'Nick Bryant is brilliant. He has a way of showing you what you've been missing from the whole story whilst never leaving you feeling stupid.' - Emily Maitlis 'Bryant is a genuine rarity, a Brit who understands America' - Washington Post In When America Stopped Being Great, veteran reporter and BBC New York correspondent Nick Bryant reveals how America's decline paved the way for Donald Trump's rise, sowing division and leaving the country vulnerable to its greatest challenge of the modern era. Deftly sifting through almost four decades of American history, from post-Cold War optimism, through the scandal-wracked nineties and into the new millennium, Bryant unpacks the mistakes of past administrations, from Ronald Reagan's 'celebrity presidency' to Barack Obama's failure to adequately address income and racial inequality. He explains how the historical clues, unseen by many (including the media) paved the way for an outsider to take power and a country to slide towards disaster. As Bryant writes, 'rather than being an aberration, Trump's presidency marked the culmination of so much of what had been going wrong in the United States for decades - economically, racially, politically, culturally, technologically and constitutionally.' A personal elegy for an America lost, unafraid to criticise actors on both sides of the political divide, When America Stopped Being Great takes the long view, combining engaging storytelling with recent history to show how the country moved from the optimism of Reagan's 'Morning in America' to the darkness of Trump's 'American Carnage'. It concludes with some of the most dramatic events in recent memory, in an America torn apart by a bitterly polarised election, racial division, the national catastrophe of the coronavirus and the threat to US democracy evidenced by the storming of Capitol Hill.

Interrogating the intersections of food, journalism, and politics, this book offers a critical examination of food media and journalism, and its political potential against the backdrop of contemporary social challenges Contributors analyse current and historic examples such as Black Lives Matter, COVID-19, the environment, Brexit, and gender politics, highlighting how food media and journalism reach beyond the commercial imperatives of lifestyle journalism to negotiate nationalism, globalization, and social inequalities The volume challenges the idea that food media/journalism are trivial and apolitical by drawing attention to the complex ways through which storytelling about food has engaged public discourse in the past, and the innovative ways it is doing so today Bringing together international scholars from a variety of disciplines, the book will be of great interest to scholars and students of Journalism, Communication, Media Studies, Food Studies, Sociology and Anthropology

The Supreme Court of the United States in Feist v. Rural (1991) required that databases must have a minimal degree of creativity for copyright. The judgment was highly significant and the subsequent period is understood as the post-Feist era. It has been globally influential. However, the decision is extremely complex and remains unsatisfactorily interpreted. In particular, it has been impossible to illuminate the creativity requirement. The book gives an account of the decision's conceptual structure, focusing on its full delineation of the opposite to creativity. In a radical and unprecedented innovation, it is correlated with an automatic computational process. Creativity itself is understood as non-computational or directly human activity concerned with meaning. Determining the presence of creativity is reduced to a four-stage test. This work then has acute practical current relevance to property in data in the digital age; it will also be of theoretical interest to, and is aimed at, researchers in, practitioners, and students of intellectual property worldwide.

What is Digital Journalism Studies? delves into the technologies, platforms, and audience relations that constitute digital journalism studies' central objects of study, outlining its principal theories, the research methods being developed, its normative underpinnings, and possible futures for the academic field. The book argues that digital journalism studies is much more than the study of journalism produced, distributed, and consumed with the aid of digital technologies. Rather, the scholarly field of digital journalism studies is built on questions that disrupt much of what previously was taken for granted concerning media, journalism, and public spheres, asking questions like: What is a news organisation? To what degree has news become separated from journalism? What roles do platform companies and emerging technologies play in the production, distribution, and consumption of news and journalism? The book reviews the research into these questions and argues that digital journalism studies constitutes a cross-disciplinary field that does not focus on journalism solely from the traditions of journalism studies, but is open to research from and conversations with related fields. This is a timely overview of an increasingly prominent field of media studies that will be of particular interest to academics, researchers, and students of journalism and communication.

