in the post 9/11 epoch, including the wars in Iraq and Afghanistan. Rich in historical detail, The Media at War also provides sharp insights into contemporary experience, prompting critical reflection on western society's paradoxical attitudes towards war.

*Encourages students into the profession of media production for sports, drawing on case studies and interviews with practitioners and providing careers advice for students looking to break into the industry. *This is the first book to address motion graphics in sports production and presentation so fills a niche gap in the market which sits between media production, graphic design and advertising/sports marketing. *Combines research and practice to give a holistic overview of the area and where it is going/how students can shape it.

The new edition of Journalism Ethics and Regulation presents an accessible, comprehensive and in-depth guide to this vital and fast moving area of journalistic practice and academic study. The fourth edition presents expanded and updated chapters on: Privacy, including the pitfalls of Facebook privacy policies and access to social media as a source Gathering the news, including dimensions of accessing material online, the use of crowd sourcing, email interviews, and the issues surrounding phone hacking, blagging and computer hacking New regulation systems including comparison of statutory, state and government regulation, pre-publication regulation, online regulation, and the impact of the Leveson Enquiry on regulation Exploration of who regulates and the issues regarding moderation of user content Journalism ethics and regulation abroad, including European constitutional legalisation, ethics and regulation in the former Soviet states, and regulation based on Islamic law. The book also features brand new chapters examining ethical issues on the internet and journalism ethics, and print regulation in the 21st century. Journalism Ethics and Regulation continues to mix an engaging style with an authoritative approach, making it a prefect resource for both students and scholars of the media and working journalists.

So you’ve always dreamed of a career in publishing… but you don’t know where to start or how? You’re holding the key in your hands! Using insider information, How to Get A Job in Publishing is the newly revised edition of the classic text for you if you are keen to work in publishing or associated industries – or if you are already in publishing and want to go further. Packed with real-life quotes, case studies and practical advice from publishing veterans, and more recent arrivals, the authors differentiate types of publishing and explain how roles and departments work together. They discuss the pros and cons of internships and further study as well as training and lifelong learning, working internationally, networking and building your personal brand. The book includes vital guidelines for applying for publishing roles, including sample CVs and cover letters and a glossary of industry terms, to make sure you stand out from the crowd when you apply for jobs. This thoroughly updated edition covers: The post-pandemic publishing world, changes and current controversies, the rise of e-books, Amazon, self-publishing and indie publishing The growth in tertiary courses in Publishing Studies and internships – are they really the best way in? How to create your CV and a compelling cover letter that gets you noticed A new chapter addresses equity, diversity, inclusion and belonging, reflecting on the current state of the publishing industry, how to evaluate potential employers and how to look after yourself and others at work. Whether you are a new or soon-to-be graduate of Media and Publishing, or are just interested in a career in publishing or the creative industries, How to Get A Job in Publishing is an essential resource.

This edited volume offers a state-of-the-art synthesis of the historical role of radical journalism, its present iterations, and plans for the future of a journalism that is committed to liberatory movements and politics. At a time of profound crisis and stagnation for mainstream journalism, radical journalism seems to be riding a wave. New outlets, including those – like Jacobin – with a global reach, have sprung up, presenting a new generation of unapologetically progressive publications with an emancipatory agenda. Understanding the role and place of radical journalism becomes even more urgent given the current political climate in a (post) pandemic world with heightened inequalities and intensified pauperisation. Drawing on contributions from leading academics, this collection considers: • How new outlets fit in the genealogy of (radical) journalism and what their flourishing can tell us about the present and future of emancipatory politics and the role of the radical journalist; • What these new forms and publications mean for mainstream journalism and its persisting problems of financial sustainability and professional journalistic labour; • Important challenges presented by, for example, the resurgence of fascism, authoritarianism and the mainstreaming of the far right; • Essential questions of what radical journalism looks like today, what forms it takes or should take, and what its future might be. Radical Journalism is recommended reading for advanced students and journalists working at the intersection of journalism, politics, and sociology.

