This book expands on and complements the burgeoning Brexit literature by placing the UK's vote to leave the EU in its longer historical and discursive contexts. It examines the embedded Euroscepticism, which has dominated British political discourse on the European project and the role of the UK within it for at least the last three decades. Brexit was the consequence of a consistent denigration of the European integration project in the public sphere in which the terrain, and the conceptual vocabulary, of debate were set by a dominant, right-wing Eurosceptic discourse. This framed the EU as inherently heterogeneous and antagonistic to the UK. The book examines how ideas of British exceptionalism, which underpin Eurosceptic discourses, are sustained and reproduced and offers an account of their enduring, affective power amongst the British population. It is in this context that it was possible for pro-Brexit campaigners to assemble and enthuse a new coalition of voters sufficient to deliver a 'leave' majority on 23 June 2016. This text will be of key interest to scholars and students of British, EU and European politics, the media and press, public opinion, political behaviour and nationalism studies.

Provides an accessible introduction to the Environmental Humanities, a complex and interdisciplinary area, and designed to provide a foundation for future study, projects and pursuits. Written by academics with experience of teaching and writing in the field. Content is engaging and includes case studies, discussion questions, annotated bibliographies, and links to online resources. Organised by subject, this book could be used on general environmental humanities courses, or individual chapters could be used on subject specific courses i.e. Environmental History, environmental film etc.

This book offers a systematic introduction to the linguistic analysis of newspaper reports on crime. The author demonstrates how the linguistic analysis of newspaper texts helps to gain insight into the construction of offenders and victims in those texts and links the findings to criminological frameworks. Tabbert employs Critical Stylistics to explore the description of participants, the presentation of speech as well as actions, states or events, and other linguistic devices employed by journalists to present a particular image of an offender or a victim in the press. This book shows the fruitfulness of an interdisciplinary approach to reveal predominant discourse on crime in society and will be of great interest to researchers in linguistics, criminology and media studies.

Fully revised and updated, this second edition of Media Production provides a comprehensive introductory guide to radio, television and fi lm production techniques.

Using a step-by-step structure that takes students through the production process from conception to delivery, this book explores initial brainstorming through to planning, research, recording and editing. Operational procedures are set out in detail, taking into account the context in which students work and the type of equipment available to them. Clear instructional photographs are provided to illustrate key teaching points.

Written by an experienced BBC producer and director, this textbook is ideal for FE Media students as well as those just starting out in the industry.

Updated online resources include templates, notes and exercises to help students prepare for their own productions, as well as a glossary of key terms and helpful weblinks.

Table of Contents

Part I Pre-Production: Preparation and planning 1. How to use this book 2. Getting an idea 3. Research 4. Production planning and timelines 5. Allocating tasks 6. Narrative Structure 7. Advertising 8. Pre production scripts and treatments 9. Production schedules and safety Part II Production: Recording and shooting 10. Shot sizes, moves and framing 11. Crossing the line or the 180-degree rule 12. Camera Controls and Lighting 13. Recording Sound 14. Taking a shot 15. Shooting factual 16. Shooting dramatised sequences 17. Interview techniques 18. Audio – factual 19. Audio drama 20. News and current affairs Part III Post Production: Editing and feedback 21. Editing sound 22. Editing film 23. Feedback and evaluation Glossary

Makes the case for journalists and media organizations to adopt a more demanding ethical standard known as "the ethics of care" in order to address major societal afflictions through the news media. Outlines how this new form of ethics can be adopted by journalists and how it can complement, rather than displace, existing codes, paying particular attention to the role of non-profit media organizations. An insightful practical guide for journalism students and professionals seeking to understand the necessary revisions, adaptations, evolutions that need to take place in journalism ethics to meet the needs of the 21st century.

Drawing on expert contributions from around the UK, this collection brings together a series of insights into the contemporary local and community news media landscape in the UK. Offering an analysis of the ongoing 'crisis' in the provision of local news, exacerbated by the COVID-19 pandemic, the book provides a critical space for practitioners and scholars to reflect on emerging models for economically sustainable, participatory local news services. It showcases new scholarly analyses of local news provision and community news practices, giving voice to the experiences of practitioners from across the local news ecology. In a set of diverse contributing chapters, campaigners and practitioners map out the period of recent rapid change for local news, questioning contemporary government initiatives and highlighting the advent of diverse, entrepreneurial reactions to the spaces created by a decline in local mainstream news services. This book is a timely examination of what we can learn from the variety of approaches being taken across the local media landscape in the commercial, subsidised and non-profit sector, shining new light on how practices that place the engagement of citizens at their centre might be propagated within this policy and funding landscape. Reappraising Local and Community News in the UK is a valuable resource for students and scholars interested in local news and journalism, as well as for anyone interested in the evolving local media landscape in the UK.

