In this much-needed examination of the principles of multimedia journalism, experienced journalists Richard Koci Hernandez and Jeremy Rue systemize and categorize the characteristics of the new, often experimental story forms that appear on today's digital news platforms. By identifying a classification of digital news packages, and introducing a new vocabulary for how content is packaged and presented, the authors give students and professionals alike a way to talk about and understand the importance of story design in an era of convergence storytelling. Online, all forms of media are on the table: audio, video, images, graphics, and text are available to journalists at any type of media company as components with which to tell a story. This book provides insider instruction on how to package and interweave the different media forms together into an effective narrative structure. Featuring interviews with some of the most exceptional storytellers and innovators of our time, including web and interactive producers at the New York Times, NPR, The Marshall Project, The Guardian, National Film Board of Canada, and the Verge, this exciting and timely new book analyzes examples of innovative stories that leverage technology in unexpected ways to create entirely new experiences online that both engage and inform.

Originally published in 1986. This book is a unique compilation of biographical sketches which covers editors, publishers, photographers, bureau chiefs, columnists, commentators, cartoonists, and artists. Alphabetical entries provide overviews of the lives and personalities of a good cross-section of important people. There is also a short essay on awards and prize winners. Everything is efficiently indexed. This is a supremely useful reference tool for those in mass media and popular culture fields.

Business Journalism: A Critical Political Economy Approach critically explores the failures of business journalists in striking the balance between the bottom line business model and their role in defending the public interest. Drawing on historical and political economic perspectives and analysing these in relation to critical political economic theory, the book explores failures of business journalism through the dwindling of social responsibility in the business journalist's role in holding political and corporate power to account. Ibrahim Seaga Shaw draws on a diverse range of case studies, including: investigative journalism in The Standard Oil and Enron Scandals corporate propaganda in relation to business reporting financial Journalism and the global financial crises of the late-90s and 2008 public business journalism and subprime mortgage loans, horsemeat and bent iPhone 6 scandals ethical challenges of business and journalism from developed to emerging BRICS economies business or financial journalism? Modernity vs postmodernity, macroeconomics vs microeconomics challenges of business journalism in the digital age. Business Journalism: A Critical Political Economy Approach is essential reading for students and scholars interested in understanding the historical failings and potential futures for business journalism and those wishing to develop specialist financial, economic and business reporting in today's globalised media landscape.

Originally published in 1991. This fascinating book of journalism history outlines the author's concepts of the three 'central ideas' in journalism which have evolved through time. The first is the Official Story, that which state authorities wanted people to know; the second, the Corruption Story, emphasised the abuse of authority by those in power and focused on a willingness to oppose the official and tell the specific detail; and the third, the Oppression Story, where journalists present the cause of events as down to external influences and work to change the social environment. The book narrates the history from its European beginnings in the 16th and 17th Centuries up to the early 20th Century, expressing how all interpretive journalism has a philosophic, world-view, component and understanding journalism history entails understanding these insights of the times.

Originally published in 1989. Richard Goldstein, journalist with The Village Voice since the 1960s, has carefully selected some of his pieces for this book. Covering a varied range of topics (among the rock concerts, experimental theatre, political trials and cultural experiments) he has created a vivid cultural retrospective of a unique period. An introductory essay gives context to the articles and offers an assessment of the "new journalism" that sprang up in the 60s, and the role that journalism played in the social and cultural revolutions of the time.

