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Books > Business & Economics > Industry & industrial studies > Media, information & communication industries > Press & journalism
The politics of war reporting: Authority, authenticity and morality challenges the assumptions that reporters and their audiences have about the way the journalistic trade operates and how it sees the world. It unpacks the taken-for-granted aspects of the lives of war correspondents, exposing the principles of interaction and valorisation that usually go unacknowledged. Is journalistic authority really only about doing the job well? Do the ethics of war reporting emerge simply from the 'stuff' of journalism? This book asks why it is that the authoritative reporter increasingly needs to appear authentic, and that success depends not only on getting things right but being the right sort of journalist. This, in turn, depends on the uncalculating mastery of practices both before and during a journalist's career. This book includes interviews with war correspondents and others with an active stake in the field and combines them with the critical sociology of Pierre Bourdieu to construct a political phenomenology of war reporting - the power relations and unspoken 'rules of the game' underpinning the representation of conflict and suffering by the media. It considers the recent phenomena of pooling and embedding journalists as well as the impact of new technologies, and asks what changes in the journalistic area can tell us about authority, authenticity and morality in the cultural industries more broadly. Interdisciplinary in its approach, The Politics of War Reporting will be of interest to scholars and students in the fields of media and cultural studies, sociology and political theory. -- .
RagTime 5.6 f r Windows und MacOS eignet sich besonders zur Erstellung von Expos s, Gesch ftsberichten, Auswertungen, Pr sentationen, Katalogen und Periodika. Diese vielf ltige Verwendbarkeit ergibt sich aus den Layoutm glichkeiten und den integrierten Office-Funktionalit ten der Software wie Tabellenkalkulation, Textverarbeitung, Grafik- und Zeichenwerkzeuge, zahlreicher Import- und Exportoptionen, sowie professionellem Farbmanagement nach ICC-Standard (kommerzielle Version) und Funktionserweiterungen durch Zusatzmodule. Mit zahlreichen Projektbeispielen aus den benannten Anwendungen gibt das vorliegende Arbeitsbuch nach einer konzisen Einf hrung in Konzept und Bedienung von RagTime wertvolle Tipps, Tricks und Techniken f r Novizen und bereits erfahrene Anwender. Die beiliegende Hybrid-CD-ROM f r MacOS und Windows enth lt die Vollversion von RagTime 5.6.1 privat, n tzliche Tools, Informationen und Autorenbeispiele.
As news organizations cut correspondent posts and foreign bureaux, non-governmental organizations (NGOs) have begun to expand into news reporting. Why and how do journalists use the photographs, video, and audio that NGOs produce? What effects does this have on the kinds of stories told about Africa? And how have these developments changed the nature of journalism and NGO-work? Who's Reporting Africa Now?: Non-Governmental Organizations, Journalists, and Multimedia is the first book to address these questions-using frank interviews and internal documents to shed light on the workings of major news organizations and NGOs, collaborating with one another in specific news production processes. These contrasting case studies are used to illuminate the complex moral and political economies underpinning such journalism, involving not only NGO press officers and journalists but also field workers, freelancers, private foundations, social media participants, businesspeople, and advertising executives.
This annotated bibliography of nineteenth-century British periodicals, complete with a detailed subject index, reveals how Victorian commentaries on journalism shaped the discourse on the origins and contemporary character of the domestic, imperial and foreign press. Drawn from a wide range of publications that represent diverse political, economic, religious, social and literary views, this book contains over 4,500 entries, and features extracts from over 40 nineteenth-century periodicals. The featured articles discuss both the prior and the contemporary press, from annuals to dailies, and examine topics such as circulation, content, audience and personnel. These nineteenth-century commentaries offer both a thorough and influential analysis of their journalistic milieu, presenting statistics on sales and descriptions of advertising, passing judgment on space allocations, pinpointing different readerships, and identifying individuals who engaged with the press either exclusively or occasionally. The essays also examine the impact of outside forces including technology, taxation, capitalism and compulsory education whilst assessments of the press abroad add the further considerations of geography, ethnicity, resources and restraints to the collective analysis. Most importantly, the bibliography demonstrates that columnists routinely articulated ideas about the purpose of the press, yet rarely recognized the illogic of prioritizing public good and private profit simultaneously. The volume thus highlights implicitly a universal characteristic of journalism: its fractious, ambiguous, conflicting behavior an endemic trait that appears to have survived well into the twenty-first century."
