In 1914, the Associated Newspapers sent correspondent Herbert Corey to Europe on the day Great Britain declared war on Germany. During the Great War that followed, Corey reported from France, Britain, and Germany, visiting the German lines on both the western and eastern fronts. He also reported from Greece, Italy, Switzerland, Holland, Belgium, and Serbia. When the Armistice was signed in November 1918, Corey defied the rules of the American Expeditionary Forces and crossed into Germany. He covered the Paris Peace Conference the following year. No other foreign correspondent matched the longevity of his reporting during World War I. Until recently, however, his unpublished memoir lay largely unnoticed among his papers in the Library of Congress. With publication of Herbert Corey's Great War, coeditors Peter Finn and John Maxwell Hamilton reestablish Corey's name in the annals of American war reporting. As a correspondent, he defies easy comparison. He approximates Ernie Pyle in his sympathetic interest in the American foot soldier, but he also told stories about troops on the other side and about noncombatants. He is especially illuminating on the obstacles reporters faced in conveying the story of the Great War to Americans. As his memoir makes clear, Corey didn't believe he was in Europe to serve the Allies. He viewed himself as an outsider, one who was deeply ambivalent about the entry of the United States into the war. His idiosyncratic, opinionated, and very American voice makes for compelling reading.

Journalists have often put themselves in danger to convey crucial information to the public. Many journalists have even died doing their jobs, investigating crimes or traveling to battle zones-and sometimes documenting events in their own communities. Recently, reporters have been assaulted, mocked and silenced, their reports dubbed "fake news" and them, "enemies of the people." A free press is one of the country's most reliable foundations for ensuring a democracy for current and future generations. With a focus on American journalism, this book tackles issues affecting today's news through profiling journalists killed on the job, whether from violent conspiracy, terrorism or mass shootings.

A long-overdue tribute to legendary African American sportswriter and boxing cartoonist Ted Carroll. Ted Carroll was one of the greatest American artists and sportswriters of the twentieth century, most notably as a boxing cartoonist and journalist. As a Black man working in an era when boxing was one of the few outlets where Black athletes could achieve wealth, success, and recognition, Carroll's commentary on the sport provides a profound perspective on race and the history of boxing. In A Boxing Legacy: The Life and Works of Writer and Cartoonist Ted Carroll, Ian Phimister and David Patrick celebrate Carroll's extraordinary achievements as a sports cartoonist, illustrator, painter, and writer. Beginning with an introduction to Carroll's life and times, Phimister and Patrick then dive into Carroll's work, reproducing 44 of his best articles contributed to The Ring magazine--the bible of boxing. Arranged thematically, each section of articles includes an overview discussing the selections and providing valuable historical context. Included in the collection is the significant series "The American Black Man in Boxing," which explores race, sport, and society. Ted Carroll's insightful articles illuminate the place of boxing in twentieth-century sport and society with incredible skill and care. The first extended account of Ted Carroll's life and works, and profusely illustrated with his brilliant drawings, A Boxing Legacy finally provides the deserved recognition to a remarkable artist and author who has been overlooked for far too long.

This book examines how technologies are changing, will change, or could change the relationship between audiences and news media. It highlights how novel technologies could have fundamental implications for the way that news media interact with wider society. The book comprises of four thematic parts. Firstly, it focuses on the impact of technological development on the news media business, exploring how news media uses new technologies to improve their sustainability. Secondly, it considers the ethical dilemmas that arise when audience-news media relationships are transformed by technological development. The third part of the book approaches the effects of novel technologies from the journalists' viewpoint: how do new technologies intervene in the audience-news media relationship through journalistic work? Finally, the fourth part dissects the ways new technologies can impact audience-news media relationships through transforming audience agency, audience preferences and news media's understanding of them.

