The rise of Asia has changed the world, now shaped by greater global connectivity, geopolitics and shifting spheres of influence. Tapping into research and decades of experience in the world's fastest-moving markets, this book makes a compelling case for a new and future-ready approach to communications planning and implementation, which the Asian Century demands. Facing a new operating environment, policymakers and business leaders have to act quickly. This book outlines the necessary adjustments to long-established practices and value propositions in both corporate and government communications and provides a step-by-step plan for strategy development, laid out in a two-pronged approach designed to appeal to a multicultural audience. It is an essential read for global practitioners and students in international relations and mass communications.

This book aims to curate a collection of articles to showcase the latest work and biggest trends shaping the global tourism industry in the past two decades - new technology and the Chinese tourists. While the emergence of new technology continues to propel the evolution of the tourism industry, Chinese tourists as a dominating market have won increasing attention across worldwide destinations. On one hand, the vast advancement of technology has fundamentally shifted the way Chinese tourists travel. On the other hand, the arrival of technologically savvy Chinese tourists has provoked tourism providers and destinations to adopt innovative technology (e.g., mobile payment). Standing on the edge of the third decade of the twenty-first century, the tourism industry and scholarly community are facing unprecedented challenges amidst exciting opportunities. Particularly, this line of research is perhaps timelier than ever, with the pandemic physically distancing people whilst augmenting technology's function in mediating social interactions and connecting lives beyond geographic boundaries. New Technology and Mediated Chinese Tourists will be a great resource for researchers and students of Tourism and Hospitality including those interested to understand how innovation and technology is embedded in the tourism industry. This book was originally published as a special issue of the Journal of China Tourism Research.

An inspiring look at the women who broke the glass ceiling in sports journalism. Women in sports journalism have faced an uphill battle to succeed within the "old boy" world of sports. The early trailblazers faced colleagues who ignored them, athletes who tried to humiliate them, fans who ridiculed them, and executives who kept them from doing their jobs--challenges many still face today. In Who Let Them In? Pathbreaking Women in Sports Journalism, Joanne Lannin recounts the stories of the tenacious and resilient female sportscasters and writers who paved the way for those that followed. Exclusive interviews with such pioneers as CBS Sports' Lesley Visser, NFL Today's Andrea Kremer, and Baseball Hall of Fame inductee Claire Smith reveal the many challenges these women faced as they sought to break down the gender-based barriers that kept them from press boxes, locker rooms, and broadcast booths. And while great strides have been made in the sports world to correct the gender imbalance, Lannin discusses how misogyny and sexual harassment continues to permeate the industry even today. Who Let Them In? offers compelling insight into how women sports journalists broke into this male-dominated field and managed to stay there, despite the many obstacles put in their way. It shows the sacrifices and commitment it takes to succeed in sports journalism and discusses what the future may hold for women in a media landscape that continues to evolve almost daily.

On June 25, 1906 an event of little public importance occurred. Fueled by popular mood and climate, and capitalized upon by the press, it became the "hottest story" of the century. Phyllis Leslie Abramson's book recreates the social, political, and economic climate; the murder; and the subsequent trial that led to the manifestation of sob sister journalism. The story was prosaic: an insanely jealous man murdered his wife's lover. The protagonists were front-page material: Stanford White, famous architect and womanizer; Harry K. Thaw, scion of an influential family; and the young and beautiful Evelyn Nesbit. Three famous newspapers chose four women journalists to provide daily doses of tear-producing reportage. The sob sisters were born. Exploring the origins of sob sister journalism, Abramson first surveys turn-of-the-century America. She includes sections on industrialization, urbanization, immigration, the political climate, women, the press, and New York City, and gives biographical sketches of the four female journalists. The trial itself encompasses the main portion of her book. Day-by-day courtroom events alternate with the sob sisters' actual newspaper coverage. The volume concludes with an analysis of the development of sob sister journalism and the impact of this new journalistic style. An appendix offers a postscript on the lives of the protagonists and the sob sisters.

For advertisers and news publishers, brand sponsored content has offered attractive solutions to problems of ad-avoidance and financing journalism. This book is an investigation into the practices, possibilities and problems of sponsored editorial content across various national and regional contexts. Sponsored editorial content is material with similar qualities and format to content that is typically published on a platform or by a content provider, but which is paid for by a third party. Brand sponsored content may not be the remedy for ad-dependent media some advocates predicted but its expansion has impacted on the organisation, practices and identities of journalism in profound and far-reaching ways. This book explores the features and implications of content that blends, merges and disguises material that is sponsored with material that is or appears to be independent editorial. The chapters range across countries and regions from China and Israel to Europe and North America. Following a general introduction, authors address political and commercial sponsorship across production, content and audience research, developing and combining these in innovative ways to advance the study of paid-for content in contemporary digital journalism. This book was originally published as a special issue of the journal Digital Journalism.

