Photocommunication Across Media is a must-have for aspiring mass media professionals who are striving to compete in the new landscape of convergence journalism and media. You will learn principles of photography both still and video and how to incorporate them into your storytelling. That's no longer a specialty skill-in today's world of media, it's a necessity. Editors Ross Collins and Keith Greenwood collaborate with highly accomplished photographers to make the concepts and techniques of today's mass media photography accessible to all readers. Photocommunication Across Media speaks directly to journalists, advertisers and professional communicators who want to round out their toolkit without sifting through dense texts meant specifically for photographers and photojournalists. This guide, edited by experts who teach these concepts to the next generation of media professionals, is everything you need to know-and nothing you don't-to take the next step for your career in communication.

Most great transformations are not apparent as we live through them. Only in hindsight do individual moments acquire layers of meaning that give them great significance. Looking back is not something that comes naturally to journalists, immersed as they are in breaking events and relentless deadlines. But there is still good reason for journalists, scholars, and people who care about journalism to think about the critical episodes in its recent evolution. In "Defining Moments in Journalism, "such authors vividly describe episodes of this kind.

Some of the chapters and contributors include: "The Lessons of Little Rock" by Harry S. Ashmore; "Vietnam and War Reporting" by Peter Arnett; "Photo-journalists--Visionaries Who Have Changed Our Vision" by Jane M. Rosett; "The Weight of Watergate" by Ellen Hume; "Women Sportswriters--Business as Usual" by Mary Schmitt; "The Connie Chung Phenomenon" by Somini Sengupta; and "Covering Politics--Is There a Female Difference?" by Judy Woodruff.

The years since the Great Depression and World War II have seen vast changes in America and also in its journalism. Journalists' relationship to power and authority is more complex; the press corps has become more diverse; the technology of news reporting is almost unrecognizably different from that of fifty years ago; and economic reorganization of the media has bundled news and entertainment organizations into conglomerates of extraordinary size. "Defining Moments in Journalism "is a fascinating read for communications scholars and professionals, historians, and political scientists.

Using practical assignments, the authors take each area of journalism, and demonstrate the world which awaits journalists in the early years of their careers.Each of the assignments spins off a number of tasks which are presented to the reader in the form of briefings, and can be used as a basis for further study. Notes and references are provided with each of the tasks to guide the student and help them understand fully each area of practice. There are also exercises on page planning and design. Workshop projects and study programmes outline ways in which students and trainees in groups or singly can analyse newspaper content, build up readership profiles and consider different methods of practice, social and political attitudes to the media, press regulations and press economics. This book will also be an invaluable purchase for students using distance learning packs.

Between 1988 and 1992 a technologically sophisticated entrepreneurial leadership at the Christian Science Monitor led a costly campaign to diversify beyond the failing newspaper into radio, the Internet, multimedia publishing, and the highest ticket item of all -- a CNN-style, 24-hour news and public affairs cable TV channel. In 1992, the entire enterprise came crashing down. Sue Bridge tells the whole story here, setting it in the historical context of Monitor journalism, beginning with the paper's founding in 1908, through the rise of television in the fifties and sixties, and ending with the effective loss of the Monitor as a significant voice in American journalism, at a time when thoughtful and balanced sources of information are increasingly lost in the mass communications marketplace

Community Writing: Researching Social Issues Through Composition employs a series of assignments that guide students to research and write about issues confronting their individual communities. Students start by identifying a community to which they belong and focusing on problems in it, and then analyze possible solutions, construct arguments for them, decide which are likely to succeed, and consider how to initiate action. This is a primary text for first-year composition courses, covering the basics of the writing process. The assignments are recursive. Short writing assignments in each chapter build up to longer papers. Each of the assignment questions is accompanied by a guide to thinking about and writing the assigned paper, followed by a short Focus On reading that provides a brief account of community activism, a media case study, or a notable success story. The longer papers are accompanied by in-class peer reading groups. Each successive peer reading attempts a higher level of conceptual critique. By working together throughout the semester, students create increasingly adept peer groups familiar with all stages of each other's research. The book is carefully structured, but there is plenty of "give" in it, allowing instructors to be flexible in adapting it to the needs of their students and courses. Community Writing: is distinguished by pedagogy based on a collaborative, process-oriented, service learning approach that emphasizes media critique and field research on community issues chosen by individual students; answers real student questions, such as: Where do I find articles on my topic? What if evidence contradicts my hypothesis? How do I know if a source is biased?; is web-savvy--guides students into building their own Web sites, including a unique guide for critiquing the design and veracity of other people's websites; and is media-savvy--topics include media monopolies, spin control,