This is a study of Sino-American relations and the editorial policy of the China Weekly Review / China Monthly Review , published in Shanghai by John William Powell during the Chinese Civil War and the Korean War. The Review supported US attempts in early 1946 to avert civil war through the creation of a coalition government. By 1947 it reflected growing disillusionment with Guomindang policies, and increasing sympathy for the demands of impoverished students and faculty for multi-party democracy and peace. As the Civil War shifted in favour of the Communists in late 1948, Powell and the Review counseled US businessmen to remain in Shanghai and urged the US government to establish working relations with the Communists, and later to recognize the new regime. Staying in Shanghai to report changes engendered by the Communist victory, the Review 's staff accomodated themselves to the new orthodoxy and to the regime's coordination of the press. During the Korean War, the Review opposed the expanding US air war, becoming the foremost American purveyor of Chinese and North Korean allegations of American use of bacteriological weapons. The Review was also utilized for the political indoctrination of US prisoners-of-war by the Chinese and North Koreans. After closing the Review in July 1953 and returning to the United States, Powell, his wife Sylvia Campbell and assistant editor Julian Schuman were put on trial for sedition. As the government narrowed its focus to the bacteriological warfare issue, Powell and his lawyers countered by trying to prove the veracity of the charges, seeking witnesses in China and North Korea. Adverse publicity led to a mistrial in January 1959 and limitations in both the sedition and treason statutes ended plans to renew prosecution. Powell and the Review had insisted that positive diplomatic and economic relations between China and the United States were both possible and desirable. The gradual normalization of trade, investment and political relations since the 1970s seemed to validate this belief. In the post-Cold War age when Sino-American relations are often strained and tempestuous, this book serves as a reminder of the value of making the extra effort to achiece understanding.

Scholarly engagement with the magazine form has, in the last two decades, produced a substantial amount of valuable research. Authored by leading academic authorities in the study of magazines, the chapters in The Routledge Handbook of Magazine Research not only create an architecture to organize and archive the developing field of magazine research, but also suggest new avenues of future investigation. Each of 33 chapters surveys the last 20 years of scholarship in its subject area, identifying the major research themes, theoretical developments and interpretive breakthroughs. Exploration of the digital challenges and opportunities which currently face the magazine world are woven throughout, offering readers a deeper understanding of the magazine form, as well as of the sociocultural realities it both mirrors and influences. The book includes six sections: -Methodologies and structures presents theories and models for magazine research in an evolving, global context. -Magazine publishing: the people and the work introduces the roles and practices of those involved in the editorial and business sides of magazine publishing. -Magazines as textual communication surveys the field of contemporary magazines across a range of theoretical perspectives, subjects, genre and format questions. -Magazines as visual communication explores cover design, photography, illustrations and interactivity. -Pedagogical and curricular perspectives offers insights on undergraduate and graduate teaching topics in magazine research. -The future of the magazine form speculates on the changing nature of magazine research via its environmental effects, audience, and transforming platforms.

Communicating Endangered Species: Extinction, News, and Public Policy is a multidisciplinary environmental communication book that takes a distinctive approach by connecting how media and culture depict and explain endangered species with how policymakers and natural resource managers can or do respond to these challenges in practical terms. Extinction isn't new. However, the pace of extinction is accelerating globally. The International Union for Conservation of Nature classifies more than 26,000 species as threatened. The causes are many, including climate change, overdevelopment, human exploitation, disease, overhunting, habitat destruction, and predators. The willingness and the ability of ordinary people, governments, scientists, nongovernmental organizations, and businesses to slow this deeply disturbing acceleration are uncertain. Meanwhile, researchers around the world are laboring to better understand and communicate the possibility and implications of extinctions and to discover effective tools and public policies to combat the threats to species survival. This book presents a history of news coverage of endangered species around the world, examining how and why journalists and other communicators wrote what they did, how attitudes have changed, and why they have changed. It draws on the latest research by chapter authors who are a mix of social scientists, communication experts, and natural scientists. Each chapter includes a mass media and/or cultural aspect. This book will be essential reading for students, natural resource managers, government officials, environmental activists, and academics interested in conservation and biodiversity, environmental communication and journalism, and public policy.

This book offers a comprehensive, authoritative, and accessible introduction to journalistic transparency. Pulling from historical and theoretical perspectives, Transparency and Journalism explains the concept of transparency and its place in journalistic practice, offering a critical assessment of what transparency can and cannot offer to journalism. The author also reviews the key theoretical claims underlying transparency and how they have been researched in different parts of the world, ultimately proposing a communication model that can be used to study the concept of transparency across journalism research. Other topics discussed include the use of algorithmic forms of transparency, the limitations of the transparency myth, and suggestions for future avenues for research. Transparency and Journalism is an important resource for students and scholars in the field of journalism and media studies, as well as for journalists and researchers interested in delving into an ever-relevant topic for the field.