Responding to the widespread and continued acceleration of virtual working practices in recent years, Virtual Presenting provides a clear guide to producing, presenting and broadcasting in a remote context. Unlike traditional studio production where a presenter is surrounded by a crew and cameras, the virtual presenter is often isolated or connected to a remote crew. Virtual Presenting explains how to make an authentic connection across great spaces, linked only via Internet. Topics covered include how to build a virtual setup; how to appear on camera; how to appear confident and comfortable; and how to optimize your presentation voice. The authors demonstrate how to tell effective stories across the entire new media landscape of webcasting, webinars, livestreams and virtual events. Finally, success stories and case studies from teachers, students, and professionals are interwoven to show how these guidelines translate into best practice. Virtual Presenting will be a valuable resource for students of media production and remote broadcasting as well as professionals looking to become stronger communicators and visual presenters.

What basic ethical principles should guide American journalists to help them justify their invasion of an individual's privacy, to be objective in their reporting, to avoid being influenced by government or economic controls? A wire service and newsroom veteran and a sociologist and scholar in mass media/communications have designed a philosophical guide for students, scholars, and practitioners to use as a kind of moral compass. Key excerpts from some of the most important writings on the subject from Milton to Louis Brandeis, from Plato to Sissela Bok, and from Adam Smith to John Merrill deal with some of the most serious contemporary issues in journalism today. This short text also includes the "Society of Professional Journalists' Code of EthicS" and a full index.

This book is about how we can build back truth online. It provides solutions so that we can repair our existing social media platforms and build better ones that prioritize value over profit, strengthen community ties and promote access to trustworthy information. This book explains the problem of misinformation within the larger context of "information disorder." It provides a road map with six paths forward to understand how platforms are designed to exploit us, learn to embrace agency in our interactions with digital spaces, build tools to reduce harmful practices, require platform companies to prioritize the public good, repair journalism and strengthen curation to promote trusted content and create new healthier digital public squares. This book presents a comprehensive and connected strategy on how we can reduce misinformation and build back truth. New, experimental models that are ethically designed to build community and promote trustworthy content are having some early successes. We know that human social networks -- online and off-- magnify whatever they are seeded with. They are not neutral. We also know that to repair our systems we need to repair their design. We are being joined in the fight by some of the best and brightest minds of our current generation as they flee big tech companies in search of vocations that value integrity and public values. The problem of misinformation is not insurmountable. We can fix this.

This scholarly work deals specifically with the important changes in popular journalism in the late nineteenth and early twentieth centuries. A pioneering study in the history of journalism, it is the first volume to focus on the history of the New Journalism in Britain, which is central in the overall history of the modern press. Written by leading scholars representing a variety of disciplines, the fourteen essays provide a careful historical analysis of the transformation that took place in journalism, and the innovations that occurred, such as the greater use of illustrations and photographs, headlines and crossheads, and increased coverage of human interest subjects. The authors take different positions on aspects of the New Journalism, and the book offers a wealth of new information based on original research, as well as lively, interpretive commentary on the nature of change in modern journalism and its relationship to popular culture. The in-depth examination of major subject areas, such as The Beginnings of the New Journalism, The Flowering of the New Journalism, and Subjects and Audiences, dispels the simplistic view of the New Journalism as occurring within a short period of time by showing that the changes took place slowly and had many ramifications. The annotated bibliography includes studies of individual newspapers and biographies of some of the leading journalists.

* Explores how fast-changing communication technologies, platforms, applications and practices impact how we perceive ourselves, others, relationships and bodies. * Shows how authentic, curated self-identity is increasingly formed, performed and engaged with through digital cultural practices, and these practices need to be understood if we are to make sense of identity in the 2020s and beyond * Features critical accounts, everyday examples, and case studies focusing on key platforms from Instagram to TikTok.