In a digital moment where both the democratizing and totalitarian possibilities of media are unprecedented, the need for complex, ethical, and imaginative documentary media-for you, the reader of this book to think, question, and create-is vital. Whether you are an aspiring or seasoned practitioner, an activist or community leader, a student or scholar, or simply a curious audience member, author Broderick Fox opens up documentary media, its changing forms, and diversifying social functions to readers in a manner that is at once rigorous, absorbing, and practical. This new edition updates and further explores the various histories, ideas, and cultural debates that surround and shape documentary practice today. Each chapter engages readers by challenging traditional assumptions, posing critical and creative questions, and offering up innovative historical and contemporary examples. Additionally, each chapter closes with an "Into Practice" section that provides analysis and development exercises and hands-on projects that will assist you in generating a full project prospectus, promotional trailer, and web presence for your own documentary.

Making the Local News is a comprehensive assessment of contemporary local news production which traces the shifting position of local newspapers within local, national and multi-national media. Besides analysing the rapid technological advances of recent years, this unique textbook investigates the distinctive editorial formats of local daily and weekly papers, free papers and alternative press, local press regulation, the coverage of political and business news, and the contribution of national and local government agencies to the construction of local news agendas.

Magazine Law is a comprehensive guide to the law for magazine journalists, editors and managers. Written by a barrister experienced in publishing and copyright law and a former magazine journalist and law lecturer, the book addresses the special needs of the magazine industry and explains the laws that regulate and seek to determine what journalists can and cannot publish, and how these laws are applied in everyday situations.
Written specifically for all those in the magazine industry, as well as students of magazine journalism, the authors address issues which directly affect day to day practice. The legal and regulatory framework is illustrated with case studies and up-to-date examples of precedent setting cases.
Topics covered include:
* the legal process and the distinction between criminal and civil law
* the role of the courts and reporting court procedure
* defamation, fair-comment and libel
* product testing and criticism
* copyright and passing off
* law for photographers, picture researchers and the use of illustrations
* privacy and trespass
* competition, lotteries and magazine promotion
* sub-editing errors and inaccurate copy
* ethical and professional issues facing journalists
Codes of Practice published by the Press Complaints Commission and National Union of Journalists are set out in appendices, as are requirements for the award of a National Vocational Qualification in Periodical Journalism in Press Law and Ethics. A glossary of legal terms is included.

Successful travel photographers have to wear more hats than perhaps any other photographic genre. In a single travel photo essay they are at times architectural photographers, food photographers, music photographers, car photographers - the list encompassing every possible type of photography. The Travel Photo Essay teaches the reader the necessary techniques to create cohesive professional travel stories, using images that go far beyond "I was here" photographs. From the establishing shots to the equipment list, this book discusses the techniques and concepts necessary to create professional looking images in various genres, including portrait photography, landscape photography, wildlife photography, food photography, documentary photography, sports photography and more. Covering issues such as lighting, writing, workflow and the travel photography market, award-winning photographer and writer Mark Edward Harris explains how to marry photos with words, telling a cohesive story through a series of photographs.

Successful travel photographers have to wear more hats than perhaps any other photographic genre. In a single travel photo essay they are at times architectural photographers, food photographers, music photographers, car photographers - the list encompassing every possible type of photography. The Travel Photo Essay teaches the reader the necessary techniques to create cohesive professional travel stories, using images that go far beyond "I was here" photographs. From the establishing shots to the equipment list, this book discusses the techniques and concepts necessary to create professional looking images in various genres, including portrait photography, landscape photography, wildlife photography, food photography, documentary photography, sports photography and more. Covering issues such as lighting, writing, workflow and the travel photography market, award-winning photographer and writer Mark Edward Harris explains how to marry photos with words, telling a cohesive story through a series of photographs.

In this political communication text, Richard M. Perloff examines the various ways in which messages are constructed and communicated from public officials and politicians through the mass media to the ultimate receivers-the people. With a focus on the history of political communication, he provides an overview of the most significant issues in the study of politics and the media.
In addition to synthesizing facts and theories, and highlighting the scholarly contributions made to the understanding of political communication effects, "Political Communication" addresses such factors as the rhetorical accomplishments of American presidents, the ongoing tangles between the press and the presidency, and the historical roots of politics as it is practiced and studied today. It also addresses major issues about the press and politics that continually resurface, such as question of press bias and the use and manipulation of media by politicians to accomplish national goals.
As a comprehensive and engaging introduction to contemporary political communication, this volume provides all readers with a historical perspective on American politics and press and offers a unique appreciation of the strengths and virtues of political communication in America.