We've all seen the Johnny Depp and Bill Murray versions of Hunter S. Thompson - a larger-than-life madman, swilling booze with one hand and piloting classic cars with the other. But while Hunter's legendary exploits in "Fear and Loathing in Las Vegas," and "Hell's Angels" and his other Gonzo tales are the public side of the man, there were very few people who were there when he let his guard down. Sheriff Bob and Michael Cleverly were there from the beginning of HST's Woody Creek days to the fateful moment three years ago when he signed off for good."The Kitchen Readings" is an intimate portrait of the private Hunter; these guys were there when the documentary cameras stopped rolling. As is the case in many less-infamous homes, Hunter's de facto base was his kitchen - a place where he could see the TV, grab ice from the freezer, and fire off a few rounds of ammunition with equal aplomb. There he would hold court for a never-ending stream of locals, celebrities, friends, lovers, camera crews, children, and fans. Braudis and Cleverly have recreated the reminiscences of all of Hunter's antics throughout his Woody Creek years - from the day he replaced his guard dogs with guard peacocks to the nutty, off-kilter fans who would show up uninvited and meet with a less-than-cordial (and armed) HST to the time the mayor's daughter was accidentally treated to a XXX video in a Kentucky Derby party mix-up to the final homage to Hunter that was a Hollywood-style blowout, replete with his ashes being shot out of a giant Gonzo fist.

This book offers a diverse approach to journalism history told from a multimedia perspective, re-examining mainstream stories and highlighting contributions that are often overlooked. Bringing together a team of prominent journalism historians, the volume centers race and ethnicity, gender and sexuality, class, religion, disability, mental health and generations to tell forgotten stories of journalism’s historical influence. The book is designed to appeal to Generation Z college students, offering budding mass communicators a valuable tool that addresses gaps in historical pedagogy and fosters representation in the classroom. Each chapter contains access to video and podcast extras, chapter summaries, guides to further reading and suggested activities to bring these narratives alive and keep readers engaged. Interactive and accessible, Social Justice, Activism and Diversity in U.S. Media History is an indispensable resource for Generation Z, scholars in mass communication and American history, journalists and general readers.

The British Media Industries offers an accessible introduction to how the media in Britain operates and the impact that recent political, economic and technological developments have had on the nature of media industries today. Split into two sections, this book starts by exploring approaches to understanding contemporary media industries through political, economic and technological terms. The second section delves further into issues and practices relating to individual media industries including newspapers, magazines, film, television, music, videogames and social media. The book adopts a political economy approach and is designed to engage students in an accessible way with key issues around the ownership and control of different sectors of the British media; UK and EU government regulation of the media, including content regulation and market/economic regulation; and the corporate strategies employed by leading media players, such as the BBC, News Corporation, Google and Apple. Topics are contextualised within an increasingly international media marketplace and students will be familiarised with concepts such as globalisation and media imperialization. End-of-chapter exercises and case studies help readers solidify their understanding of key concepts as they work through the text. This is an essential textbook for undergraduate students approaching British media industries for the first time and will also be relevant to students undertaking introductory courses in Media Management and Media Economics.

An accessible introduction to understanding the current media environment and the culture it contains, this book provides an indispensable guide to dynamic media literacy in the digital environment. Katherine G. Fry draws from philosophies of technology and communication, from media ecology, critical cultural theory, and critical pedagogy to explain the dimensions of media environments. Fry introduces an essential dynamic media environment model that can be used as a framework for understanding global social challenges. The model extends media literacy education and practice by de-centering media messages, instead explaining media as environments-as cultures created by and within our dominant form of communication. Exploring progressive education philosophies that advocate inclusion, independence, empathy, and critical thinking toward problem-solving in a rapidly changing world, this book includes media literacy examples, global case studies, exercises, and learning tools to facilitate learning the full scope of the current media environment. This book explores how the digital communication environment operates on many dimensions so that we, as citizens, as players within the shifting digital environment, can act to shape it. Essential reading for students and scholars of media and communication studies, media literacy and media education, as well as other disciplines where media is used as a lens to examine issues within society.