It provides upper level undergraduate and postgraduate students with an authoritative, accessible and highly relevant exploration of critical discourse within a real world advertising context. It is clearly structured into 'Practice', 'Policies' and 'Problems' sections, helping to guide readers clearly through the issues highlighted and illustrate the interrelated nature of these topics in the media and marketing branding of content. It presents vital topics that cross borders, exploring issues of content branding by multi-national and global media and marketing organisation, giving the book truly international relevance.

This book offers a comprehensive, authoritative, and accessible introduction to journalistic transparency. Pulling from historical and theoretical perspectives, Transparency and Journalism explains the concept of transparency and its place in journalistic practice, offering a critical assessment of what transparency can and cannot offer to journalism. The author also reviews the key theoretical claims underlying transparency and how they have been researched in different parts of the world, ultimately proposing a communication model that can be used to study the concept of transparency across journalism research. Other topics discussed include the use of algorithmic forms of transparency, the limitations of the transparency myth, and suggestions for future avenues for research. Transparency and Journalism is an important resource for students and scholars in the field of journalism and media studies, as well as for journalists and researchers interested in delving into an ever-relevant topic for the field.

The news media is traditionally the watchdog of democracy. Today, it is also one of the most pervasive global industries. In this lively and accessible book, Schultz systematically analyses the role of journalism in Australia and the scope of its democratic purpose. She examines key news stories, and looks at the attitudes of Australian journalists themselves. The fourth estate remains the ideal of most journalists, but the reality has been impaired by the increasing concentration of media ownership and by political, ethical and occupational interests. While Australian journalism has become bolder and more investigative, increasing commercialism and decreasing ethical standards have left the public sceptical. Schultz argues for a revival of the fourth estate based on journalistic independence and poltical autonomy, together with increased accountability and responsiveness.

Goes beyond the basic journalism skills of writing, interviewing, and research to provide a concrete, practical approach to intangible concepts such as curiosity, empathy, awareness of implicit bias, community engagement, and tenacity. Positioned for undergraduate and graduate courses focusing on journalism skills and principles. Each chapter includes case studies and interviews with professional journalists and end-of-chapter exercises.

It provides upper level undergraduate and postgraduate students with an authoritative, accessible and highly relevant exploration of critical discourse within a real world advertising context. It is clearly structured into 'Practice', 'Policies' and 'Problems' sections, helping to guide readers clearly through the issues highlighted and illustrate the interrelated nature of these topics in the media and marketing branding of content. It presents vital topics that cross borders, exploring issues of content branding by multi-national and global media and marketing organisation, giving the book truly international relevance.

Communicating Endangered Species: Extinction, News, and Public Policy is a multidisciplinary environmental communication book that takes a distinctive approach by connecting how media and culture depict and explain endangered species with how policymakers and natural resource managers can or do respond to these challenges in practical terms. Extinction isn't new. However, the pace of extinction is accelerating globally. The International Union for Conservation of Nature classifies more than 26,000 species as threatened. The causes are many, including climate change, overdevelopment, human exploitation, disease, overhunting, habitat destruction, and predators. The willingness and the ability of ordinary people, governments, scientists, nongovernmental organizations, and businesses to slow this deeply disturbing acceleration are uncertain. Meanwhile, researchers around the world are laboring to better understand and communicate the possibility and implications of extinctions and to discover effective tools and public policies to combat the threats to species survival. This book presents a history of news coverage of endangered species around the world, examining how and why journalists and other communicators wrote what they did, how attitudes have changed, and why they have changed. It draws on the latest research by chapter authors who are a mix of social scientists, communication experts, and natural scientists. Each chapter includes a mass media and/or cultural aspect. This book will be essential reading for students, natural resource managers, government officials, environmental activists, and academics interested in conservation and biodiversity, environmental communication and journalism, and public policy.