In this political communication text, Richard M. Perloff examines the various ways in which messages are constructed and communicated from public officials and politicians through the mass media to the ultimate receivers-the people. With a focus on the history of political communication, he provides an overview of the most significant issues in the study of politics and the media.
In addition to synthesizing facts and theories, and highlighting the scholarly contributions made to the understanding of political communication effects, "Political Communication" addresses such factors as the rhetorical accomplishments of American presidents, the ongoing tangles between the press and the presidency, and the historical roots of politics as it is practiced and studied today. It also addresses major issues about the press and politics that continually resurface, such as question of press bias and the use and manipulation of media by politicians to accomplish national goals.
As a comprehensive and engaging introduction to contemporary political communication, this volume provides all readers with a historical perspective on American politics and press and offers a unique appreciation of the strengths and virtues of political communication in America.

Michael Wharton, of course, was Peter Simple of the Daily Telegraph. A Dubious Codicil is the second and more rare volume of his autobiography. It takes up his story in 1957 when the author first started working for the Daily Telegraph where he remained for thirty-three years writing the Way of the World column. He soon established a name as the funniest and most mordant columnist in Britain, combining splendid comic characters, for example, Mrs Dutt-Pauker the Hampstead thinker and Julian Birdbath the depressed man of letters, with philippics on the evils of the age, from television and mass tourism to flights to the moon and almost any activity involving scientists and men in white coats. And yet, by a pleasing paradox, his dislike of the permissive society did not prevent him from leading an unconventional life which, as he gleefully points out, might have shocked more hidebound journalists, dutifully making their way to suburban homes while the arch-eccentrics of the Telegraph gathered in Fleet Street's Kings and Keys. Their world and their highly unorthodox behaviour are vividly brought to life. But this bohemian existence was troubled, in Michael Wharton's case, by a growing sense of futility and time passing. Temporary salvation, at least, lay to hand in his beloved Westmorland where, with congenial local companions, he helped to save the Eden Valley from the onslaught of developers. A Missing Will, the first volume of his autobiography, is also available in Faber Finds. '. . . .Yet the book is quite fascinating to read . . . It is partly the fascination of following a well-known and well-loved character through this vales of tears - however much he may suppose he has hidden himself behind the personality of Peter Simple, however unknown and unloved he may imagine himself to be, there can be few readers of Peter Simple who will not ''identify'' with him. It is also partly the high interest of watching a giant among familiar contemporary scenes, as if Shakespeare had emerged in the garb of Mr Pooter.' Auberon Waugh, Sunday Telegraph

Basic TV Reporting is a practical, easy to read guide to the skills needed to become a successful television reporter - arguably the most demanding and glamorous job in journalism. The book describes the role in detail, how reporters fit into the editorial team and where their duties begin and end.

Basic TV Reporting is a practical, easy to read guide to the skills needed to become a successful television reporter - arguably the most demanding and glamorous job in journalism. The book describes the role in detail, how reporters fit into the editorial team and where their duties begin and end.
The late Ivor Yorke has enjoyed a wealth of experience to pass on to aspiring broadcast journalists, having spent more than 20 years as a writer, reporter, producer and editor, before becoming Head of Journalist Training, BBC News and Current Affairs. He was also a freelance training consultant. He is the author of Television News (now in its third edition) and co-author with the late Bernard Hesketh of An Introduction to ENG, also published by Focal Press.
Reviews:
This is a short, well-constructed book which is of as much value to the interviewed as to the interviewer. It is practical and down-to-earth (keep off the gin, and stick to the tonic') and delightfully easy to read.'
British Journal of Educational Technology.
' Easy to read guide to the skills needed to become a successful TV
reporter.'
Voice of the Listener
Learn how to be a successful anchorman and commentator
Read how to handle difficult interviewees and multi-interview programmes and talkshows
take care when working on dangerous assignments The legal constraints and ethical considerationsfaced by reporters are also covered.