This book examines the complex relationship that exists between the construction of judicial power, and the institutional characteristics of the courts and their regime setting. It examines the intriguing connection between the construction of judicial power on the one hand, and the institutional characteristics of the courts and regime setting on the other. The book asks whether courts are rendered powerful by virtue of their institutional characteristics or by a supportive, perhaps acquiescent, regime setting. By analyzing the historical pathways of courts in Uganda, Tanzania and Malawi, this book argues that the emergence of judicial power since the colonial period, though fraught with many challenges, presents a unique opportunity for consolidating democracy. The book examines in detail the significant political decisions of the upper-level courts in Uganda, Tanzania and Malawi from the colonial period to the present day, analyzing them in relation to changes in the political environment over time. Analysis of these decisions is also supplemented by in-depth interviews with judges, lawyers and other important stakeholders in the judicial processes. This book demonstrates that even in the most challenging regime environments, effective institutions and determined individuals can push back against interference and issue politically powerful, independent decisions but the way in which judiciaries respond to this regime pressure varies enormously across countries and regions.

Much of what journalism scholars thought they knew about gatekeeping-about how it is that news turns out the way it does-has been called into question by the recent seismic economic and technological shifts in journalism. These shifts come with new kinds of gatekeepers, new routines of news production, new types of news organizations, new means for shaping the news, and new channels of news distribution. Given these changing realities, some might ask: does gatekeeping still matter? In this internationally-minded anthology of new gatekeeping research, contributors attempt to answer that question. Gatekeeping in Transition examines the role of gatekeeping in the twenty-first century from organizational, institutional, and social perspectives across digital and traditional media, and argues for its place in contemporary scholarship about news and journalism.

First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

A glance over the back pages of mid-nineteenth-century newspapers and periodicals published in London reveals that Wellington Street stands out among imprint addresses. Between 1843 and 1853, Household Words, Reynolds's Weekly Newspaper, the Examiner, Punch, the Athenaeum, the Spectator, the Morning Post, and the serial edition of London Labour and the London Poor, to name a few, were all published from this short street off the Strand. Mary L. Shannon identifies, for the first time, the close proximity of the offices of Charles Dickens, G.W.M. Reynolds, and Henry Mayhew, examining the ramifications for the individual authors and for nineteenth-century publishing. What are the implications of Charles Dickens, his arch-competitor the radical publisher G.W.M. Reynolds, and Henry Mayhew being such close neighbours? Given that London was capital of more than Britain alone, what connections does Wellington Street reveal between London print networks and the print culture and networks of the wider empire? How might the editors' experiences make us rethink the ways in which they and others addressed their anonymous readers as 'friends', as if they were part of their immediate social network? As Shannon shows, readers in the London of the 1840s and '50s, despite advances in literacy, print technology, and communications, were not simply an 'imagined community' of individuals who read in silent privacy, but active members of an imagined network that punctured the anonymity of the teeming city and even the empire.

This book is a practical guide to all aspects of modern journalism for anyone seeking to study for the National Council for the Training of Journalists (NCTJ) Diploma in Journalism and become a qualified journalist in the UK. Written in collaboration with the NCTJ, Essential Journalism outlines everything you need to know about the journalism industry today, from its ethical framework to its practice across print, television, radio, online and social media. It looks at the core principles and the skills that are required of journalists across all platforms, helping students develop an overall understanding of the business and examining the application and adaptation of traditional best practice to the demands of the digital age. This is a unique one-stop shop for anyone who wants to understand the nature and purpose of journalism, and how it is changing and evolving in today's digital newsrooms. This book is a core resource for journalism trainees and undergraduates, as well as for seasoned practitioners and lecturers.

