An accessible introduction to understanding the current media environment and the culture it contains, this book provides an indispensable guide to dynamic media literacy in the digital environment. Katherine G. Fry draws from philosophies of technology and communication, from media ecology, critical cultural theory, and critical pedagogy to explain the dimensions of media environments. Fry introduces an essential dynamic media environment model that can be used as a framework for understanding global social challenges. The model extends media literacy education and practice by de-centering media messages, instead explaining media as environments-as cultures created by and within our dominant form of communication. Exploring progressive education philosophies that advocate inclusion, independence, empathy, and critical thinking toward problem-solving in a rapidly changing world, this book includes media literacy examples, global case studies, exercises, and learning tools to facilitate learning the full scope of the current media environment. This book explores how the digital communication environment operates on many dimensions so that we, as citizens, as players within the shifting digital environment, can act to shape it. Essential reading for students and scholars of media and communication studies, media literacy and media education, as well as other disciplines where media is used as a lens to examine issues within society.

Broadcast Journalism offers a critical analysis of the key skills required to work in the modern studio, on location, or online, with chapters written by industry professionals from the BBC, ITV, CNN and independent production companies in the UK and USA. Areas highlighted include: interviewing researching editing writing reporting. The practical tips are balanced with chapters on representation, ethics, law, economics and history, as well as specialist areas such as documentary and the reporting of politics, business, sport and celebrity. Broadcast Journalism concludes with a vital chapter on career planning to act as a springboard for your future work in the broadcast industry. Contributors: Jim Beaman; Jane Chapman; Fiona Chesterton; Tim Crook; Anne Dawson; Tony Harcup; Jackie Harrison; Ansgard Heinrich; Emma Hemmingway; Patricia Holland; David Holmes; Gary Hudson; Nicholas Jones; Marie Kinsey; Roger Laughton; Leslie Mitchell; Jeremy Orlebar; Claire Simmons; Katie Stewart; Ingrid Volkmer; Mike Ward; Deborah Wilson.

Making the News provides a cross-national perspective on key features of journalism and news-making cultures and the changing media landscape in contemporary Europe. .Focusing on the key trends, practices and issues in contemporary journalism and news cultures, Paschal Preston maps the major contours of change as well as the broader industrial, organizational, institutional and cultural factors shaping journalism practices over the past two decades. Moving beyond the tendency to focus on journalism trends and newsmaking practices within a single country, Making the News draws on unique, cross-national research examining current journalism practices and related newsmaking cultures in eleven West, Central and East European countries, including in-depth interviews with almost 100 senior journalists and subsequent workshop discussions with other interest groups Making the News links reviews and discussions of the existing literature to original research engaging with the views and experiences of journalists working at the 'coal face' of contemporary newsmaking practices, to provide an original study and useful student text.

Since the Revolutionary War, American military men have published troop newspapers to provide amusement, to keep themselves informed, to aid in maintaining morale, and to encourage those engaged in boring or dangerous pursuits. Beginning as informal ventures, these papers received official sanction as high command began to realize their morale benefits and eventually became an accepted adjunct to the waging of war. Based on a close reading of many soldiers' newspapers, this volume is the first book to provide a historical survey of the U.S. military press from the Revolutionary War to the present. Drawing on the rich detail in the troop newspapers, the book also provides a social record of the attitudes, aspirations, and life of those engaged in war, and considers the increasingly controversial issue of freedom of the press in war time.

Taking a chronological approach, the study opens with a consideration of the Revolutionary War and turns to a consideration of the Mexican War of 1846-1848 in chapter 2. The Civil War papers are covered in chapter 3. Chapter 4 discusses the period from 1865 to 1917, when the military press matured. The next two chapters cover the ground forces papers and the air service papers of World War I. Chapters 7 and 8 are devoted to World War II, and the final chapter covers the period since World War II. This volume should become a standard in journalism history.

Unlike its British forebears, the early American magazine, or periodical miscellany, functioned in culture as a forum driven by manifold contributions and perpetuated by reader response. Arising in colonial Philadelphia, America's more democratic magazine sustained a range of conflicting ideas, norms, and beliefs--indeed, it promoted their very exchange. It invited and embraced competing voices, particularly during the first 75 years of the Republic. In this first-ever account of the early American magazine as a distinct form, Amy Beth Aronson reveals how such participatory dynamics and public visibility offered special advantages to women, especially to those with sufficient education, access, and financial means, for whom ladies magazines offered unusual opportunities for self-expression, collective discussion, and cultural response.

Moreover, the genre opened and sustained dialogue among contributors, whose competing voices played off each other, provoking rebuttal and revision by subsequent contributors and noncontributing readers. This free play of discourse positioned women's words in a uniquely productive way, offering a kind of community of women readers who, together, wrote and revised magazine content and collectively negotiated and authorized new language for a new public's use.