Future Journalism investigates where journalism has come from, where it is now and where it might be going, through a range of case studies on organisations pushing the traditional boundaries of journalism, including Vice, Buzzfeed, Bellingcat, The Washington Post, the Guardian, Circa and Narrative Science. Sue Greenwood presents an analysis of the significant trends and practices shaping contemporary journalism and investigates what they can tell us about possible new directions for the news industry in the future. Chapters explore: the rise of new business models for digital news production and their future; debates around the potential for non-human "journalists"; the fluctuating figures around news consumption by audiences and what they can mean; the growing importance of ethical journalism in the digital age; practical exercises and recommended further reading. In a constantly evolving media environment, this book guides readers through some of the most vital contemporary debates and important technological developments. It is essential reading for students and young professionals preparing for a future in the journalism industry.

This book addresses the roles and challenges of people who communicate science, who work with scientists, and who teach STEM majors how to write. In terms of practice and theory, chapters address themes encountered by scientists and communicators, including ethical challenges, visual displays, and communication with publics, as well as changed and changing contexts and genres. The pedagogy section covers topics important to instructors' everyday teaching as well as longer-term curricular development. Chapters address delivery of rhetorically informed instruction, communication from experts to the publics, writing assessment, online teaching, and communication-intensive pedagogies and curricula. The Open Access version of this book, available at http://www.tandfebooks.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Sacred Sites, Sacred Places explores the concept of 'sacred' and what it means to people in differing cultures. Archaeologists, legislators and those involved in heritage management sometimes come into conflict with local populations over sites which these communities consider to be sacred. This volume is unique in attempting to describe the belief systems surrounding such sites, and in relating these beliefs and practices to the practical problems of heritage management. The book demonstrates the need to accommodate those beliefs which are a vital part of ongoing cultural identity.
The geographical coverage of this collection is exceptionally wide and its range of contributors, including indigenous peoples, archaeologists, anthropologists and heritage professionals, is unrivalled in any other publication.

Religion and the Internet will present a range of scholarly articles that offer a critical overview of the interdisciplinary study of new media, religion and digital culture. Scholars have documented individuals using computer networks for religious discussions and enagagment since the early 1980s. In the mid 1990s, when the Internet became publicly accessible, scholars began to study how users were translating and transporting their religious practices onto this new digital platform. This collection will cover the development of the study of Religion and the Internet over the past three decades, highlighting the core research topics, approaches and questions that have been explored by key international scholars at the intersection of new media and religion. The collection seeks to present how new forms of religious practices have emerged and been interrogated by scholars. It will also present how religious communities have negotiated their engagement with digital techologies and the online and offline implications this has had for religious practioners and individuals.

The widespread use of the Internet as a tool for gathering and disseminating information raises serious questions for journalists--and their readers--about the process of reporting information. Using virtual sources and publishing online is changing the way in which journalism takes place and its effect on the society it serves.
USE LAST THREE PARAGRAPHS ONLY FOR GENERAL CATALOGS... "The Electronic Grapevine" explores the use of online media by reporters in the United States, and examines the impact that usage may have on how journalism is framed in the cultural sphere, as well as how it is conducted in the professional one. It contains a mix of material examining how it feels to "do" online journalism, how it affects those who consume it, different ways that media scholars go about trying to understand it better, and the likely social and cultural impact of Internet-like technologies on the public, at whom all this electronic information is eventually aimed.
Drawing from the emerging scholarly work in the field and from the real-life experiences of working journalists, Borden and Harvey collect contributions that examine why journalists use the Internet, what changes it makes in how they approach their jobs, and what differences they see in conducting their daily newsgathering with this medium rather than other methods. The volume also analyses when and why journalists do not use online media and what the impact of the decision to use or not use the Internet may mean for the outer world, whose perceptions of itself are so often shaped by journalistic portrait.
This series of thought-provoking, original essays explores the impact of computer-based information and communication services on traditional journalistic routines and practices, and thereby addresses a critical gap in the scholarly literature on communication, law, and culture. Distinguishing between linkage devices like the Internet, and database resources such as LEXIS/NEXIS, America Online, and others, this book examines the ways in which both types of online services may reshape and redefine not only the products of journalistic effort, but the newsgathering process itself.