Journalism Practice and Critical Reflexivity is a theoretical- and practice-based response to the crisis of mission and credibility in journalism studies that is heightened by online and social media. It describes, analyses and offers new approaches and models for critically reflexive journalism research, practice and education. With specific theoretical and conceptual approaches employed, such as Pierre Bourdieu’s reflexive sociology along with the analytical, practice-based, reflective and narrative techniques of Donald Schön and autoethnography, this book provides possible responses to these crises of purpose and legitimacy, and to transformation, in Western corporate journalism. With journalists working in mainstream media under increasing pressure, the book considers the possibility of either slowing journalism down or having elements of a more reflexive journalism practice set alongside other routine practices. It proposes reciprocity as a core value to guide much investigative and news journalism. Scholars and practitioners of journalism, researchers and post-graduate students interested in journalism, critical reflexivity and reflective practice in relevant disciplines can apply the concepts and techniques of critical reflexivity in their own research or teaching. Journalists, criminologists and others concerned with Indigenous deaths in custody, prisons, the institutional duty of care, social and/or legal justice and effective government administration will also find the study rewarding.

Helluva Job is Pulitzer Prize winner Lewis M. Simons's recollection of his 50 years as a foreign correspondent, one whose powerful stories contributed to transforming Asia from Vietnam War-era basket case to a global boomtown that today rivals the United States. Simons's investigative work led to the toppling of a dictator in the Philippines. He covered the Tiananmen Square massacre in China, bloody coups in Thailand, attempted genocide and societal collapse in Cambodia, and economic advance, decline and rebirth in Japan. He was expelled from India for his exclusive reporting on Prime Minister Indira Gandhi's political misuse of the armed forces. Breaking his own strict rule against becoming personally involved with people whose stories he covered, he saved the life of a dying teenaged Tibetan Buddhist monk. Simons molds the narrative of his lengthy, action-packed career from foxhole mud and backroom dirt. Layered with moments of tenderness and humor, as his camp-following family often accompanies him, the result is a masterful chronicle of war and murder; extreme poverty and suffering alongside repellent wealth and indulgence; wholesale larceny and ruling-class corruption-much of which escaped the scrutiny of other journalists. Readers who appreciate real-life historic drama will be enthralled.

This book is about how we can build back truth online. It provides solutions so that we can repair our existing social media platforms and build better ones that prioritize value over profit, strengthen community ties and promote access to trustworthy information. This book explains the problem of misinformation within the larger context of "information disorder." It provides a road map with six paths forward to understand how platforms are designed to exploit us, learn to embrace agency in our interactions with digital spaces, build tools to reduce harmful practices, require platform companies to prioritize the public good, repair journalism and strengthen curation to promote trusted content and create new healthier digital public squares. This book presents a comprehensive and connected strategy on how we can reduce misinformation and build back truth. New, experimental models that are ethically designed to build community and promote trustworthy content are having some early successes. We know that human social networks -- online and off-- magnify whatever they are seeded with. They are not neutral. We also know that to repair our systems we need to repair their design. We are being joined in the fight by some of the best and brightest minds of our current generation as they flee big tech companies in search of vocations that value integrity and public values. The problem of misinformation is not insurmountable. We can fix this.

Dispatches from the Edge meets In an Instant in this dramatic memoir of war, family, resilience, and recovery from Benjamin Hall, the Fox News journalist who was gravely injured by a Russian drone attack in the early days of the invasion of Ukraine. Over the course of his career, seasoned war correspondent Benjamin Hall covered some of the deadliest armed conflicts of our time, including violence in Syria, Libya, and Somalia. But with a young family at home, Hall chose to trade life on the edge for a safer beat covering the US Department of State. Then Russia viciously attacked Ukraine in February 2022. Though he knew the dangers of war and was no longer traveling to war zones, Hall quickly accepted the assignment. He had to tell this story-Americans needed to understand the gravity of this stunning, world-altering conflict. Though he had witnessed and survived years of violence, on March 14, a month into the invasion of Ukraine, Hall and his crew were hit by a Russian drone strike, killing his cameraman and a fellow journalist and gravely injuring him. Stuck inside the warzone, it was feared Hall might not make it out alive. This is the story of how he survived-including his dramatic rescue and his arduous and ongoing recovery. For the first time, Hall shares his experiences in full-of his time in Ukraine and on the frontlines of the world's most perilous conflicts, of the terrible attack that nearly killed him, of the love of his family, of the strength and perseverance it has taken to endure multiple surgeries and learn how to walk again. Going inside the events that have permanently transformed him, Hall speaks honestly about the struggle to step away from the peril and how his years of experience kept him safe-until they failed him. And he pays tribute to American service members who not only helped save him, but decades earlier rescued his father, who, during World War II at age twelve, escaped a Japanese camp in the Philippines and eventually reached American GIs. Most remarkably, Hall's spirit has remained undaunted throughout his ordeal-a spirit of hope and positivity which infuses this exceptional story. Evocative, harrowing, and deeply moving, Untitled is a powerful memoir of family and perseverance, of life and healing, and of what to do when you are tested in ways you never thought possible. Benjamin Hall's memoir includes a 16-page color photo insert.