In the course of the nineteenth century the advent of printed pamphlets, with their news and advertisements, gave every town along Norway's long coast - populated by farmers, fishermen, clergy, businessmen and shopkeepers - a common language and a public arena for news and ideas. In Norway alone, the number of titles grew from a handful to a hundred in the course of the century. From 1900 to 1940 the number of papers swelled to two hundred and seventy - the number that remains today. The press system created a substantial structure, which would prove vital for many of the later media outlets that developed over the twentieth century with the breakthrough of new technologies - cinema industry, radio broadcasting, television and the internet. Newspapers generated the money and power for the development of these media, thus shaping such media and determining, or at least influencing, their perception and reception in Norwegian society. The press in Norway is therefore at the core of the modern media system and its rich history.

Combining theory with practical application, this collection of real-life, provocative case studies on social issues in sports provides students with the opportunity to make the call on ethical and professional dilemmas faced by a variety of sport and communication professionals. The case studies examine the successes and failures of communication in the corporate culture of sport intersecting with social issues including race, gender, religion, social media, mass media, public health, and LGBTQ+ issues. Topics include the COVID-19 pandemic, the Black Lives Matter movement, sexual abuse scandals, domestic violence, cultural appropriation, and mental health. Each chapter contextualizes a specific issue, presents relevant theory and practical communication principles, and leads into discussion questions to prompt critical reflection. The book encourages students to view the evidence themselves, consider competing ethical and professional claims, and formulate practical responses. This collection serves as a scholarly text for courses in sport communication, business, intercultural communication, public relations, journalism, media studies, and sport management.

This book aims to reflect how journalism has changed in recent years through different perspectives concerning the impact of technology, the reconfiguration of the media ecosystem, the transformation of business models, production and profession, as well as the influence of digital storytelling, mobile devices and participation within the context of glocal information. Journalism innovation implies modifications in techniques, technologies, processes, languages, formats and devices intended to enhance the production and consumption of the journalistic information. This book becomes an interesting resource for researchers and professionals working in news media to identify the best practices and discover new types of information flows in a rapidly changing news media landscape.

One of the most influential men in nineteenth-century America, Horace Greeley is remembered not only as the editor and publisher of the New York Tribune but also for his contribution to the profession of journalism, for his role in the nomination and election of presidential candidates; for his work toward a homestead law, and for the impact his voice had on the abolition of slavery. This bio-bibliography provides a useful guide to the literature on Greeley. Beginning with a brief chronology of Greeley's life and a biographical sketch, the book then provides annotated entries, arranged chronologically and divided into two major sections: works by Greeley and works about Greeley. The first section on Greeley's own work includes chapters on his books and other published materials, other sources of Greeley writings, newspaper and printing establishments associated with him, and articles in periodicals. The second section includes chapters on biographical works and memorials to Greeley, other books useful to the study of Greeley, reference works and other edited materials, articles in periodicals, theses, manuscript collections with Greeley material, and government documents. The book also includes author and subject indexes. A useful guide for scholars, the volume will also be of interest to anyone wanting to learn more about Greeley.

Plant Here the Standard tells the story of the world's oldest evening newspaper, the (London) Evening Standard. Commencing in the time of Oliver Cromwell, it traces the history of the Baldwin Family, fearless Protestant publishers, whose successors launched The Standard in 1827. Later owners of the paper were to include: C.Arthur Pearson, founder of the Daily Express; Lord Beaverbrook; and, now, Lord Rothermere. And throughout there are tales of the paper's scoops, its famous journalists and cartoonists, and its political involvements.

Ambrose Bierce was born in 1842 and mysteriously disappeared in 1914. During his lifetime, he was a controversial and prolific writer, and there is growing interest in his works. As a Union soldier during the Civil War, he witnessed bloodshed and the atrocities of battle. After the war, he began a career as a journalist in San Francisco, where many of his newspaper columns were filled with venom and daring. In addition, he wrote war stories and tales of the supernatural, along with an assortment of poems. Today, he is probably best remembered as the author of "The Devil's Dictionary, " originally published as "The Cynic's Dictionary" in 1906. This reference is a guide to his life and writings.