They reported wars, outraged monarchs and promoted the case for their country's freedom. The pages of Irish Journalism Before Independence: More a Disease than a Profession are filled with the remarkable stories of reporters, proprietors and propagandists. Sixteen leading writers celebrate the emergence of Irish Journalism in this original and engaging volume. These leading media academics, historians and scholars join in what is a festschrift travelling the long Irish nineteenth century to 1922. Their stories, narratives and histories illustrate the emergence of Irish journalism chronicling the evolution and development of the profession, and the various challenges confronted by the first generation of modern journalists. The profession's past is framed by reference to its practitioners and their practice. Readers are treated to studies of foreign correspondents, editorial writers, provincial newspaper owners, sports journalists and the challenges of minority language journalism. The volume goes beyond Ireland to explore the work of Irish journalists abroad and shows how the great political debates about Ireland's place in the United Kingdom served as a backdrop to newspaper publication in the nineteenth and early twentieth centuries. In his preface Professor James Curran concludes that the volume "advances by leaps and bounds the history of the Irish press". The collection makes valuable and important contribution to our knowledge of Irish journalism - and like all good reportage it offers its readers a very good read. -- .
As news organizations cut correspondent posts and foreign bureaux, non-governmental organizations (NGOs) have begun to expand into news reporting. Why and how do journalists use the photographs, video, and audio that NGOs produce? What effects does this have on the kinds of stories told about Africa? And how have these developments changed the nature of journalism and NGO-work? Who's Reporting Africa Now?: Non-Governmental Organizations, Journalists, and Multimedia is the first book to address these questions-using frank interviews and internal documents to shed light on the workings of major news organizations and NGOs, collaborating with one another in specific news production processes. These contrasting case studies are used to illuminate the complex moral and political economies underpinning such journalism, involving not only NGO press officers and journalists but also field workers, freelancers, private foundations, social media participants, businesspeople, and advertising executives.
Making Human Rights News: Balancing Participation and Professionalism explores the impact of new digital technology and activism on the production of human rights messages. It is the first collection of studies to combine multidisciplinary approaches, "citizen witness" challenges to journalism ethics, and expert assessments of the "liberating role" of the Internet, addressing the following questions: 1. What can scholars from a wide range of disciplines - including communication studies, journalism, sociology, political science, and international relations/studies - add to traditional legal and political human rights discussions, exploring the impact of innovative digital information technologies on the gathering and dissemination of human rights news? 2. What questions about journalism ethics and professionalism arise as growing numbers of untrained "citizen witnesses" use modern mobile technology to document claims of human rights abuses? 3. What are the limits of the "liberating role" of the Internet in challenging traditional sources of authority and credibility, such as professional journalists and human rights professionals? 4. How do greater Internet access and human rights activism interact with variations in press freedom and government censorship worldwide to promote respect for different categories of human rights, such as women's rights and rights to health? This book was originally published as a special issue of the Journal of Human Rights.
"An outstanding, comprehensive study about press coverage of black Americans during the 1960s and 1970s. In clear, polished writing style, Martindale analyzes past press coverage deficiencies, points out specific ways that coverage did or did not improve after the civil rights movement, and suggests ways by which journalists can improve coverage of black Americans." Choice "[Martindale's] meaninfgul reflections make history come alive and set forth a perspective for present and future media personnel." Media Development
How are events turned into news pictures that define them for the audience? How do events become commodified into pictures that both capture them and reiterate the values of the agencies that sell them? This book looks at every stage of the production of news photographs as they move to and from the ground and are sold around the world. Based on extensive fieldwork at a leading international news agency that includes participant observation with photographers in the field, at the agency's local and global picture desks in Israel, Singapore, and the UK, in-depth interviews with pictures professionals, and observations and in-depth interviews at The Guardian's picture desk in London, the findings in this book point to a wide cultural production infrastructure hidden from - and yet also nurtured and thus very much determined by - the consumer's eye.