Exploring the deep transformation that journalism has undergone in the last decade, this book provides students, professors and working journalists with the background on the demise of traditional media in the U.S. and the changes happening in the digital newsrooms. Houston discusses today's changes in journalism in the U.S., comparing and contrasting them with those around the world. Topics discussed include the decimation of the traditional newsrooms, contemporary corporate ownership and investors, the rise of bloggers and digital journalism, finding new audiences, the surge in nonprofit newsrooms and collaborations, investigative centers in the U.S. and globally, new model start-ups, and changing streams of revenue with the expansion of new technologies. The text also looks at the new relationship between journalism professionals and the academy, including the rise in content and stories supplied by university-based newsrooms. Houston, who has been on the frontline of these changes, also discusses the culture clashes and ethical dilemmas in cyber environments accompanied by new challenges to maintaining credibility and creating trust. To fully explore the rapid-fire changes in news media and online journalism in recent years, this book will be of interest to students of journalism and communications, working journalists, and professors helping prepare budding journalists for their future careers in journalism.

The concept of boundaries has become a central theme in the study of journalism. In recent years, the decline of legacy news organizations and the rise of new interactive media tools have thrust such questions as "what is journalism" and "who is a journalist" into the limelight.

Struggles over journalism are often struggles over boundaries. These symbolic contests for control over definition also mark a material struggle over resources. In short: boundaries have consequences. Yet there is a lack of conceptual cohesiveness in what scholars mean by the term "boundaries" or in how we should think about specific boundaries of journalism.

This book addresses boundaries head-on by bringing together a global array of authors asking similar questions about boundaries and journalism from a diverse range of perspectives, methodologies, and theoretical backgrounds.

"

Boundaries of Journalism" assembles the most current research on this topic in one place, thus providing a touchstone for future research within communication, media and journalism studies on journalism and its boundaries. "

An American reporter of Russian heritage assigned to Soviet-era Moscow might seem to have an edge on his colleagues, but when he's falsely accused of spying, any advantage quickly evaporates...As a young UPI correspondent in Moscow during the early 1960s, Nicholas Daniloff hoped to jump-start his career in his father's homeland, but he soon learned that the Cold War had its own rules of engagement. In this riveting memoir, he describes the reality of journalism behind the Iron Curtain: how Western reporters banded together to thwart Soviet propagandists, how their "official sources" were almost always controlled by the KGB - and how those sources would sometimes try to turn newsmen into collaborators.Leaving Moscow for Washington in 1965, Daniloff honed his skills at the State Department, then returned to Moscow in 1981 to find a more open society. But when the FBI nabbed a Soviet agent in 1986, Daniloff was arrested in retaliation and thrown into prison as a spy - an incident that threatened to undo the Reykjavik summit until top aides to Reagan and Gorbachev worked out a solution.In addition to recounting a career in the thick of international intrigue, ""Of Spies and Spokesmen"" is brimming with inside information about historic events. Daniloff tells how the news media played a crucial role in resolving the Cuban Missile Crisis, recalls the emotional impact of the JFK assassination on Soviet leadership, and describes the behind-the-scenes struggles that catapulted Mikhail Gorbachev to power. He even shares facts not told to the public: how the SAC would warn Moscow that its submarines were too close to American shores, why the Soviets shot down the KAL airliner without visual identification, and how American reporters in Moscow sometimes did dangerous favors for our government that could easily have been mistaken for espionage.Daniloff sheds light not only on prominent figures such as Nikita Khrushchev and Henry Kissinger but also on suspected spies Frederick Barghoorn, John Downey, and ABC correspondent Sam Jaffe - unfairly branded a Soviet agent by the FBI. In addition, he assesses the performance of Henry Shapiro, dean of American journalists in Moscow, whose forty years in the adversary's capital often provoke questions about his role and reputation.In describing how the Western press functioned in the old Soviet Union - and how it still functions in Washington today - Daniloff shows that the Soviet Russia he came to know was far more complex than the ""evil empire"" painted by Ronald Reagan: a web of propaganda and manipulation, to be sure, but also a place of hospitality and friendship. And with Russia still finding its way toward a new social and political order, he reminds us that seventy years of Communist rule left a deep impression on its national psyche. As readable as it is eye-opening, "Of Spies and Spokesmen" provides a new look at that country's heritage - and at the practice of journalism in times of crisis.