Don Rose came to the U.S. alone from England in 1908, when he was 18, entering through Ellis Island like countless other immigrants. By 1941 he was one of Philadelphia's best-known newspaper columnists. That year he published his gentle, funny memoir My Own Four Walls, the story of the ramshackle farmhouse he and his wife, Marjorie, bought in 1918 and turned into a home for themselves and their 12 children. One of his grandsons, Neil Genzlinger-himself a journalist at the New York Times-here brings that book back to life, with the original illustrations, a century after his grandfather signed the deed. Part diary, part DIY manual, Rose's unsung classic is a tale of smoky fireplaces, leaky ceilings and unruly gardens, at a time when refrigerators were newfangled and suburban homes were furnished at country auctions. Most of all it is a story of how one man, with good-natured persistence, slowly put down roots in his adopted country.

This book considers the production of political media content from the perspective of academics who are increasingly asked to join the ranks of voices charged with informing the public. The work draws on the authors' first-hand experience and relationships with media reporters, managers, producers, and academics offering their expertise to a wide array of media outlets to understand and report on the dynamics shaping how the academic voice in political news may be at its most useful. Featured prominently in the book is the trade-off between a conventional form of political punditry, which is often characterized by partisan rancour, and a more analytical, theoretical, and/or policy-based approach to explaining politics to both general and diverse audiences. Along the way, the work draws on original survey, in-depth interview, and experimental data to garner insights on what academics in media, reporters, and media managers perceive are the appropriate roles for academics featured in political media. This book also contains relevant technical tips for effective media communication by academics.

David Perlmutter examines concerns over the interplay of pictures in the press, elite decision-making and public opinion on foreign policy. His focus is on certain celebrated, indelible images that, it is said, sum up famous events, provoke moral outrage, mobilize public opinion, and spur government action: the icons of outrage. Discourse elites thrust greatness upon such images as well as frame their meaning and interpretation. The public only plays a marginal role in making icons; ordinary readers and viewers are, however, often resistant or indifferent to elite interpretation and pretensions of outrage.

To explore these ideas, Professor Perlmutter offers a series of case studies in crises in American foreign policy and the images that came to define and affect them: the Tet offensive in 1968, the Tiananmen events of 1989, and the Somalia intervention of 1992-1994. In each case, icons became sites of political struggle and argumentation, tools of policy rather than masters of it. Actual effects on public opinion are rarely found. Presidents, diplomats, pundits, and journalists, when confronting news images, apply a first person effect, projecting onto all of America or even the whole world their personal reaction to an icon. As Perlmutter shows, the influence of icons of outrage lies in their ability to focus debate, not in any power of visual determinism. He concludes that rather than worrying about how pictures affect policy, more attention should be paid to how politicians manage, frame, and spin images to win support for policies. A provocative study for students, scholars, and the public concerned with visual communication, the mass media, and current international affairs.

Between 1903 and 1913, an extensive public debate played itself out in the British press involving the self-governing dominions of the Empire. The debate centered on three large topics--tariff reform, South African reconstruction, and imperial unity--and saw the participation of some of the most respected figures in Edwardian journalism. This book presents a thorough discussion of the involvement of these renowned journalists and the quality press in this debate, examining Edwardian imperial thought as it was reflected in their work. In addition, the quality of their political journalism is evaluated, particularly in regard to its enduring value. The book begins with several introductory chapters, including sections on the journalists James Louis Garvin, John St. Loe Strachey, and John Alfred Spender. The three imperial issues are then fully detailed in light of serious journalistic opinion regarding them. These chapters help to underscore the perceptions informed publicists had about the Empire in general and its future, and to trace the development of thought concerning dominion relations, press opinion about South African reconstruction, and the Tariff Reform vs. Free Trade debate. Among the other topics addressed are the role of the quality press in Edwardian public debate, the attitude toward imperialism following the Boer War, and the strength of the public press in Edwardian political journalism. The book concludes with a chapter that places the entire subject in a broader, 20th-century framework. This book will be a valuable addition to public, college, and university libraries, as well as a useful resource for courses in British history and the history of journalism.

