Since the advent of digitization, the conceptual confusion surrounding the semantic galaxy that comprises the media and journalism universes has increased. Journalism across several media platforms provides rapidly expanding content and audience engagement that assist in enhancing the journalistic experience. Exploring Transmedia Journalism in the Digital Age provides emerging research on multimedia journalism across various platforms and formats using digital technologies. While highlighting topics, such as immersive journalism, nonfictional narratives, and design practice, this book explores the theoretical and critical approaches to journalism through the lens of various technologies and media platforms. This book is an important resource for scholars, graduate and undergraduate students, and media professionals seeking current research on media expansion and participatory journalism.

What does press freedom mean in a digital age? Do we have to live with fake news, hate speech and surveillance? Can we deal with these threats without bringing about the end of an open society? In a fast-moving narrative, Heawood moves from the birth of print to the rise of social media. He shows how the core ideas of press freedom emerged out of the upheavals of the seventeenth century, and argues that these ideas have outlived their sell-by date. Heawood draws on his unique experience as a journalist, campaigner and the founder of the UK's first independent press regulator. He describes his own crisis of faith as his commitment to absolute press freedom was rocked - first by phone hacking at the News of the World, and then by the rise of social media. Nonetheless, he argues powerfully against censorship, and instead sets out the five roles that democratic states should play to ensure that people get the best out of the media and mitigate the worst.

Media Control: News as an Institution of Power and Social Control challenges traditional (and even some radical) perceptions of how the news works. While it's clear that journalists don't operate objectively - reporters don't just cover news, but they make it - Media Control goes a step further by arguing that the cultural institution of news approaches and presents everyday information from particular and dominant cultural positions that benefit the power elite. From analysing how the press operate as police agents by conducting surveillance and instituting social order through its coverage of crime and police action to bolstering private business and neoliberal principles by covering the news through notions of boosterism, Media Control presents the news through a cultural lens. Robert E. Gutsche, Jr. introduces or advances readers' applications of critical race theory and cultural studies scholarship to explore cultural meanings within news coverage of police action, the criminal justice system, and embedding into the news democratic values that are later used by the power elite to oppress and repress portions of the citizenry. Media Control helps the reader explicate how the power elite use the press and the veil of the Fourth Estate to further white ideologies and American Imperialism.

The renowned World Press Photo Foundation ("Connecting the world to the stories that matter") publishes a compilation of prizewinning press photographs each year. Carefully selected from thousands of entries, they present the most celebrated, powerful, moving, and often disturbing images from around the world, often putting a face on conflicts in far-flung places and reminding us of our shared humanity. The 2022 Yearbook, bringing together the best press photographs from 2021, will reflect the joy, anguish, and upheaval of this incredible year.

Winner of the 2018 Media Ecology Association's Erving Goffman Award for Outstanding Scholarship in the Ecology of Social Interaction Winner of the Eastern Communication Association's Everett Lee Hunt Award A behind-the-scenes account of how death is presented in the media Death is considered one of the most newsworthy events, but words do not tell the whole story. Pictures are also at the epicenter of journalism, and when photographers and editors illustrate fatalities, it often raises questions about how they distinguish between a "fit" and "unfit" image of death. Death Makes the News is the story of this controversial news practice: picturing the dead. Jessica Fishman uncovers the surprising editorial and political forces that structure how the news and media cover death. The patterns are striking, overturning long-held assumptions about which deaths are newsworthy and raising fundamental questions about the role that news images play in our society. In a look behind the curtain of newsrooms, Fishman observes editors and photojournalists from different types of organizations as they deliberate over which images of death make the cut, and why. She also investigates over 30 years of photojournalism in the tabloid and patrician press to establish when the dead are shown and whose dead body is most newsworthy, illustrating her findings with high-profile news events, including recent plane crashes, earthquakes, hurricanes, homicides, political unrest, and war-time attacks. Death Makes the News reveals that much of what we think we know about the news is wrong: while the patrician press claims that they do not show dead bodies, they are actually more likely than the tabloid press to show them-even though the tabloids actually claim to have no qualms showing these bodies. Dead foreigners are more likely to be shown than American bodies. At the same time, there are other unexpected but vivid patterns that offer insight into persistent editorial forces that routinely structure news coverage of death. An original view on the depiction of dead bodies in the media, Death Makes the News opens up new ways of thinking about how death is portrayed.

Media outlets play a pivotal role in fostering the positive and beneficial development of countries in modern society. By properly informing citizens of critical national concerns, the media can help to transform society and promote active participation. Exploring Journalism Practice and Perception in Developing Countries is a crucial reference source for the latest scholarly material on the impacts of development journalism on contemporary nations and the media's responsibility to inform citizens of government and non-government activities. Highlighting a range of pertinent topics such as media regulation, freedom of expression, and new media technology, this book is ideally designed for researchers, academics, professionals, policy makers, and students interested in the role of journalist endeavors in developing nations.