A cutting edge edited collection investigating the range of meanings associated with the local newspaper, its future and, ultimately, the value of its continued existence. Includes contributions from a range of scholars engaged with researching the local newspaper and its relationship to place, people and commercial imperatives. Explores how local newspapers function in different cultures and contexts through an array of case studies from such countries as Spain, Ireland, Denmark, the UK and the US.

A cutting edge edited collection investigating the range of meanings associated with the local newspaper, its future and, ultimately, the value of its continued existence. Includes contributions from a range of scholars engaged with researching the local newspaper and its relationship to place, people and commercial imperatives. Explores how local newspapers function in different cultures and contexts through an array of case studies from such countries as Spain, Ireland, Denmark, the UK and the US.

'Easily the best introduction to being a reporter' - Press Association This is the only 'how to' book on journalism written by writers and editors who have operated at the top level in national news. It has long been the go-to book of advice for young reporters. This edition includes a chapter on social media and is extensively updated throughout, with new content from Jemma Crew, an award-winning national news journalist. The book emphasises that good journalism must involve the acquisition of a range of skills that will empower trainees to operate in an industry where ownership, technology and information are constantly changing. This handbook includes tips and tricks learned from working at the very top of the business, and is an invaluable guide to the 'universals' of good journalistic practice for professional and trainee journalists worldwide.

The Insiders' Guide to Factual Filmmaking is an accessible and comprehensive 'how to' guide about the craft of making documentaries for TV, online or social media. Filmmaker Tony Stark distils a long career at the BBC and as an independent producer to explain the conceptual, visual, editorial and organisational skills needed to make impactful and stylish factual films. Interviews with top industry professionals in the UK and US - commissioners, executive producers, filmmakers, strand editors and media lawyers - add valuable insight and authority to this book. For more experienced filmmakers The Insiders' Guide tells you how to get the green light for undercover investigations, how to tell film stories online and on social media, and how to budget a factual film. This is a key text for anyone who wants to succeed in the rapidly changing, competitive freelance markets in Britain and America. It provides expert guidance to students on filmmaking courses, journalists wanting to move from print to video and non-professionals with an interest in film-making. Whatever the final destination of your film - and whatever the budget - The Insiders' Guide provides a vital roadmap. The book's accompanying website is a 'show-me' resource for new directors: with 24 specially-shot film clips illustrating the key rules of filmic grammar and sequence shooting - together with downloadable versions of essential production forms.

*Encourages students into the profession of media production for sports, drawing on case studies and interviews with practitioners and providing careers advice for students looking to break into the industry. *This is the first book to address motion graphics in sports production and presentation so fills a niche gap in the market which sits between media production, graphic design and advertising/sports marketing. *Combines research and practice to give a holistic overview of the area and where it is going/how students can shape it.

The Civil War Soldier and the Press examines how the press powerfully shaped the nation's understanding and memory of the common soldier, setting the stage for today's continuing debates about the Civil War and its legacy. The history of the Civil War is typically one of military strategy, famous generals, and bloody battles, but to Americans of the era, the most important story of the war was the fate of the soldier. In this edited collection, new research in journalism history and archival images provide an interdisciplinary study of citizenship, representation, race and ethnicity, gender, disability, death, and national identity. Together, these chapters follow the story of Civil War soldiers, from enlistment through battle and beyond, as they were represented in hometown and national newspapers of the time. In discussing the same pages that were read by soldiers' families, friends, and loved ones during America's greatest conflict, the book provides a window into the experience of historical readers as they grappled with the meaning and cost of patriotism and shared sacrifice. Both scholarly and approachable, this book is an enriching resource for undergraduate and graduate courses in Civil War history, American History, journalism, and mass communication history.

The Civil War Soldier and the Press examines how the press powerfully shaped the nation's understanding and memory of the common soldier, setting the stage for today's continuing debates about the Civil War and its legacy. The history of the Civil War is typically one of military strategy, famous generals, and bloody battles, but to Americans of the era, the most important story of the war was the fate of the soldier. In this edited collection, new research in journalism history and archival images provide an interdisciplinary study of citizenship, representation, race and ethnicity, gender, disability, death, and national identity. Together, these chapters follow the story of Civil War soldiers, from enlistment through battle and beyond, as they were represented in hometown and national newspapers of the time. In discussing the same pages that were read by soldiers' families, friends, and loved ones during America's greatest conflict, the book provides a window into the experience of historical readers as they grappled with the meaning and cost of patriotism and shared sacrifice. Both scholarly and approachable, this book is an enriching resource for undergraduate and graduate courses in Civil War history, American History, journalism, and mass communication history.