The Routledge Handbook of Sports Journalism is a comprehensive and in-depth survey of the fast-moving and multifaceted world of sports journalism. Encompassing historical and contemporary analysis, and case studies exploring best practice as well as cutting edge themes and issues, the book also represents an impassioned defence of the skill and art of the trained journalist in an era of unmediated digital commentary. With contributions from leading sports-media scholars and practising journalists, the book examines journalism across print, broadcast and digital media, exploring the everyday reality of working as a contemporary reporter, editor or sub-editor. It considers the organisations that shape output, from PR departments to press agencies, as well as the socio-political themes that influence both content and process, such as identity, race and gender. The book also includes interviews with, and biographies of, well-known journalists, as well as case studies looking at the way that some of the biggest names in world sport, from Lance Armstrong to Caster Semenya, have been reported. This is essential reading for all students, researchers and professionals working in sports journalism, sports broadcasting, sports marketing and management, or the sociology or history of sport.

This volume addresses the major questions surrounding a concept that has become ubiquitous in the media and in civil society as well as in political and economic discourses in recent years, and which is demanded with increasing frequency: transparency. How can society deal with increasing and often diverging demands and expectations of transparency? What role can different political and civil society actors play in processes of producing, or preventing, transparency? Where are the limits of transparency and how are these boundaries negotiated? What is the relationship of transparency to processes of social change, as well as systems of social surveillance and control? Engaging with transparency as an interrelated product of law, politics, economics and culture, this interdisciplinary volume explores the ambiguities and contradictions, as well as the social and political dilemmas, that the age of transparency has unleashed. As such it will appeal to researchers across the social sciences and humanities with interests in politics, history, sociology, civil society, citizenship, public policy, criminology and law.

Bringing together critical race, queer and decolonial analytical approaches, visual analysis, and multimodal discourse analysis, this book explores the discursive strategies deployed by African luxury brands in an age of cross-platform, intertextual branding. Building on literature examining the aesthetics and politics of African luxury, this book demonstrates how leading African luxury brands create visual material speaking to complex sensibilities of culture, nature, and future. Iqani shows how powerful brand narratives and strategies reveal ethical and ideological messages that function to re-position Africa in an increasingly congested global marketplace of ideas. In acknowledging that there is a strong political validity to recognizing the importance of African brands staking their claim in luxury, this book also problematizes the role these brands play in the promotion of luxury discourses, advancing the project of capitalism and their contribution to broader patterns of inequality. Shedding new light not only on luxury branding strategies but also on the idea of a luxurious global "Africanicity" and on the complex cultural politics of South Africa, African Luxury Branding will be of interest to advanced students and researchers in disciplines, including Critical Advertising Studies, African Studies, Media and Communications.

Follow one of the first women network news producers as she climbs the career ladder right through the headlines of American history and inspires us all to speak up for our ourselves and fight for our own success. From Cuba to Vietnam and to Tiananmen Square, Linda Mason stood side-by-side with CBS news anchors Walter Cronkite, Charles Kuralt, and Dan Rather to bring the world stories of history-in-the-making and smash the glass ceiling of the network news world. As one of the first women to serve as producer for a primetime network news broadcast, Linda Mason blazed a trail of perseverance as she climbed the network ladder. Her list of adventures included taking Dan Rather to Cuba to meet Fidel Castro, taking Rather and General Norman Schwarzkopf to Vietnam to assess the war-torn country 20 years after the end of the war, and witnessing first-hand the protests in China’s Tiananmen Square. In writing Speak Up, Mason reflects on her career and the leadership lessons she learned along the way. The formula she shares with all young professionals is simple, but the lessons are timeless: work hard, don't complain, ask questions, and when the time is right, speak up about what is next. Mason followed this formula to great success and looks forward to following the groundbreaking careers of today’s professionals throughout media, politics, and in all leadership roles.

*The field of literary journalism studies is widely considered in need of a more global and integrative approach. This book provides just that, with contributions from a diverse range of established and emerging scholars and considerations of e.g. the many female and indigenous literary journalism authors. *Interdisciplinary topic by nature - will appeal to postgraduate students and researchers not only of Journalism Studies, but also Literature and Media Studies. *Entire sections dedicated to literary journalism's responses to war, immigration, and censorship which are continued contentious and very topical issues in the broader field of journalism studies.