With their only son on the brink of adolescence, the nouveaux-riches Sherbornes move away from the city to start a new, gentrified existence on a three-hundred-acre farm-or "estate"-in Taonga, New Zealand. But life on the farm is anything but wholesome. Sherborne evokes his family's slide into madness through a series of unforgettable, hilarious portraits: of "Feet," his once-glamorous mother, now addled with snobbery, paranoia, and mental illness; of "The Duke," his uncomprehending, sporadically violent father; and of himself, the "Lord Muck" of the title, at once helpless victim and ruthless agent of their undoing, who in the end must decide whether he can save his family. Clear-sighted, lyrical, and marvelously funny, Muck has been widely hailed as a masterpiece. It is a heartrending memoir of family discord and an exquisite story of a young artist in search of a self.

From the Constitutional Convention in 1787 and the fight for ratification of the Constitution in the pages of America's newspapers through the digital era of 24/7 information technologies and social media campaigns, this book tells the story of the press as a decisive and defining part of America's elections, parties, and political life. The Press In American Politics, 1787-2012 supplies a far-reaching and fast-moving historical narrative of the decisive and defining moments in U.S. politics as told through the history of America's press, beginning from the emergence of the press in American politics during the 1787 Constitutional Convention through to 21st-century campaigning that utilize "big data" and harness the power of social networking. Suitable for general readers with an interest in the history of American elections and political campaigns and students and academic scholars studying the press and American politics, the book tells the story of "the press"-collectively, some of the most familiar institutions in American news, broadcasting, and technology-as a defining part of America's elections, political parties, and political life. Author Patrick Novotny examines topics such as the expansion of the press into the Western territories and states in the early 19th century, the growing independence of the press after the Civil War, the early history of wireless communication, the emergence of radio and television as powerful media, and the daunting challenges newspapers face in the Internet era. Provides a compelling and unique perspective of American politics through the early adoptions of technology by the press, especially in the era of electronic broadcasting and information technology in the 20th century Thoroughly documents the early emergence of the uses of radio, television, and the Internet across history Offers up-to-date accounts of some of the latest campaigning for elective office in the past decade, up to and including the 2012 presidential election

Edward Snowden's revelations about the mass surveillance capabilities of the US National Security Agency (NSA) and other security services triggered an ongoing debate about the relationship between privacy and security in the digital world. This discussion has been dispersed into a number of national platforms, reflecting local political realities but also raising questions that cut across national public spheres. What does this debate tell us about the role of journalism in making sense of global events? This book looks at discussions of these debates in the mainstream media in the USA, United Kingdom, France, Germany, Russia and China. The chapters focus on editorials, commentaries and op-eds and look at how opinion-based journalism has negotiated key questions on the legitimacy of surveillance and its implications to security and privacy. The authors provide a thoughtful analysis of the possibilities and limits of 'transnational journalism' at a crucial time of political and digital change.

Lively and engaging, How to Launch a Magazine in this Digital Age adopts a practical guide for students and inexperienced editors, detailing the process of setting up and launching a new publication -- be it digital, print or a combination of both. Using case studies, theoretical/critical insights, and tests/exercises, this is the first how-to to embrace digital technologies, including a companion website with additional support with podcasts, web links, forums and timed live author chats. The key to the text's success is its ability to encompass the complete process. It begins with the initial idea and follows the process through to developing a business plan as well as setting an editorial strategy to achieve and maintain an audience in a digital age -- where traditional print formats face an uncertain future. It includes checklists and realistic timescales for producing a digital/print magazine, for both the working professional and the student in the classroom setting.

This unique text addresses the gap between journalism studies, which have tended to focus on national and international news, and the fact that most journalism is practised at the local level, where people live, work, play and feel most 'at home'. Providing a rich overview of the role and place of local media in society, Hess and Waller demonstrate that, in this changing digital era, the local journalist must not only specialize in niche 'place-based' news, but also have a clear understanding of how their locality and its people 'fit' in the context of a globalized world. Equipping readers with a nuanced and well-rounded understanding of the field today, this is an essential resource for students of journalism, media and communication studies, as well as for practising and aspiring journalists.

The advent of digital technologies has changed the news and publishing industries drastically. While shrinking newsrooms may be a concern for many, journalists and publishing professionals are working to reorient their skills and capabilities to employ technology for the purpose of better understanding and engaging with their audiences. Contemporary Research Methods and Data Analytics in the News Industry highlights the research behind the innovations and emerging practices being implemented within the journalism industry. This crucial, industry-shattering publication focuses on key topics in social media and video streaming as a new form of media communication as well the application of big data and data analytics for collecting information and drawing conclusions about the current and future state of print and digital news. Due to significant insight surrounding the latest applications and technologies affecting the news industry, this publication is a must-have resource for journalists, analysts, news media professionals, social media strategists, researchers, television news producers, and upper-level students in journalism and media studies. This timely industry resource includes key topics on the changing scope of the news and publishing industries including, but not limited to, big data, broadcast journalism, computational journalism, computer-mediated communication, data scraping, digital media, news media, social media, text mining, and user experience.