The concept of boundaries has become a central theme in the study of journalism. In recent years, the decline of legacy news organizations and the rise of new interactive media tools have thrust such questions as "what is journalism" and "who is a journalist" into the limelight.

Struggles over journalism are often struggles over boundaries. These symbolic contests for control over definition also mark a material struggle over resources. In short: boundaries have consequences. Yet there is a lack of conceptual cohesiveness in what scholars mean by the term "boundaries" or in how we should think about specific boundaries of journalism.

This book addresses boundaries head-on by bringing together a global array of authors asking similar questions about boundaries and journalism from a diverse range of perspectives, methodologies, and theoretical backgrounds.

"

Boundaries of Journalism" assembles the most current research on this topic in one place, thus providing a touchstone for future research within communication, media and journalism studies on journalism and its boundaries. "

News and Politics critically examines television news bulletins - still the primary source of information for most people - and asks whether the wider pace and immediacy of 24-hour news culture has influenced their format and style over time. Drawing on the concepts of mediatization and journalistic interventionism, Stephen Cushion empirically traces the shift from edited to live reporting from a cross-national perspective, focussing on the two-way convention in political coverage and the more interpretive approach to journalism it promotes. Challenging prevailing academic wisdom, Cushion argues that the mediatization of news does not necessarily reflect a commercial logic or a lowering of journalism standards. In particular, the rise of live two-ways can potentially enhance viewers' understanding of public affairs - moving reporters beyond their visual backdrops and reliance on political soundbites - by asking journalists to scrutinize the actions of political elites, interpret competing source claims and to explain the broader context to everyday stories. Considering the future of 24-hour news, a final discussion asks whether new content and social media platforms - including Twitter and Buzzfeed - enhance or weaken democratic culture. This timely analysis of News and Politics is ideal for students of political communication and journalism studies, as well as communication studies, media studies, and political science.

'Nick Bryant is brilliant. He has a way of showing you what you've been missing from the whole story whilst never leaving you feeling stupid.' - Emily Maitlis 'Bryant is a genuine rarity, a Brit who understands America' - Washington Post In When America Stopped Being Great, veteran reporter and BBC New York correspondent Nick Bryant reveals how America's decline paved the way for Donald Trump's rise, sowing division and leaving the country vulnerable to its greatest challenge of the modern era. Deftly sifting through almost four decades of American history, from post-Cold War optimism, through the scandal-wracked nineties and into the new millennium, Bryant unpacks the mistakes of past administrations, from Ronald Reagan's 'celebrity presidency' to Barack Obama's failure to adequately address income and racial inequality. He explains how the historical clues, unseen by many (including the media) paved the way for an outsider to take power and a country to slide towards disaster. As Bryant writes, 'rather than being an aberration, Trump's presidency marked the culmination of so much of what had been going wrong in the United States for decades - economically, racially, politically, culturally, technologically and constitutionally.' A personal elegy for an America lost, unafraid to criticise actors on both sides of the political divide, When America Stopped Being Great takes the long view, combining engaging storytelling with recent history to show how the country moved from the optimism of Reagan's 'Morning in America' to the darkness of Trump's 'American Carnage'. It concludes with some of the most dramatic events in recent memory, in an America torn apart by a bitterly polarised election, racial division, the national catastrophe of the coronavirus and the threat to US democracy evidenced by the storming of Capitol Hill.