In Mythic Imagination and the Actor, Marissa Chibas draws on over three decades of experience as a Latinx actor, writer, filmmaker, and teacher to offer an approach to acting that embraces collective imagination, archetypal work, and the mythic. The book begins with a comparative analysis between method acting and mythic acting, encouraging actors to push past the limits of singular life experience and move to a realm where imagination and metaphor thrive. In the context of mythic acting, the book explores awareness work, solo performance creation, the power of archetypes, character building exercises, creating a body/text connection, and how to be the detective of your own process. Through this inclusive guide for a new age of diverse performers traversing gender, ability, culture, and race, readers are able to move beyond their limits to a deep engagement with the infinite possibilities of rich imagination. The final chapter empowers and motivates artists to live healthfully within the practice and create a personal artistic vision plan. Written for actors and students of acting, American Drama, and film and theatre studies, Mythic Imagination and the Actor provides practical exercises and prompts to unlock and interpret an actor's deepest creative sources.

This edited collection addresses climate change journalism from the perspective of temporality, showcasing how various time scales-from geology, meteorology, politics, journalism, and lived cultures-interact with journalism around the world. Analyzing the meetings of and schisms between various temporalities as they emerge from reporting on climate change globally, Climate Change and Journalism: Negotiating Rifts of Time asks how climate change as a temporal process gets inscribed within the temporalities of journalism. The overarching question of climate change journalism and its relationship to temporality is considered through the themes of environmental justice and slow violence, editorial interventions, ecological loss, and political and religious contexts, which are in turn explored through a selection of case studies from the US, France, Thailand, Brazil, Australia, Spain, Mexico, Canada, and the UK. This is an insightful resource for students and scholars in the fields of journalism, media studies, environmental communication, and communications generally.

As the second book in the Routledge Journalism Insights series, this edited collection explores the possibilities and challenges involved in contemporary reporting of peace and conflict. Featuring 16 expert contributing authors, the collection maps the field of peace and conflict reporting in a digital world, in a context where the financial prospects of the news industry are challenged and professional authority, credibility and autonomy are decaying. The contributors, ranging from prominent scholars to the Head of Newsgathering at the BBC, discuss a diverse range of key case studies, including the role of Bellingcat in conflict journalism; war and peace journalism in Bangladesh; visual storytelling in conflict zones; and rampant cyber-misogyny confronting women journalists in Finland, India, the Philippines and South Africa. Bringing together theory and practice, the collection offers an in-depth examination of the changes taking place in the working practices of journalists as ongoing, strategic assaults against them increase. Insights on Peace and Conflict Reporting is a powerful resource for students and academics in the fields of global journalism, foreign news reporting, conflict reporting, globalisation, media and international communication.

How do journalists know what they know? Who gets to decide what good journalism is and when it's done right? What sort of expertise do journalists have, and what role should and do they play in society? Until a couple of decades ago, journalists rarely asked these questions, largely because the answers were generally undisputed. Now, the stakes are rising for journalists as they face real-time critique and audience pushback for their ethics, news reporting, and relevance. Yet the crises facing journalism have been narrowly defined as the result of disruption by new technologies and economic decline. This book argues that the concerns are in fact much more profound. Drawing on their five years of research with journalists in the U.S. and Canada, in a variety of news organizations from startups and freelancers to mainstream media, the authors find a digital reckoning taking place regarding journalism's founding ideals and methods. The book explores journalism's long-standing representational harms, arguing that despite thoughtful explorations of the role of publics in journalism, the profession hasn't adequately addressed matters of gender, race, intersectionality, and settler colonialism. In doing so, the authors rethink the basis for what journalism says it could and should do, suggesting that a turn to strong objectivity and systems journalism provides a path forward. They offer insights from journalists' own experiences and efforts at repair, reform, and transformation to consider how journalism can address its limits and possibilities along with widening media publics.

Now in its eighth edition, Broadcast News Writing, Reporting, and Producing is the industry’s leading textbook covering all aspects of the three pillars of broadcast news.

The book discusses the key strategies and terms of newsgathering and delivery by providing real-world, professional advice for broadcast journalists in the modern-day newsroom. New to the eighth edition is the Best Apps feature, which identifies the most productive apps used by working journalists when covering stories. The book also covers the ever increasing diversity of the journalism field and brings in new voices from professionals working in the industry to discuss these topics. Other new additions include in-depth discussions of fake news, expanded coverage of social media in the newsroom, and an overview of the latest advances in technology available to television and radio news reporters.

Broadcast News Writing, Reporting, and Producing remains the best book for undergraduate students in journalism writing, producing, newsgathering, and multimedia courses.