An opening essay overviews Bierce's contribution to literature and journalism, and a chronology summarizes the most important events in his life. The bulk of the Companion comprises alphabetically arranged entries on Bierce's major works and characters and on historical persons and writers who figured prominently in his life and career. Thus the volume provides coverage of Bierce's contemporaries, many of whom he satirized in his scathing newspaper columns. Many of the entries list works for further reading, and the book closes with a selected, general bibliography. Because of Bierce's concern with so many issues of his day, the volume offers a valuable perspective on American culture during the time in which he lived.

Beginning with an exposition of the four most widely argued theories of the press, this book goes on to explore several critical perspectives on the tasks and roles of print and broadcast news media in the United States. The author sets out critical analyses of several hotly debated issues, including news balance and objectivity, freedom of the press, and news coverage of minorities. After an appraisal of the present condition of journalism education in the United States, the author provides both complete and annotated professional guidelines and mission statements from key advertising, broadcasting, and print media organizations.

This book provides an historical overview of the formation of sports media in Latin America and its role in the construction of the political history of Latin American sport. The sports press was a privileged observer of the development of modern sports, but it was also a key factor in the making of professional sports in Latin America. Most of the literature on sport in Latin America treats the sports press as an historical source, rarely taking it as an object of study in itself. However, the development of sports in the region is connected to national and state-building processes and the role of media narratives is crucial to understanding how sports participate in those processes. Spanning the globalization of football in the late nineteenth century to the shift promoted by television in the 1970s, the chapters survey the historical development of sports media in Latin America. Representing ten countries, the contributors follow a framework that presents the press not as a passive narrator of the sports phenomenon, but as a social agent of the sports field. This book is of use to those interested in the history of sports and the media, and it will be a good resource for undergraduates taking courses on Sports History, Latin American History, Sports Management, and Journalism and Communication.   

This book examines the independent media movements by Inmediahk and Coolloud - long-established, autonomous media organizations that have agitated for the development of media freedom and human rights in Hong Kong and Taiwan since 2004 and 1997, respectively. Based on direct interviews with the founders and core members of Inmediahk and Coolloud, the author investigates the origins, growth, and achievements of Inmediahk and Coolloud's media social movements as well as the current challenges the two independent media outlets encounter with regard to funding, increasing socio-political pressure, and the complicated media environments in Hong Kong and Taiwan using the method of qualitative content interpretation. Moreover, the practicality of social media and independent media in contemporary social movements, including the 2019 Anti-Extradition Bill Movement in Hong Kong, is reviewed according to text analysis. Considering the prospect of media activism from a non-western perspective, this book will appeal not only to scholars and researchers with interests in media, social movement, and cultural studies, but also to media workers and activists across the globe.

Digital Journalism and the Facilitation of Hate explores the process by which digital journalists manage the coverage of hate speech and "hate groups," and considers how digital journalists can best avoid having their work used to lend legitimacy to hate. Leaning on more than 200 interviews with digital journalists over the past three years, this book first lays the foundation by discussing the essential values held by digital journalists, including how they define journalism; what values they consider essential to the field; and how they practice their trade. Perreault considers the problem of defining "hate" and "hate groups" by the media, acknowledging journalism's role in perpetuating hate through its continued ideological coverage of marginalized groups. Case studies, including the January 6 U.S. Capitol siege, the GamerGate controversy, and the Unite the Right rally in Charlottesville, help to elaborate on this problem and illustrate potential solutions. Digital Journalism and the Facilitation of Hate draws attention to the tactics of white nationalists in leveraging digital journalism and suggests ways in which digital journalists can more effectively manage their reporting on hate. Offering a valuable, empirical insight into the relationship between digital journalism and hate, this book will be of interest to students, scholars, and professionals of social and digital media, sociology, and journalism.

This book is an exploration of the extent to which young people in the UK are disaffected with traditional politics, and particularly the role played by televisual representations of the political process. The authors look at how television represents young people themselves, and at how young people use new forms of media to inform themselves politically --