Draws on the authors' extensive careers in television to describe the process of creating a successful media format, presenting the tricks and techniques you need to create, develop and sell your own formats. Each chapter addresses a key elements of a good format, such as audience, structure or business, and shows how they work in current successful formats. Includes insightful case studies based on interviews with experienced television professonals such as Stephen Lambert, creator of Undercover Boss and Gogglebox. Teaches students to create a format bible that will enable them to create a defined set of rules which will make their format recognisable, repeatable and capable of evolving.

WHY PUBLISH: - Challenges familiar assumptions about investigative journalism, and the field's relatives status in the fast-chaning news industry today. - Includes topical content, such as the role investigative journalism has performed in Australia's mediated Indigenous settler-relations. - Contains interviews with key industry and research professionals, including award winning journalist who is the editor of Brisbane Times, Danielle Cronin.

This book examines the independent media movements by Inmediahk and Coolloud - long-established, autonomous media organizations that have agitated for the development of media freedom and human rights in Hong Kong and Taiwan since 2004 and 1997, respectively. Based on direct interviews with the founders and core members of Inmediahk and Coolloud, the author investigates the origins, growth, and achievements of Inmediahk and Coolloud's media social movements as well as the current challenges the two independent media outlets encounter with regard to funding, increasing socio-political pressure, and the complicated media environments in Hong Kong and Taiwan using the method of qualitative content interpretation. Moreover, the practicality of social media and independent media in contemporary social movements, including the 2019 Anti-Extradition Bill Movement in Hong Kong, is reviewed according to text analysis. Considering the prospect of media activism from a non-western perspective, this book will appeal not only to scholars and researchers with interests in media, social movement, and cultural studies, but also to media workers and activists across the globe.

This book documents the unique reporting practices of humanitarian journalists - an influential group of journalists defying conventional approaches to covering humanitarian crises. Based on a 5-year study, involving over 150 in-depth interviews, this book examines the political, economic and social forces that sustain and influence humanitarian journalists. The authors argue that - by amplifying marginalised voices and providing critical, in-depth explanations of neglected crises - these journalists show us that another kind of humanitarian journalism is possible. However, the authors also reveal the heavy price these reporters pay for deviating from conventional journalistic norms. Their peripheral position at the 'boundary zone' between the journalistic and humanitarian fields means that a humanitarian journalist's job is often precarious - with direct implications for their work, especially as 'watchdogs' for the aid sector. As a result, they urgently need more support if they are to continue to do this work and promote more effective and accountable humanitarian action. A rigorous study of how unique professional practices can be produced at the 'boundary zone' between fields, this book will interest students and scholars of journalism and communication studies, sociology and humanitarian studies. It will also appeal to those interested in studies of news and media work as occupational identities.

A comprehensive overview of the ethical dilemmas faced by journalists today. Written in an accessible style, with updated interviews from working journalists discussing challenges and lessons learned. Updated chapters address developments including the phone hacking scandal and Leveson Inquiry, the impact of social media, fake news and citizen journalism. Considers ethical issues surrounding race and representation, protection of sources, privacy and the use of drones.

Ever since newspaper companies first turned to their governments for support in the 1950s, print media has been supported by state aid in many parts of the world. Today, the principles and practicalities of these subsidies have been called into question, endangering the secure funding of expensive high-quality press output.

This book provides a comprehensive analysis of today's global challenges in the print news media's struggle for survival. It presents current practices concerning government subsidies to newspapers for political, economic, and socio-cultural purposes against the background of declining readership and revenues, increased inter-media competition, austerity budgets imposed on national economies and shifting audience tastes. Using the insights of theoretical debates in the fields of media economics, media governance, and modern management theory, the book analyses these issues by investigating the power of government subsidies to shape and control newspaper markets. It brings together experts in these fields to combine theory with industry practices, aiming to help all parties involved to understand the complexity of issues and requirements necessary to preserve the social benefits of print media.