This book explores contemporary American true crime narratives across various media formats. It dissects the popularity of true crime and the effects, both positive and negative, this popularity has on perceptions of crime and the justice system in contemporary America. As a collection of new scholarship on the development, scope, and character of true crime in twenty-first century American media, analyses stretch across film, streaming/broadcast TV, podcasts and novels to explore the variety of ways true crime pervades modern culture. The reader is guided through a series of interconnected topics, starting with an examination of the contemporary success of true crime, the platforms involved, the narrative structures and engagement with audiences, moving on to debates on representation and the ethics involved in portraying both victims and perpetrators of crime within the genre. This collection provides new critical work on American true crime media for all interested readers, and especially scholars and students in the humanities and social sciences. It offers a significant area of research in social sciences, criminology, media and English Literature academic disciplines.

This is an examination of how developments in the organization, financial structures and regulation of news media, combined with changes in journalism's composition and news-gathering practices, have resulted in shifting editorial standards in newspapers, radio and television. The book looks at developments in the profession of journalism including the growth in freelance work, the precarious position of editors, and the absent voices of women and black journalists. At the same time, it provides a consideration of the historical development of national and regional news media, exploring issues of media ownership and the impact of new technologies on news gathering and reporting. The book concludes by examining journalism's revised editorial priorities and developments in media regulation, and offers detailed case studies of press coverage of the Princess of Wales set against declining news media reporting of Parliamentary and political affairs.

This book offers an analytical account of the consensus and contestations of the politics of Chinese media at both institutional and discursive levels. It considers the formal politics of how the Chinese state manages political communication internally and externally in the post-socialist era, and examines the politics of news media, focusing particularly on how journalists navigate the competing demands of the state, the capital and the urban middle class readership. The book also addresses the politics of entertainment media, in terms of how power operates upon and within media culture, and the politics of digital networks, highlighting how the Internet has become the battlefield of ideological contestation while also shaping how political negotiations are conducted. Bearing in mind the contemporary relevance of China's socialist revolution, this text challenges both the liberal universalist view that presupposes 'the end of history' and various versions of China exceptionalism, which downplay the impact of China's integration into global capitalism.

By investigating specific cases of newspapers in their communities, Newspapers and the Making of Modern America shows the newspaper as an agent of change in the construction and maintenance of community. It develops the theme of a newspaper as a prime mover in enacting policy, supporting development, building neighborhoods, and generally modifying the physical and built environment. Using the newspaper as a window into the study of the twentieth century, the book shows how newspapers have: - Promoted the building of America's first postwar suburb, constructed towns where none had existed before, - Promoted development and new industry, - Built community awareness, cohesion and preservation, - Moved populations from one place to another, - Participated in campaigns both for and against slum clearance, - And carved out communities within communities. Examples include newspapers in relation to their state (Des Moines Register), their county (Long Island Newsday), their region (Miami Herald, Los Angeles Times), their city (New York Daily News, New York Mirror and New York Daily Graphic) their community (Baltimore Afro-American, Pittsburgh Courier, Chicago Defender), their town (Emporia Gazette, Anniston Star) their village (Village Voice, East Village Other) and their nation (New York Times, Wall Street Journal, Washington Post and USA TODAY).

Over the past two decades, there have been a series of events that have brought into question the concept and practice of free expression. In this new book, Winston provides an account of the current state of freedom of expression in the western world. He analyses all the most pertinent cases of conflict during the last two decades - including the fatwa against Salman Rushdie, the incident of the Danish cartoons and offended celebrities - examining cultural, legal and journalistic aspects of each case. "A Right to Offend" offers us a deeper understanding of the increasingly threatening environment in which free speech operates and is defended, as well as how it informs and is central to journalism practice and media freedom more generally. It is important reading for all those interested in freedom of expression in the twenty-first century.

This book explores the impact of, and lessons learned from, media development and training programs sponsored by the US government and non-governmental organizations in countries transitioning to democracy. Recognizing the importance of establishing a free press and a free market economy in newly democratic societies, this book examines the training of journalists and media managers in selected countries in Eastern Europe, Africa, Asia, the Middle East, and South America. Drawing on the author's and other media trainers' experiences over a 25-year period, this book provides important insights into tailoring training programs to specific regions and countries. Case studies describe training in radio and television management, broadcasting, and media sustainability, and are contextualized against the cultural and historical backgrounds of each region. Media Training in Transition Countries will be of interest to media trainers, government and nongovernment agencies, and scholars and students of international journalism and development.

Government and Misgovernment of London was first published in 1939.