This book provides a listing of nearly 7,000 Southern non-newspaper periodicals that started publication from 1764 to 1984. The initial section of the index is arranged chronologically, by the date the periodical was founded; an alphabetical list and a chronological listing by state are provided in appendixes. Each entry includes information on title, place or places or publication, dates of publication, any title changes or information on supersessions, absorptions, or continuances, and a sample of libraries that hold files of the periodical's back issues.

Wasburn compares U.S. commercial news reports on a wide variety of events with those produced by the news media of several other nations. The events include the Falklands War, the Iran-Iraq War, the Tiananmen Square Uprising, several political assassinations, major trade disputes between the U.S. and Japan, the "Intifada," U.S. presidential nominating conventions and a presidential inauguration.

Different patterns of coverage--amount of attention given an event, language used to describe an event, selection of particular occurrences to characterize an event, and descriptions of U.S. and international public opinion of the event--are shown to reflect different political, economic, and strategic interests of nations, historical contexts in which news was constructed, national differences in values that influence the production of news, and differences in historically specific relations between news media and the governments of their countries. Attention is given to contrasts between the national image of the United States constructed by U.S. commercial news media and the images of the United States produced by various foreign news media. This book will be of particular interest to scholars, students, and researchers involved with political communication, journalism, political science, and political sociology.

This book examines changing Soviet and Russian press coverage of the United States from the emergence of Mikhail Gorbachev through the presidency of Vladimir Putin. A new afterword focuses on recent developments in the Russian media and Russian press coverage of the terrorist attacks of September 11, 2001. Becker argues that due to the absence of a language to support the reform strategy, the Soviet press presented positive images of its chief ideological and military opponent, the United States, as a means of supporting political, social and economic reform. He suggests that the end of the Cold War and the emergence of a more self-confident Russia means that the symbolic and discursive significance of the United States for Russia has diminished.

Established in 1917 by publisher Joseph Pulitzer, the Pulitzer Prize is now awarded in 21 categories, including investigative reporting, news photography, drama, poetry, music, and others. It continues to be the most coveted honor in journalism. Yet while many publications have been written on the topic of the Pulitzer Prizes, none has provided basic factual information on all of the winners. This new reference tool profiles each of the more than 1,100 individuals who have received this honor from 1917 through 1998. Entries include the winner's name, year and category for the Pulitzer Prize(s) won, birthdate, family, education, career summary, other awards won, list of selected works, and where to locate additional information. Several entries also include photos of the winner.

This book examines the portrayal of the Palestinian-Israeli 'conflict' by looking at the language used in its reporting and how this can, in turn, influence public opinion. The book explores how language use helps frame an event to elicit a particular interpretation from the reader and how this can be manipulated to introduce bias. Sirhan begins the book by examining the history of the 'conflict', and the many persistent myths that surround it. She analyses how five events in the 'conflict' (two in which the Palestinians are victims, two in which the Israelis are victims, and Operation Cast Lead) are reported in five British newspapers: The Daily Mail, The Guardian, The Independent, The Daily Telegraph, and The Times. By looking at these events across a range of newspapers, the book investigates differences in the way that the media report each side, before exploring what factors motivate these differences - including issues of bias, censorship, lobbying, and propaganda.

What role can the ordinary citizen perform in news reporting? This question goes to the heart of current debates about citizen journalism, one of the most challenging issues confronting the news media today.

In this timely and provocative book, Stuart Allan introduces the key concept of 'citizen witnessing' in order to rethink familiar assumptions underlying traditional distinctions between the 'amateur' and the 'professional' journalist. Particular attention is focused on the spontaneous actions of ordinary people - caught-up in crisis events transpiring around them - who feel compelled to participate in the making of news. In bearing witness to what they see, they engage in unique forms of journalistic activity, generating firsthand reportage - eyewitness accounts, video footage, digital photographs, Tweets, blog posts - frequently making a vital contribution to news coverage.

Drawing on a wide range of examples to illustrate his argument, Allan considers citizen witnessing as a public service, showing how it can help to reinvigorate journalism's responsibilities within democratic cultures. This book is required reading for all students of journalism, digital media and society.