* Provides an unusually pluralistic discussion of cinematic digital television that presents a less value-laden set of definitions than other books in the field have; * Breaks new ground in the much-contested field of cinematic television but will also be accessible enough to be used for teaching upper-level undergraduate and postgraduate students; * Each chapter includes contemporary case studies from a variety of global contexts, including Midnight Diner, Sacred Games, Twin Peaks and Russian Doll to clearly demonstrate the ideas discussed.

Digital Journalism and the Facilitation of Hate explores the process by which digital journalists manage the coverage of hate speech and "hate groups," and considers how digital journalists can best avoid having their work used to lend legitimacy to hate. Leaning on more than 200 interviews with digital journalists over the past three years, this book first lays the foundation by discussing the essential values held by digital journalists, including how they define journalism; what values they consider essential to the field; and how they practice their trade. Perreault considers the problem of defining "hate" and "hate groups" by the media, acknowledging journalism's role in perpetuating hate through its continued ideological coverage of marginalized groups. Case studies, including the January 6 U.S. Capitol siege, the GamerGate controversy, and the Unite the Right rally in Charlottesville, help to elaborate on this problem and illustrate potential solutions. Digital Journalism and the Facilitation of Hate draws attention to the tactics of white nationalists in leveraging digital journalism and suggests ways in which digital journalists can more effectively manage their reporting on hate. Offering a valuable, empirical insight into the relationship between digital journalism and hate, this book will be of interest to students, scholars, and professionals of social and digital media, sociology, and journalism.

In Middlemarch, George Eliot famously warns readers not to see themselves as the centre of their own world, which produces a 'flattering illusion of concentric arrangement'. The scholarly contributors to Antipodean George Eliot resist this form of centrism. Hailing from four continents and six countries, they consider Eliot from a variety of de-centred vantage points, exploring how the obscure and marginal in Eliot's life and work sheds surprising light on the central and familiar. With essays that span the full range of Eliot's career-from her early journalism, to her major novels, to eccentric late works such as Impressions of Theophrastus Such-Antipodean George Eliot is committed to challenging orthodoxies about Eliot's development as a writer, overturning received ideas about her moral and political thought, and unveiling new contexts for appreciating her unparalleled significance in nineteenth-century letters.

*Covers not just the basics of storytelling with data but also the more complex issues of data searching, cleaning and scraping from a journalist's, rather than a computer scientist's, perspective. *Data Journalism courses are taught at BA and MA level on most Journalism degrees around the world, both as compulsory and elective modules. *Mike Reilley is a leading authority in this area- he founded the Journalist's Toolbox newsletter which shares digital and data tools and has over 51k followers on Twitter, so his name will draw a lot of attention to this book.

Trott interrogates how feminist activists navigate complex technological ecosystems to build awareness of misogyny, violence against women, and oppressive experiences women face both online and offline while cultivating transnational feminist networks and carving out spaces upon which to build and elevate women's voices. This book is guided by a few key questions: how is feminist activism transforming and being mutually shaped by a dynamic and volatile platform ecosystem? How are activists attempting to negotiate this terrain? And, how are (anti)feminist politics contested within the platform society? These questions are addressed through analysis of three key case studies: the international feminist organisation Hollaback!; the #EndViolenceAgainstWomen campaign; and the global #TakeDownJulienBlanc movement. Building on the intersecting fields of feminist media studies, platform and internet research, and political communication, this book addresses cultural and social questions about how digital platforms shape the values of our communities and how stakeholders negotiate and engage in civic practices. This timely and important work interweaves activist discourses, women's voices and scholarly literature together to provide insight into the realities of operating within a platform society. It will be of interest to students and scholars of journalism, gender studies, media and communication studies, culture studies, and sociology.