What does it take to become a journalist? How do journalists work, and is it possible to start your very own media outlet from scratch? A Journalism Handbook for Media Entrepreneurs provides a comprehensive guide to aspiring journalists looking to enter this exciting and fast moving industry. From a look at the standards that good journalists must uphold to practical guidance in making news, the Handbook goes on to outline how someone can successfully start their own media outlet and keep it financially sustainable. Drawing upon case studies from across the world and compiled by leading journalists from seven countries, A Journalism Handbook for Media Entrepreneurs offers new insights and routes into a profession that was previously inaccessible to most people. What does it take to become a journalist? How do journalists work, and is it possible to start your very own media outlet from scratch? A Journalism Handbook for Media Entrepreneurs provides a comprehensive guide to aspiring journalists looking to enter this exciting and fast moving industry. From a look at the standards that good journalists must uphold to practical guidance in making news, the Handbook goes on to outline how someone can successfully start their own media outlet and keep it financially sustainable. Drawing upon case studies from across the world and compiled by leading journalists from seven countries, A Journalism Handbook for Media Entrepreneurs offers new insights and routes into a profession that was previously inaccessible to most people.
LatinX Voices is the first undergraduate textbook that includes an overview of Hispanic/LatinX Media in the U.S. and gives readers an understanding of how media in the United States has transformed around this audience. Based on the authors' professional and research experience, and teaching broadcast media courses in the classroom, this text covers the evolving industry and offers perspective on topics related to Latin-American areas of interest. With professional testimonials from those who have left their mark in print, radio, television, film and new media, this collection of chapters brings together expert voices in Hispanic/LatinX media from across the U.S., and explains the impact of this population on the media industry today.
This practical primer explains the primary issues in writing about the environment, identifies who to go to and where to find sources, and offers examples of writing and reporting the beat. Observations and story excerpts from experienced journalists provide real-world context both for those in the U.S. as well as internationally. Practice story assignments, resources, and a glossary of critical terms gives budding journalists all the tools needed to cover the green beat. Updated with detailed coverage of how companies and climate change have evolved over the past decade, this second edition expands upon the digital sphere and the myriad ways that deadline, multimedia and mobile reporting have changed environmental journalism. Including consideration of issues such as the water crisis in Flint, Michigan, and the GMO controversy, this new edition provides a fresh take on the green beat with a newly organized table of contents and a guide to freelance and entrepreneurial journalism anywhere in the world. Contents include: * an overview and history of the environment and journalism, spotlighting the most significant issues in the beat; * guidance on understanding environmental and health science, ranging from issues of risk, to scientific research and studies, to interviewing scientists; * insights into government and regulatory communities and environmental advocates on all sides of the political spectrum and internationally; * assistance in accessing public records and conducting digital and computer-assisted reporting; * guidance in writing the story for print, broadcast and internet audiences; * an examination of the future of journalism and news coverage of the environment in the U.S. and throughout the world.
Most great transformations are not apparent as we live through them. Only in hindsight do individual moments acquire layers of meaning that give them great significance. Looking back is not something that comes naturally to journalists, immersed as they are in breaking events and relentless deadlines. But there is still good reason for journalists, scholars, and people who care about journalism to think about the critical episodes in its recent evolution. In Defining Moments in Journalism, such authors vividly describe episodes of this kind. Some of the chapters and contributors include: "The Lessons of Little Rock" by Harry S. Ashmore; "Vietnam and War Reporting" by Peter Arnett; "Photo-journalists--Visionaries Who Have Changed Our Vision" by Jane M. Rosett; "The Weight of Watergate" by Ellen Hume; "Women Sportswriters--Business as Usual" by Mary Schmitt; "The Connie Chung Phenomenon" by Somini Sengupta; and "Covering Politics--Is There a Female Difference?" by Judy Woodruff. The years since the Great Depression and World War II have seen vast changes in America and also in its journalism. Journalists' relationship to power and authority is more complex; the press corps has become more diverse; the technology of news reporting is almost unrecognizably different from that of fifty years ago; and economic reorganization of the media has bundled news and entertainment organizations into conglomerates of extraordinary size. 'Defining Moments in Journalism' is a fascinating read for communications scholars and professionals, historians, and political scientists.