On June 25, 1906 an event of little public importance occurred. Fueled by popular mood and climate, and capitalized upon by the press, it became the "hottest story" of the century. Phyllis Leslie Abramson's book recreates the social, political, and economic climate; the murder; and the subsequent trial that led to the manifestation of sob sister journalism. The story was prosaic: an insanely jealous man murdered his wife's lover. The protagonists were front-page material: Stanford White, famous architect and womanizer; Harry K. Thaw, scion of an influential family; and the young and beautiful Evelyn Nesbit. Three famous newspapers chose four women journalists to provide daily doses of tear-producing reportage. The sob sisters were born. Exploring the origins of sob sister journalism, Abramson first surveys turn-of-the-century America. She includes sections on industrialization, urbanization, immigration, the political climate, women, the press, and New York City, and gives biographical sketches of the four female journalists. The trial itself encompasses the main portion of her book. Day-by-day courtroom events alternate with the sob sisters' actual newspaper coverage. The volume concludes with an analysis of the development of sob sister journalism and the impact of this new journalistic style. An appendix offers a postscript on the lives of the protagonists and the sob sisters.

This book examines why Turkey has become infamous as a repressor of news media freedom. For the past decade or so it has stood alongside China as a notorious jailer of journalists - at the same time as being a candidate state of the EU. The author argues that the reasons for this conundrum are complex and whilst the AKP is responsible for the most recent illiberality, its actions should be taken in the wider context of Turkish politics - and the three way battle for power which has been raging between Kemalists, Kurds and Islamists since the republic was founded in 1923. The AKP are the current winners of this tripartite power struggle and the securitisation of journalists as terrorists is part of that quest. Moreover, whilst securitisation is not new, it has intensified recently as the number of the AKP's political opponents has proliferated. Securitisation is also a means of delegitimising journalism - and neutralizing any threat to the AKP's electoral prospects - whilst maintaining a democratic facade on the world stage. Lastly, the book argues that whilst the AKP's securitisation of news began as a means of quashing the reporting of illiberality against wider political targets, since 2016 it has become a target in its own right. In the battle for power in Turkey, journalism is now one of the many losers.

The captivating story of an influential journalist demonstrates the value of a free press to democratic society In the decades between the Great Depression and the advent of cable television, when daily newspapers set the conversational agenda in the United States, the best reporter in the business was a rumpled, hard-drinking figure named Homer Bigart. Despite two Pulitzers and a host of other prizes, he quickly faded from public view after retirement. Few today know the extent to which he was esteemed by his peers. Get the Damn Story is the first comprehensive biography to encompass all of Bigart's journalism, including both his war reporting and coverage of domestic events. Writing for the New York Herald Tribune and the New York Times, Bigart brought to life many events that defined the era-the wars in Europe, the Pacific, Korea, and Vietnam; the civil rights movement; the creation of Israel; the end of colonialism in Africa; and the Cuban Revolution. The news media's collective credibility may have diminished in the age of Twitter, but Bigart's career demonstrates the value to a democratic society of a relentless, inquiring mind examining its institutions and the people who run them. The principle remains the same today: the truth matters. Historians and journalists alike will find Bigart's story well worth reading.

Taking a thematic approach, this new companion provides an interdisciplinary, cross-cultural, and international study of American literary journalism. From the work of Frederick Douglass and Walt Whitman to that of Joan Didion and Dorothy Parker, literary journalism is a genre that both reveals and shapes American history and identity. This volume not only calls attention to literary journalism as a distinctive genre but also provides a critical foundation for future scholarship. It brings together cutting-edge research from literary journalism scholars, examining historical perspectives; themes, venues, and genres across time; theoretical approaches and disciplinary intersections; and new directions for scholarly inquiry. Provoking reconsideration and inquiry, while providing new historical interpretations, this companion recognizes, interacts with, and honors the tradition and legacies of American literary journalism scholarship. Engaging the work of disciplines such as sociology, anthropology, African American studies, gender studies, visual studies, media studies, and American studies, in addition to journalism and literary studies, this book is perfect for students and scholars of those disciplines.