Inspired by overtly negative coverage by the Western mainstream press of Muslims in particular, and minorities in general, this book asks: Why are negative narratives and depictions of Muslims and other minorities so hard to change? News reports about Islam and Muslims commonly relate stories that discuss terrorism, violence or other unwelcome or irrational behaviour, or the lack of integration and compatibility of Muslims and Islam with Western values and society. Yet there is little research done on how studies on media reports about minorities seemingly fail to improve the situation. Combining empirical research with a structural analysis of the media industry, this volume presents evidence for the maligned representation of minorities by media corporations, analysing why negative narratives persist and outlining how these can be effectively transformed. It is an outstanding resource for students and scholars of media, religion, culture, sociology, and Islamic studies, and is also of benefit for journalists, media representatives, and activists looking to effect change for minority representation in the media industry specifically or in society at large.

Die Studien und Texte zur Sozialgeschichte der Literatur (STSL) veroeffentlichen seit 1975 herausragende literatur-, geschichts- und kulturwissenschaftliche Arbeiten zu vornehmlich deutscher Literatur vom Mittelalter bis zur Gegenwart. Schwerpunkt der literaturgeschichtlichen und theoretischen Abhandlungen sowie der Quellen- und Materialienbande ist das Verhaltnis von literarischem Text und gesellschaftlich-historischem Kontext. Als massgebliche Publikationsreihe einer seit den 1960er Jahren einflussreichen Sozialgeschichte der Literatur pragt STSL zugleich die literaturwissenschaftliche Diskussion uber moegliche Austauschbeziehungen zwischen Literatur-, Geschichts- und Sozialwissenschaften.

Freelancing for Journalists offers an authoritative, practical and engaging guide for current and aspiring journalism freelances, exploring key aspects of the role including pitching a story, networking, branding and navigating freelance laws and rights. Featuring case studies from experienced freelance journalists working in the UK, US, Asia and Australia, the book addresses the evolving media landscape and provides valuable tips on how to become established as a successful journalist across a variety of platforms. The authors also explore practical aspects of the trade including tips for setting up a business, managing tax and legal issues, getting paid and earning additional income in related sectors. This book is an invaluable resource for both students and professionals who are interested in taking the next step into freelance journalism work.

This book reflects on translation praxis in 20th century Latin American print culture, tracing the trajectory of linguistic heterogeneity in the region and illuminating collective efforts to counteract the use of translation as a colonial tool and affirm cultural production in Latin America. In investigating the interplay of translation and the Americas as a geopolitical site, Guzman Martinez unpacks the complex tensions that arise in these "spaces of translation" as embodied in the output of influential publishing houses and periodicals during this time period, looking at translation as both a concept and a set of narrative practices. An exploration of these spaces not only allows for an in-depth analysis of the role of translation in these institutions themselves but also provides a lens through which to uncover linguistic plurality and hybridity past borders of seemingly monolingual ideologies. A concluding chapter looks ahead to the ways in which strategic and critical uses of translation can continue to build on these efforts and contribute toward decolonial narrative practices in translation and enhance cultural production in the Americas in the future. This book will be of particular interest to scholars in translation studies, Latin American studies, and comparative literature.

In this fifth edition, Brian Carroll explores writing and editing for digital media with essential information about voice, style, media formats, ideation, story planning, and storytelling. Carroll explains and demonstrates how to effectively write for digital spaces and combines hands-on, practical exercises with new material on podcasting, multi-modal storytelling, misinformation and disinformation, and writing specifically for social media. Each chapter features lessons and exercises through which students can build a solid understanding of the ways that digital communication provides opportunities for dynamic storytelling and multi-directional communication. Broadened in scope, this new edition also speaks to writers, editors, public relations practitioners, social media managers, marketers, as well as to students aspiring to these roles and fields. Updated with contemporary examples and new pedagogy throughout, this is the ideal handbook for students seeking careers in digital media, particularly in content development and digital storytelling. An essential text for students of media, communication, public relations, marketing, and journalism who are looking to develop their writing and editing skills for this ever-evolving industry. The book also has an accompanying eResource that provides additional weekly activities, exercises, and assignments that give students more opportunity to put theory into practice.