A practical handbook for programming directors, this guide focuses on achieving specific objectives in today's modern, competitive environment.Radio Programming is designed to convey underlying principles and to assist the programmer in accomplishing specific objectives, without mandating exact implementation methods. Instead, it empowers station management and the PD to implement strategies that will work for the particular format and market niche. Radio Programming will be helpful for neophytes in programming, experienced programmers seeking further growth, air talent seeking to develop skills, and general managers trying to understand programming and effectively manage program directors without stifling creativity. It will also help general managers hire effective programmers.Eric Norberg is the editor and publisher of the Adult Contemporary Music Research Letter and a radio consultant. He has worked as a program director at several radio stations, as on-air talent and general manager, and has also operated a radio production company. For fourteen years he has written a weekly column on radio programming for The Gavin Report, a radio trade publication.

Better Broadcast Writing, Better Broadcast News teaches students how to write with the conversational simplicity required for radio and TV. This text draws on the Emmy Award-winning author's decades of professional experience in broadcast journalism. In addition to writing, the text also discusses the other elements that make up a good story--producing, reporting, shooting, editing, and ethics. The author's real-world perspective conveys the excitement of a career in journalism.

Explores how the triple threat crises of profitability, trust, and digital disruption are impacting journalism ethics today. The book is divided into two parts. Part one discusses the theoretical, philosophical and historical issues relating to the study of journalism ethics. Part Two uses practical case studies to examine key ethical issues facing reporters and journalists today. Accessible for students with a "how to use this book" section, end of chapter summaries, and a final chapter proposing a revised code of ethics for journalists.

Ethics and Media Culture straddles the practical and ethical issues of contention encountered by journalists. The book's various contributors cover a diversity of issues and viewpoints, attempting to broaden out the debates particularly in relation to Journalism Studies, Cultural Studies, Sociology of Culture and Communications, Philosophy and History.The debate concerning media ethics has intensified in recent years, fuelled mainly by the standards of journalist and media practices. The role of practitioners has taken centre-stage as concerns over what constitutes ethical, and therefore socially acceptable practice and behaviour, by the public, practitioners and intellectuals alike. The discursive relationship between the production and consumption of information is central to the debate regarding moral conduct, particularly in light of the commercialisation of the media. Considering that media institutions operate in a climate of intense competition, the value of information and its corresponding quality have begun to be critically assessed in terms of ethical understanding. A degree of open-endedness is maintained in discussions throughout this book, which is intended to engage the reader with the issues raised and determine their own conclusions.

This volume addresses some of the central issues of journalism today -- the nature and needs of the individual versus the nature and needs of the broader society; theories of communitarianism versus Enlightenment liberalism; independence versus interdependence (vs. co-dependency); negative versus positive freedoms; Constitutional mandates versus marketplace mandates; universal ethical issues versus situational and/or professional values; traditional values versus information age values; ethics of management versus ethics of worker bees; commitment and compassion versus detachment and professional distance; conflicts of interest versus conflicted disinterest; and talking to versus talking with. All of these issues are discussed within the framework of the frenetic field of daily journalism--a field that operates at a pace and under a set of professional standards that all but preclude careful, systematic examinations of its own rituals and practices. The explorations presented here not only advance the enterprise, but also help student and professional observers to work through some of the most perplexing dilemmas to have faced the news media and public in recent times.
This lively volume showcases the differing opinions of journalistic experts on this significant contemporary issue in public life. Unlike previous books and monographs which have tended toward unbridled enthusiasm about public journalism, and trade press articles which have tended toward pessimism, this book offers strong voices on several sides of this complex debate.
To help inform the debate, a series of voices--journalistic interviews with practitioners and critics of public journalism -- is interspersed throughout the text. At the end of each essay, a series of quotes from a wide variety of sources -- In other words... -- augments each chapter with ideas and insights that support and contradict the points used by each chapter author.

For journalists and reporters, the allegation of hegemonic practices constitute a most serious condemnation. It supposes that the media is working in the interest of the political establishment to create a false counsciousness. However, starting with Raymond Williams's refined definition of hegemony, the author shows how hegemony is an almost unwitting process which supports the status quo and the establishment. This text illustrates how this "soft hegemony" is manifest in the everyday workings of the media, and all the more so, when the media are on one side of a serious conflict. Considering the reporting of the Israel-Arab conflict and the 1991 Gulf War, Liebes demonstrates how national journalism supports the dominant ideology. This unintentional assimilation is the result of shared values, the inaccessibility of the other side, the preference for celebrating success rather than exposing failure, and a wish to be popular with the public. It shows how journalists abandon their watch-dog role, however, unintentionally, to support "our side", especially in time of war.