An accompanying companion website features resources to help instructors deliver online courses, including Powerpoints, Quizlets, and a sample syllabus.

Table of Contents

Table of Contents

ACKNOWLEDGMENTS

INTRODUCTION

Part 1 Acquiring the News

Chapter 1 Legal and Ethical Considerations

Chapter 2 Locating the News

Chapter 3 Developing Stories

Chapter 4 Collecting Information from Real and Virtual Documents

Chapter 5 Beats, Spot News, and Reporting Assignments .

Part 2 Writing the News

Chapter 6 Newswriting Mechanics

Chapter 7 Newswriting Style

Chapter 8 Writing Compelling Leads

Part 3 Reporting the News

Chapter 9 Fieldwork

Chapter 10 Interviewing

Chapter 11 Covering Planned Events

Chapter 12 Reporting Live

Chapter 13 Voiceovers, Packages, and Story Formats

Part 4 Producing the News

Chapter 14 Producing the Television Newscast ..

Chapter 15 Producing the Radio Newscast

Chapter 16 Delivering the News ..

Part 5 Transitioning into Professional Newsrooms

Chapter 17 Careers in Broadcast Journalism

Chapter 18 Portfolio Development

GLOSSARY

INDEX

Americans say that reading, watching, or listening to the news is a leading cause of stress. Of course journalists, as watchdogs and public informants, must disseminate information that is inherently negative, but experts argue that the news media's emphasis on the problem has had a negative effect on the public, the press itself, and democracy. At the same time, the past sixty years have seen a rise of journalistic practices that purport to cover the news beyond the typical problem-based narrative. These genres of journalistic reporting are not positive news or fluff reporting: They are rigorous reporting philosophies and practices that share a common goal-reporting beyond the problem-based narrative, thereby exemplifying a commitment to the social responsibility theory of the press, which asserts that journalists have a duty to consider society's best interests. However, there is little academic or professional understanding of these journalistic approaches. As such, this book provides an in-depth examination of socially-responsible news reporting practices, such as constructive journalism, solutions journalism, and peace journalism. Each chapter focuses on one reporting form, defining it and detailing its evolution and status among scholars and practitioners, as well as discussing its known effects and future direction. This edited volume is the first academic book published on these forms of reporting in the United States. It provides a comprehensive resource that explores the theoretical underpinnings of these journalistic genres that grounds these approaches and allows for a coherent line of research to follow as these approaches evolve.

This first book in the Journalism Insights series examines the major practical and ethical challenges confronting contemporary sports journalists which have emerged from, or been exacerbated by, the use of digital and social media. Combining both quantitative and qualitative research and contributions from industry experts in sports reporting across Europe, America and Australia, the collection offers a valuable look at the digital sports reporting industry today. Issues discussed in the text include the ethical questions created by social media abuse received by sports journalists, the impact of social media on narratives about gender and race, and the 'silencing' of journalists over the issue of trans athletes, as well as the impact on 'traditional' aspects of sports journalism, such as the match report. The book features first-hand accounts from leading sports reporters and scholars about how these changes have affected the industry and sets out what 'best practice' looks like in this field today. This book will be a useful resource for scholars and students working in the fields of journalism, media, sports and communication, as well as for current sports journalism practitioners interested in the future of a changing industry.

Thoroughly revised and updated, the fourth edition of Writing for Journalists focuses on the craft of journalistic writing, offering invaluable insight on how to hook readers and keep them to the end of your article. The book offers a systematic approach to news and feature writing that starts with the basics and builds to more complex and longer pieces. The authors give the reader the tools they need to deliver engaging and authoritative writing that works across print and digital. Drawing on professional insight from writers across the industry, the book guides readers through the essential elements needed to write powerful and effective news stories, from hard news pieces to features on business, science, travel and entertainment reviews. New to this edition are hands-on writing exercises accompanying each chapter to help reinforce key points; chapters on how to build a professional profile, pitch stories and get commissioned; and a section on online writing, SEO, analytics and writing for social media. This is an essential guide for all journalism students and early-career journalists. It also has much to offer established journalists looking to develop their writing and lead editorial teams.