While the newspaper op-ed page, the Sunday morning political talk shows on television, and the evening cable-news television lineup have an obvious and growing influence in American politics and political communication, social scientists and media scholars tend to be broadly critical of the rise of organized punditry during the 20th century without ever providing a close empirical analysis. What is the nature of the contemporary space of opinion? How has it developed historically? What kinds of people speak in this space? What styles of writing and speech do they use? What types of authority and expertise do they draw on? And what impact do their commentaries have on public debate?
To describe and analyze this complex space of news media, Ronald Jacobs and Eleanor Townsley rely on enormous samples of opinion collected from newspapers and television shows during the first years of the last two Presidential administrations. They also employ biographical data on authors of opinion to connect specific argument styles to specific types of authors, and examine the distribution of authors and argument types across different formats. The result is a close mapping that reveals a massive expansion and differentiation of the opinion space. It tells a complex story of shifting intersections between journalism, politics, the academy, and the new sector of think tanks. It also reveals a proliferation of genres and forms of opinion; not only have the people who speak within the space of opinion become more diverse over time, but the formats of opinion-claims to authority, styles of speech, and modes of addressing publics-have also become more varied. Though Jacobs and Townsley find many changes, they also find continuities. Despite public anxieties, the project of objective journalism is alive and well, thriving in the older, more traditional formats, and if anything, the proliferation of newer formats has resulted in an intensified commitment (by some) to core journalistic values as clear points of difference that offer competing logics of distinction and professional justification. But the current moment does represent a real challenge as more and different shows compete to narrate politics in the most compelling, authoritative, and influential manner.
By providing the first systematic study of media opinion and news commentary, The Space of Opinion will fill an important gap on research about media, politics, and the civil society and will attract readers in a number of disciplines, including sociology, communication, media studies, and political science.

The Thematic Evolution of Sports Journalism's Narrative of Mental Illness: A Little Less Conversation contends that the conversation developed and sustained by sports journalists about professional athletes' experience with mental illness has evolved through three slightly overlapping stages, each marked by a primary theme. During the first stage, from the end of the 19th Century to the middle of the 20th century, sports journalists sensationalized the experience and portrayed the athletes - breathlessly labeled insane - as tragic figures. During the roughly two-decade second stage, an athlete's experience with mental illness was portrayed as an inconvenience that flummoxed and infuriated team officials who had neither the ability nor the inclination to address the issue. The final stage, leading up to present day and beyond, is most notable for the development and widespread adoption of a coverage template that centers around an athlete's brave decision to reveal and discuss their experiences. Combining historical research and narrative analysis, Ronald Bishop interrogates whether sports journalists have finally begun to cover the experience of mental illness with sufficient depth. Scholars of media studies, journalism, celebrity studies, and sports psychology would find this book of particular interest.

This book examines the brief yet accelerated evolution of newsgames, a genre that has emerged from puzzles, quizzes, and interactives augmenting digital journalism into full-fledged immersive video games from open-world designs to virtual reality experiences. Critics have raised questions about the credibility and ethics of transforming serious news stories of political consequence into entertainment media, and the risks of trivializing grave and catastrophic events into mere games. Dowling explores both the negatives of newsgames, and how the use of entertainment media forms and their narrative methods mainly associated with fiction can add new and potentially more powerful meaning to news than traditional formats allow. The book also explores how industrial and cultural shifts in the digital publishing industry have enabled newsgames to evolve in a manner that strengthens certain core principles of journalism, particularly advocacy on behalf of marginalized and oppressed groups. Cutting-edge and thoughtful, The Gamification of Digital Journalism is a must-read for scholars, researchers, and practitioners interested in multimedia journalism and immersive storytelling.

This book focuses on ethnic journalism in the Global South, approaching it from two angles: as a professional area and as a social mission. The book discusses journalistic practices and ethnic media in the Global South, managerial and editorial strategies of ethnic media outlets, their content specifics, target audience, distribution channels, main challenges and trends of development in the digital age.