Here is a provocative book that examines precisely how and why mass communication has an impact upon the sexual realities of our lives. Written in response to a demand for information that cuts across many of the boundaries found in more traditional books on sexuality and mass communication, Gay People, Sex, and the Media covers a broad range of sexual identity, socialization, and mass communication issues and represents a variety of theoretical and methodological orientations. Although the chapters are diverse, they all focus on how the mass media--television, radio, films, newspapers, magazines, and recorded music--contribute significantly to the very definitions we form of ourselves and of each other. In part, this informative volume discusses and analyzes several concerns regarding minority perspectives in the context of the the study of mass media content and effects; analyzes mediated information about AIDS and highlights the responsibility of the mass media to disseminate more accurate information; addresses the relationships between mass media content (primarily television) and sexual socialization; explores issues confronted by individuals whose sexual orientations are generally perceived as falling out of the mainstream; and provides a selective bibliography of print, aural, and visual resources on gay men, lesbians, and the mass media. Unique in contrast to other books of research on human sexuality and mass communication, Gay People, Sex, and the Media gives more than a passing reference to issues concerning sexual identity and gay and lesbian concerns. Scholars and students of human sexuality, especially those who wish to explore their field from a communications perspective, will find this to be a valuable book. It is also useful to communications researchers and teachers, particularly those studying mediated communications in society, media ethics, and sex and the media. Finally, for professionals involved in creating or monitoring media content or forging public policy and community action programs in response to these issues, this volume serves as an essential sourcebook.

The first book in a six-volume series on the history of American journalism, this volume provides a survey of the earliest printing in the American colonies, up through the Revolutionary War. The work focuses on the nature of journalism during the years covered, considers noteworthy figures, examines the relationship of journalism to society, and provides explanations for the main directions that journalism was taking.

Early American printing was animated by remarkable vitality and sophistication, with the life of each newspaper and printer being marked by individual ideas and individual struggles. Early Americans also had quite sophisticated ideas about the role and operation of the press. In this survey, the authors try to suggest the complexities of the early American press. They address such issues as why newspapers first appeared, the purpose that newspaper operators saw for themselves, the role of the practice of journalism in the colonial press, and the role of the press in influencing public opinion. Their primary focus, however, is on the essential nature of the early American press and the factors that accounted for that character.

This book offers a comparative study of the political debate on the Euro crisis in the press. In the tradition of Critical Discourse Analysis, it investigates the ways in which discourse produces and reproduces social domination, and demystifies the hegemony of specific discourses. Combining quantitative content-based and qualitative text-based analyses, the book examines the discursive constructions of the crisis in a selection of broadsheet newspapers in Germany, Poland, and the UK, and discloses their ideological foundations. The analysis of the representations of the crisis, social actors and their agency, and legitimating strategies, including the use of metaphors, demonstrates how neoliberalism determined the hegemonic discourse on the Euro crisis. It resulted in ideologically biased discursive constructions that created and legitimised an image of non-agentic social change. The book will appeal to an international audience of discourse and media studies. It will be of interest to university teachers, graduate and undergraduate students and researchers of international and comparative media studies, political communication, linguistics, and politics.

The American press played a significant role in the transference of European civilization to America and in the shaping of American society. Settlement entrepreneurs used the press to persuade Europeans to come to America. Immigrants brought religious tracts with them to spread Puritanism and other doctrines to Native Americans and the white population. The colonists used the press to openly debate issues, print advertisements for business, and as a source of entertainment. But what did the colonists actually think about the press? The author has gathered information from primary sources to explore this question. Diaries and journals reveal how the colonists valued local news, often preferring American news to European news. This concentrated focus upon colonial attitudes and thoughts toward the press covers the period of colonial settlement from the 1500s through 1765.

This book will appeal to scholars and students of American history and communication history. Primary documents expressing the colonists' thoughts will also be of interest to scholars and students of American thought, American philosophy, and early American literature and writing.

Merchants of Truth by Jill Abramson, former editor of The New York Times, is the gripping and definitive in-the-room account of the revolution that has swept the news industry over the last decade and reshaped our world. 'A cracking, essential read ... [Abramson] knows where most of the bodies are buried and is prepared to draw the reader a detailed map' Guardian 'A masterwork ... vastly useful' Financial Times Drawing on revelatory access, Abramson takes us behind the scenes at four media titans during the most volatile years in news history. Two are maverick upstarts: BuzzFeed, the brain-child of virtuoso clickbait scientist Jonah Perretti, and VICE, led by the booze-fuelled anarcho-hipster Shane Smith. Their viral technology and disregard for the long-established standards of news journalism allow them to build game-changing billion-dollar businesses out of the millennial taste for puppies and nudity. The two others are among the world's most venerable news institutions: The New York Times, owned and run for generations by the Sulzberger dynasty, and The Washington Post, also family-owned but soon to be bought by the world's richest merchant of all, Jeff Bezos. Here Abramson reveals first-hand the seismic clashes that take place in the boardrooms and newsrooms as they are forced to choose between their cherished principles - objectivity and impartiality - and survival in a world where online advertising via Facebook and Google seems the only life-raft. We are with the deal-making tycoons, thrusting reporters and hard-bitten editors, the egomaniacs, bullshitters, provocateurs and bullies, as some surf and others drown in the breaking wave of change. And we watch as the survivors confront the horrifying cost of their success: sexual scandal, fake news, the election of President Trump, the shaking of democracy. Exposing the people and decisions that brought us to now, Merchants of Truth is a major book that breaks the ultimate news story of our times.