Now in its second edition, Mobile and Social Media Journalism continues to be an essential resource for learning how journalists and news organizations use mobile and social media to gather news, distribute content, and engage with audiences. Merging theory and practice, the book includes checklists and practical activities in every chapter, enabling readers to immediately build the mobile and social media skills that today's journalists need and which news organizations expect. The second edition retains a focus on journalism's core values, such as authentication, verification, and credibility, while guiding readers on how to apply them to digital media activities. The book also offers an in-depth discussion of the audience's active role in producing content, how mobile devices and social media have changed the way the audience consumes news, and what these changes mean for journalists. Updated to address the latest trends in multimedia journalism, the second edition includes two new chapters: "Writing mobile-friendly web stories" and "The spread of fake news". This is a valuable resource for journalism students, as well as media professionals seeking to update their skills. The book also features a companion website at www.mobileandsocialmediajournalism.com, providing online resources for students and lecturers, including video tutorials, industry news, and sample assignments. The book's Twitter account (@MobileJourn) and Facebook page (fb.com/MobileandSocialMediaJournalism) share the latest industry trends and offer tips for teaching the topic.

In Mythic Imagination and the Actor, Marissa Chibas draws on over three decades of experience as a Latinx actor, writer, filmmaker, and teacher to offer an approach to acting that embraces collective imagination, archetypal work, and the mythic. The book begins with a comparative analysis between method acting and mythic acting, encouraging actors to push past the limits of singular life experience and move to a realm where imagination and metaphor thrive. In the context of mythic acting, the book explores awareness work, solo performance creation, the power of archetypes, character building exercises, creating a body/text connection, and how to be the detective of your own process. Through this inclusive guide for a new age of diverse performers traversing gender, ability, culture, and race, readers are able to move beyond their limits to a deep engagement with the infinite possibilities of rich imagination. The final chapter empowers and motivates artists to live healthfully within the practice and create a personal artistic vision plan. Written for actors and students of acting, American Drama, and film and theatre studies, Mythic Imagination and the Actor provides practical exercises and prompts to unlock and interpret an actor's deepest creative sources.

Federal recognition enables tribes to govern themselves and make decisions for their citizens that have the power to retain their cultures. But over the last forty years, the news media coverage of the federal recognition of tribes has perpetuated ignorance and stereotypes about tribal sovereignty. This book examines how past coverage has prioritized gaming over sovereignty and interfered in Tribes' ability to be federally recognized. Scholars of journalism, mass communication, media studies, and indigenous studies will find this book of particular interest.

As the second book in the Routledge Journalism Insights series, this edited collection explores the possibilities and challenges involved in contemporary reporting of peace and conflict. Featuring 16 expert contributing authors, the collection maps the field of peace and conflict reporting in a digital world, in a context where the financial prospects of the news industry are challenged and professional authority, credibility and autonomy are decaying. The contributors, ranging from prominent scholars to the Head of Newsgathering at the BBC, discuss a diverse range of key case studies, including the role of Bellingcat in conflict journalism; war and peace journalism in Bangladesh; visual storytelling in conflict zones; and rampant cyber-misogyny confronting women journalists in Finland, India, the Philippines and South Africa. Bringing together theory and practice, the collection offers an in-depth examination of the changes taking place in the working practices of journalists as ongoing, strategic assaults against them increase. Insights on Peace and Conflict Reporting is a powerful resource for students and academics in the fields of global journalism, foreign news reporting, conflict reporting, globalisation, media and international communication.

This book provides a varied, thorough and informative analysis of how newspapers covered the 2014 Scottish independence referendum in its critical final months.

Providing a wealth of new empirical findings, the book engages with the key themes and issues presented by a variety of newspaper outlets. These main observations include: a major focus on the economic aspects of the debate; persistent concerns regarding an independent Scotland’s prospects on the world stage, both militarily and strategically; the re-emergence of Gordon Brown as a political heavyweight; and a myopic focus on Alex Salmond, who would come to be framed as personally synonymous with the abstract concept of Scottish independence.

The book will be the first point of contact for readers interested in the subject, providing an overview which is meticulously researched, authoritative and engaging, and offering broader insights in the areas of journalism, political communication and media studies.

Table of Contents

1. Introduction: Scotland and The Press in 2014; 2. It’s the Economy, Stupit: Presenting an Uncertain Future; 3. What Matters Most: The Health Service and Currency; 4. Scotland’s Place in the World: Military and Strategic Considerations; 5. Everyone’s Got an Opinion: Celebrities, Royalty, and the Conservative Party; 6. Beast Mode: Darling, Brown and the Labour Party; 7. Eck of a Story: The Focus on Alex Salmond; 8. Conclusion: The Same Old Script? Thoughts Regarding the Coverage