This book explores communication during the first year of the COVID-19 pandemic. Featuring the work of leading communication scholars from around the world, it offers insights and analyses into how individuals, organisations, communities, and nations have grappled with understanding and responding to the pandemic that has rocked the world. The book examines the role of journalists and news media in constructing meanings about the pandemic, with chapters focusing on public interest journalism, health workers and imagined audiences in COVID-19 news. It considers public health responses in different countries, with chapters examining community-driven approaches, communication strategies of governments and political leaders, public health advocacy, and pandemic inequalities. The role of digital media and technology is also unravelled, including social media sharing of misinformation and memetic humour, crowdsourcing initiatives, the use of data in modelling, tracking and tracing, and strategies for managing uncertainties created in a pandemic.

Stories and narratives are powerful tools for explaining the world around us. This book explores storytelling as a way of engaging audiences with sustainable development issues and reflects on the opportunities and limitations of storytelling for sustainability as an innovative approach to sustainability communication. Bringing together voices and perspectives from research and practice, this volume explores the ways in which storytelling can support change toward sustainability. Unlike other anthologies, the book first provides a sound scientific basis by unfolding the storytelling approach and presenting empirical studies on its impact on effects. It clarifies important terms and presents recent findings on the impact of storytelling on sustainability from an extensive 3-year research project on this question. The second part shows how storytelling can be used in different fields of practice to communicate sustainability in more engaging and effective ways. Here, the main focus is on not only case-based accounts of positive change, but also tensions, arising from the application of storytelling for sustainability in journalism, higher education, corporate communication, or science communication. Combining theory with practical examples, this innovative book will be a great resource for students and scholars of environmental communication and sustainable development, as well as professionals working in related fields.

* Provides an unusually pluralistic discussion of cinematic digital television that presents a less value-laden set of definitions than other books in the field have; * Breaks new ground in the much-contested field of cinematic television but will also be accessible enough to be used for teaching upper-level undergraduate and postgraduate students; * Each chapter includes contemporary case studies from a variety of global contexts, including Midnight Diner, Sacred Games, Twin Peaks and Russian Doll to clearly demonstrate the ideas discussed.

This book examines the micro-cultural ideologies of the journalism profession in Britain and Australia by focusing on the design, execution and development of newspaper building architecture. Concentrating on the main newspaper buildings in some of the major metropolitan areas in Australia (Melbourne, Sydney, Adelaide) and the UK (Manchester, London, Edinburgh and Liverpool) from 1855 to 2010, Newspaper Building Design and Journalism Cultures in Australia and the UK: 1855-2010 interweaves a rich analysis of spatial characteristics of newspaper offices with compelling anecdotes from journalists' working lives, to examine the history, evolution and precarious future of the physical newsroom and the surrounding interior and exterior space. The book argues that newspaper buildings are designed to accommodate and extend journalism's professional values and belief systems over time and that their architecture reflects ideological change and continuity in these value and belief systems, such as the evolution from trade to profession. Ancillary factors, such as the influence of the newspapers' owners on the building design and the financing of new structures are also considered. As professional practice rapidly shifts out of the newspaper offices, this insightful study questions what this may mean for the future of the industry. Newspaper Building Design and Journalism Cultures in Australia and the UK: 1855-2010 will benefit academics and researchers in the areas of media, journalism, cultural studies and urban history.

Drawing upon a range of theoretical perspectives, including cultural studies, postcolonial theory, critical race studies, political economy and sociology, Journalism, Culture and Society examines journalism as a democratic necessity that often fails to live up to its promise. This text takes a step back from prevailing idealistic approaches in which theory is often seen as a threat rather than a service to the better understanding of practice, and mainstream journalism in western democracies is seen as unproblematic. Instead, using international examples, the authors provide a critique for those who seek to improve journalistic practice, whilst not losing sight of the profound practical dilemmas that journalists around the world experience in their working lives - from the resources available to them, to the institutions and political contexts in which they work. Readers are encouraged to consider why journalists choose (or are expected to choose) particular subjects or tropes in their work, and the implications of these choices. Journalism, Culture and Society is a valuable resource for students, academics, and practitioners in the areas of media, journalism and communication.