This book explores how the UK press constructs and represents women leaders drawn from three professional spheres: politics, business, and the mass media. Despite significant career progress made by women leaders in these professions, many British newspapers continue to portray these women in stereotyped and essentialist ways: the extent to which this occurs tending to correspond with the political affiliation and target readership of the newspaper. The author analyses news media articles through three fresh perspectives: first, Kanter's women leader stereotypes, second, a feminist agenda spectrum and third, a new 'reflexive' approach based on Feminist Poststructuralist Discourse Analysis. This book will appeal strongly to students and scholars of discourse analysis and media studies, and anyone with an interest in language, gender, leadership and feminism.
When the ancien regime collapsed during the summer of 1789 the newspaper press was free for the first time in French history. The result was an explosion in the number of newspapers with over 2,000 titles appearing between 1789 and 1799. This study, originally published in 1988, traces the growth of the French Press during this time, showing the importance of the emergence of provincial newspapers, and examining the relationship of journalism with political power. Concluding chapters discuss the economics of newspapers during the decade, analysing the machinery of printing, distribution and sales.
Television News is a comprehensive resource for newswriting, reporting, shooting and editing video, and producing a newscast. This book provides instruction in the basic steps of telling video stories, and is perfectly suited for preparing young professionals for entry-level positions as television or multimedia journalists. Moreover, the text goes to the heart of storytelling with guidance appropriate for advancement in an industry that is challenged more than ever to retain the public trust. The reporting and video storytelling skills found in this book can also be applied in non-traditional video communication jobs in both businesses and nonprofits. Conversational and easy to understand, this book grounds readers in the ethical and legal consideration necessary to do the job right. New to the fourth edition is coverage of social media, shooting and broadcasting with cell phones, and a discussion of "fake news." This book can be used in standalone introductory broadcast courses or across multiple, specialized modules. It features a website with ancillary material that helps students learn to write, shoot, and edit video with practical activities.
News Coverage of Global Disasters: Journalism's Power to Aid Healing and Recovery addresses an underexplored aspect of news, arguing that journalism helps people heal and recover in the aftermath of significant traumas. This comparative analysis draws from local and international news in eight countries around the world that suffered a natural disaster in 2018. This book evaluates ten news themes that aid healing, coping, hope and recovery during and after a natural disaster. Analysis shows that these ten characteristics are a common element within news, transcending national borders. McCluskey brings together contemporary theories of news choice and practice with examination of the journalistic culture within each country. Analysis also includes contextual and structural factors within each country and national disaster. Scholars interested in journalism, crisis communication, and media studies will find this book particularly useful.
Reporting Islam argues for innovative approaches to media coverage of Muslims and their faith. The book examines the ethical dilemmas faced by Western journalists when reporting on this topic and offers a range of alternative journalistic techniques that will help news media practitioners move away from dominant news values and conventions when reporting on Islam. The book is based on an extensive review of international literature and interviews with news media editors, copy-editors, senior reporters, social media editors, in-house journalism trainers and journalism educators, conducted for the Reporting Islam Project. In addition, the use of an original model - the Transformative Journalism Model - provides further insight into the nature of news reports about Muslims and Islam. The findings collated here help to identify the best and worst reporting practices adopted by different news outlets, as well as the factors which have influenced them. Building on this, the authors outline a new strategy for more accurate, fair and informed reporting of stories relating to Muslims and Islam. By combining an overview of different journalistic approaches with real-world accounts from professionals and advice on best practice, journalists, journalism educators and students will find this book a useful guide to contemporary news coverage of Islam.
This student book is fully supported by an audio CD so that students can practice dictation passages to improve their shorthand speed for exam success.Theory principles are covered in logical progression to build skills and confidence. Revision points and lots of tasks reinforce learning and give students plenty of opportunity to practice their skills.
"Time, Change, and the American Newspaper" focuses on newspapers as
organizations, examining the role of change in the newspaper
industry and providing a model from which to view and respond to
change. Authors George Sylvie and Patricia D. Witherspoon discuss
environmental and organizational influences on contemporary
newspapers, and they analyze newspapers within the larger context
of all organizations. This more general perspective provides
insights into the nature of change, the change process, the
rationale for organizational changes, resistance to such changes,
and initiation and implementation strategies.