Using experience-driven advice and compelling articles from scores of newspaper, magazine and online writers, Feature Writing shows how award-winning journalists achieve excellence and national recognition. The Seventh Edition helps the reader cultivate vital journalistic skills through detailed coverage on creating and refining article ideas, conducting research and interviews, writing, and navigating legal and ethical questions. World-class writing examples from Pulitzer Prize feature writers, extensive updates, and timely tips from some of America's best feature writers have made this the premier book in its field for more than three decades.

Many writers dream of having their work published by a respected publishing house, but don't always understand publishing contract terms - what they mean for the contracting parties and how they inform book-publishing practice. In turn, publishers struggle to satisfy authors' creative expectations against the industry's commercial demands. This book challenges our perceptions of these author-publisher power imbalances by recasting the publishing contract as a cultural artefact capable of adapting to the industry's changing landscape. Based on a three-year study of publishing negotiations, Katherine Day reveals how relational contract theory provides possibilities for future negotiations in what she describes as a 'post negotiation space'. Drawing on the disciplines of cultural studies, law, publishing studies and cultural sociology, this book reveals a unique perspective from publishing professionals and authors within the post negotiation space, presenting the editor as a fundamental agent in the formation and application of publishing's contractual terms.

This book provides a comprehensive approach of the media, journalism and politics in Sub-Saharan Francophone Africa. The author argues that there are common features that the media and journalism share in the seventeen countries of Francophone Africa and these make the local media systems different from what they are in neighboring English-speaking African countries, and in the rest of the world. The approach of the media in French-speaking Africa has not only to be "de-Westernized", but also to step out of general overviews considering "African media." This project shows the historical, political, economic and sociological characteristics of the media systems of seventeen French-speaking countries of Africa.

- Expanded scope from a purely journalism focus to include public relations, broadening the market. - Contains lots of current and global case studies and excerpts, including remote interviewing techniques and technologies necessitated by COVID-19. - Pedagogical features have been expanded to include practical exercises have been added to the end of each chapter, as well as checklists and top topics.

Talking about Journalism focuses on the relationship between journalism and the public and engages with this as a specific boundary-pushing relationship, where the ways we think about journalism are constantly being defined and re-defined through the ways we publicly discuss what journalism is, and what it does. It focuses, conceptually, on journalistic metadiscourse. These discourses of ‘journalists talking about journalism’ within news content serve as a way of publicly constructing meaning about journalism in our societies, what it should do, and how it corrects itself when it goes astray. The statement of purpose for this book will outline how thinking about metadiscourses allows us to see journalism being defined ‘in the open’, through the ways journalists and members of the public talk about journalism, and how this has developed over time. However, it does so in a way that reconsiders the parameters of this conversation. Where previously this was a discourse found in newspaper media columns, trade magazines, and similar spaces, it is now pervasive online, within digital alternative media, and in (hyper)active audience forums and comment sections. These expand our opportunities for understanding how journalism is being defined in the spaces where it is talked about, and for seeing the relationship between journalism, the public, and various counter-publics play out. This title explores new frontiers in terms of where and how journalism is being defined and redefined, not only by journalists but by the public as well. It does so while bringing forward theories of publics and counterpublics for our digital age.

Mexico today is one of the most dangerous places in the world to report the news, and Mexicans have taken to the street to defend freedom of expression. As Benjamin T. Smith demonstrates in this history of the press and civil society, the cycle of violent repression and protest over journalism is nothing new. He traces it back to the growth in newspaper production and reading publics between 1940 and 1976, when a national thirst for tabloids, crime sheets, and magazines reached far beyond the middle class. As Mexicans began to view local and national events through the prism of journalism, everyday politics changed radically. Even while lauding the liberty of the press, the state developed an arsenal of methods to control what was printed, including sophisticated spin and misdirection techniques, covert financial payments, and campaigns of threats, imprisonment, beatings, and murder. The press was also pressured by media monopolists tacking between government demands and public expectations to maximize profits, and by coalitions of ordinary citizens demanding that local newspapers publicize stories of corruption, incompetence, and state violence. Since the Cold War, both in Mexico City and in the provinces, a robust radical journalism has posed challenges to government forces.