This book examines the impact of the "Big Five" technology companies - Apple, Alphabet/Google, Amazon, Facebook and Microsoft - on journalism and the media industries. It looks at the current role of algorithms and artificial intelligence in curating how we consume media and their increasing influence on the production of the news. Exploring the changes that the technology industry and automation have made in the past decade to the production, distribution and consumption of news globally, the book considers what happens to journalism once it is produced and enters the media ecosystems of the internet tech giants - and the impact of social media and AI on such things as fake news in the post-truth age. The audience for this book are students and researchers working in the field of digital media, and journalism studies or media studies more generally. It will also be useful to those who are looking for extended case studies of the role taken by tech giants such as Facebook and Google in the fake news scandal, or the role of Jeff Bezos in transforming The Washington Post. The Open Access version of this book, available at https://doi.org/10.4324/9781351013758, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

This new volume explores the history of an important, but neglected sector of the Western Front between 1914 and 1918 in the context of its portrayal in the media. The analysis sheds new light on of the role of the mass media in generating national mythologies. The book focuses on the largely forgotten Armentieres and La Bassee sector, a section of the Western Front which saw fighting from many different nationalities on almost every day of the war. Through analysis of this section of the Western Front, this book examines the way the First World War was interpreted, both in official and semi-official sources as well as in the mass media, comparing what was apparently happening on the Western Front battlefield to what was reported in the newspapers. It follows the different sides as they responded to the changing nature of warfare and to each other, showing how reporting was adapted to changing perceptions of national needs.

Today's journalism and communication students need the tools to develop and maintain their own media businesses and freelance careers. In addition to mastering the basics of converged journalism practice, they need training in business entrepreneurship, mass communication and business law, and career and reputation management. The Entrepreneurial Journalist's Toolkit provides a solid foundation of multimedia journalism and also teaches readers to create solid business plans and develop funding proposals while maintaining high legal and ethical standards. This book details the process of pitching and working with clients, managing multi-platform communication campaigns to maximize reach, keeping the books, and filing taxes. It is provides everything a new or experienced journalist needs to get started as a media entrepreneur.

This first book in the Journalism Insights series examines the major practical and ethical challenges confronting contemporary sports journalists which have emerged from, or been exacerbated by, the use of digital and social media. Combining both quantitative and qualitative research and contributions from industry experts in sports reporting across Europe, America and Australia, the collection offers a valuable look at the digital sports reporting industry today. Issues discussed in the text include the ethical questions created by social media abuse received by sports journalists, the impact of social media on narratives about gender and race, and the 'silencing' of journalists over the issue of trans athletes, as well as the impact on 'traditional' aspects of sports journalism, such as the match report. The book features first-hand accounts from leading sports reporters and scholars about how these changes have affected the industry and sets out what 'best practice' looks like in this field today. This book will be a useful resource for scholars and students working in the fields of journalism, media, sports and communication, as well as for current sports journalism practitioners interested in the future of a changing industry.

Feature and Narrative Storytelling for Multimedia Journalists is the first text that truly focuses on the multimedia and documentary production techniques required by professional journalists. Video and audio production methods are covered in rich detail, but more importantly, various storytelling techniques are explored in depth. Likewise, author Duy Linh Tu tackles the latest topics in multimedia storytelling, including mobile reporting, producing, and publishing, while also offering best practices for using social media to help promote finished products. Whether you're a student, a professional seeking new techniques, or simply looking to update your skills for the new digital newsroom, this book will provide you with the information and tools you need to succeed as a professional journalist. Integrated: The lessons in this book deftly combine traditional media production principles with storytelling craft. It is written with the perspective of modern professional journalists in mind. Practical: While rich with theory, this text is based on the real-world work of the author and several of his colleagues. It features Q&As with some of the best editors and video producers from top publications, including NPR, Vice, and Detroit Free Press, as well as profiles of leading video news organizations such as Frontline, Mediastorm, and Seattle Times. Proven: The author uses pedagogy from the world-renowned Columbia Journalism School as well as case studies from his own award-winning work. Interactive: The text is exercise- and drill-based, and the companion website provides multimedia examples and lesson files, as well as tutorials, case studies, and video interviews.