This book explores the problem of scientific dishonesty and misconduct - a problem that affects all disciplines, yet whose extent remains largely unknown and for which established standards for reporting, prevention, and punishment are absent. Presenting examples of research misconduct, the authors examine the reasons for its occurrence and address the experience of victimization that is involved, together with the perpetrators' reactions to being accused. With consideration of the role of witnesses and bystanders, such as book and journal editors and reviewers, students and professional organizations, the book covers the many forms of academic misconduct, offering a theorization of the phenomenon in criminological terms as a particular form of crime, before examining the possibilities that exist for the prevention and control of scholarly crime, as well as implications for further research. An accessible treatment of a problem that remains largely hidden, Scholarly Crimes and Misdemeanors will appeal to readers across disciplines, and particularly those in the social sciences with interests in academic life, research ethics and criminology.
This book examines the challenges and pressures liberal journalists face in Putin's Russia. It presents the findings of an in-depth qualitative study, which included ethnographic observations of editorial meetings during the conflict in Ukraine. It also provides a theoretical framework for evaluating the Russian media system and a historical overview of the development of liberal media in the country. The book focuses on some of Russia's most influential liberal national news outlets: "the deadliest" newspaper Novaya Gazeta, "Russia's last independent radio station" Radio Echo of Moscow (Ekho Moskvy) and US Congress-funded Radio Free Europe/Radio Liberty. The fieldwork included ethnographic observations of editorial meetings, long interviews with editors and journalists as well as documentary analysis. The monograph makes theoretical contributions to three main areas: 1. Media systems and terms of reference. 2. Journalism: cultures, role conceptions, and relationship with power, culture and society. 3. Mediatisation of conflict and nationhood.
If the Al-Qaeda terrorists who attacked the United States in 2001 wanted to weaken the West, they achieved their mission by striking a blow at the heart of democracy. Since 9/11 governments including those of the USA, the UK, France and Australia have introduced tough, intimidating legislation to discourage the legitimate activities of a probing press, so greatly needed after the Iraq War proved that executive government could not be trusted. Often hiding behind arguments about defending national security and fighting the war on terror, governments criminalised legitimate journalistic work, ramping up their attacks on journalists' sources, and the whistle-blowers who are so essential in keeping governments honest. Through detailed research and analysis, this book, which includes interviews with leading figures in the field, including Edward Snowden, explains how mass surveillance and anti-terror laws are of questionable value in defeating terrorism, but have had a 'chilling effect' on one of the foundations of democracy: revelatory journalism.
This book is the first to focus a bright light on the life and early career of George S. Schuyler, one of the most important intellectuals of the Harlem Renaissance. A popular journalist in black America, Schuyler wielded a sharp, double-edged wit to attack the foibles of both blacks and whites throughout the 1920s. Jeffrey B. Ferguson presents a new understanding of Schuyler as public intellectual while also offering insights into the relations between race and satire during a formative period of African-American cultural history.Ferguson discusses Schuyler's controversial career and reputation and examines the paradoxical ideas at the center of his message. The author also addresses Schuyler's drift toward the political right in his later years and how this has affected his legacy.
Since its founding in 1937, "Partisan Review" has been one of the most important and culturally influential journals in America. Under the legendary editorship of William Phillips and Philip Rahv, "Partisan Review" began as a publication of the John Reed Club, but soon broke away to establish itself as a free voice of critical dissent. As such, it counteracted the inroads of cultural Stalinism and took up the fight for aesthetic modernism at a time when the latter was fiercely contested by both the political left and right. In this work, William Phillips offers an account of his own part in the magazine's eventful history. As the magazine's editor, Edith Kurzweil, notes in her introduction, many of the literary and political disagreements that famously marked "Partisan Review"'s history originated in the editors' initial adherence to a programme of radical politics and avant-gardism. Although this proved increasingly unworkable, Phillips and Rahv, even from the outset, never allowed sectarian narrowness to determine the magazine's contents. Over the decades, "Partisan Review" published work by authors as far from radicalism as T.S. Eliot and Wallace Stevens or from Marxist orthodoxy as Albert Camus and George Orwell. In literature, its contributors were as stylistically and intellectually varied as Saul Bellow, Vladimir Nabokov, Robert Lowell and Isaac Bashevis Singer. In short, "Partisan Review" featured the best fiction, poetry and essays of the 1940s and postwar decades. Beyond its literary preeminence, Partisan Review was famed as the most representative journal of the New York Intellectuals. |
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