This text provides a unique examination of The Christian Science Monitor, a highly respected, venerable news publication that has survived over a century of changes and challenges. The Christian Science Monitor is one of the world's leading journalistic publications, having won multiple Pulitzer prizes for its reporting. CSM is innovative and forward-thinking as well-it was one of the first newspapers to provide an online copy of its daily reporting in 1996, well before the popularization of the Internet. But just like other publications, The Christian Science Monitor will need to continue to reinvent itself in order to stay relevant and solvent in the face of plummeting readership numbers, corporate takeovers, and a widespread assumption that all of today's news sources are biased and inaccurate. This book provides a thorough discussion of CSM's treatment of sensitive topics like terrorism, international crises, gender issues, and sexual orientation. The paper's attitudes toward ethnicity, ethics, economics, philosophy, and racism are also profiled. The conclusion provides readers with an opportunity to draw upon their new knowledge of The Christian Science Monitor's past to project its direction for the future. Includes intriguing content derived from authorized interviews with managers and writers from The Christian Science Monitor Presents case studies on pivotal topics like terrorism, international issues, gender, and sexual orientation issues

In 2000, after the Tribune Company acquired Times Mirror Corporation, it comprised the most powerful collection of newspapers in the world. How then did Tribune nosedive into bankruptcy and public scandal? In "The Deal From Hell," veteran "Tribune" and "Los Angeles Times" editor James O'Shea takes us behind the scenes of the decisions that led to disaster in boardrooms and newsrooms from coast to coast, based on access to key players, court testimony, and sworn depositions.

"The Deal From Hell" is a riveting narrative that chronicles how news industry executives and editors--convinced they were acting in the best interests of their publications--made a series of flawed decisions that endangered journalistic credibility and drove the newspapers, already confronting a perfect storm of political, technological, economic, and social turmoil, to the brink of extinction.

Victim or villain?She's out of prison... Lauren Miller has served six years behind bars for a crime she did not commit. Now, with her life in tatters, she is determined to bring those who framed her to justice. Out for revenge...Journalist Nate Black is intrigued by Lauren's story. Is she the innocent victim she claims to be or is there more to her past? Eager to learn more he offers to help Lauren clear her name and bring the real villains to justice. And running out of time.But with millions of pounds still missing, Lauren remains the prime suspect...and the main target in an increasingly deadly game. And as Lauren's plan with Nate reaches its shocking climax, no one knows who will ultimately take the fall... A nail-biting revenge thriller, perfect for fans of Gemma Rogers, Heather Atkinson and Caro Savage. 'A brilliant read that hooked me from the outset. The Fall is a tale of sweet revenge that I couldn't tear myself away from!' Bestselling author Gemma Rogers.

Women's Voices in Ireland examines the letters and problems sent in by women to two Irish women's magazines in the 1950s and 60s, discussing them within their wider social and historical context. In doing so, it provides a unique insight into one of the few forums for female expression in Ireland during this period. Although in these decades more Irish women than ever before participated in paid work, trade unions and voluntary organizations, their representation in politics and public and their workforce participation remained low. Meanwhile, women who came of age from the late 1950s experienced a freedom which their mothers and aunts - married or single, in the workplace or the home - had never known. Diary and letters pages and problem pages in Irish-produced magazines in the 1950s and 60s enabled women from all walks of life to express their opinions and to seek guidance on the social changes they saw happening around them. This book, by examining these communications, gives a new insight into the history of Irish women, and also contributes to the ongoing debate about what women's magazines mean for women's history.

The Public Relations Handbook, 6th edition provides an engaging, in-depth exploration of the dynamic and ever-evolving public relations industry. Split into four parts exploring key conceptual themes in public relations, the book offers an overview of topics including strategic public relations, politics and the media; media relations in the social media age; strategic communication management; public relations engagement in the not-for-profit sector; activism and public relations; and the effects of globalisation and technology on the field. Featuring wide-ranging contributions from key figures in the PR profession, this new edition presents fresh views on corporate social responsibility, public relations and politics, corporate communication, globalisation, not-for-profit, financial and public sector public relations. The book also includes a discussion of key critical themes in public relations research and exploratory case studies of PR strategies in a variety of institutions, including Extinction Rebellion, Queen Margaret University, Mettis Aerospace, and Battersea Cats' and Dogs' Home. Containing student-friendly features including clear chapter aims, analytical discussion questions, and key further reading throughout the text, The Public Relations Handbook is an ideal resource for students of public relations, corporate and strategic communications, and media studies.

While many analyses have examined disinformation in recent election campaigns, misuse of 'big data' such as the Cambridge Analytica scandal, and manipulation by bots and algorithms, most have blamed a few bad actors. This incisive analysis presents evidence of deeper and broader corruption of the public sphere, which the author refers to as post-communication. With extensive evidence, Jim Macnamara argues that we are all responsible for the slide towards a post-truth society. This analysis looks beyond high profile individuals such as Donald Trump, Russian trolls, and even 'Big Tech' to argue that the professionalized communication industries of advertising, PR, political and government communication, and journalism, driven by clickbait and aided by a lack of critical media literacy, have systematically contributed to disinformation, deception, and manipulation. When combined with powerful new communication technologies, artificial intelligence, and lack of regulation, this has led to a 'perfect data storm'. Accordingly, Macnamara proposes that there is no single solution. Rather, he identifies a range of strategies for communication professionals, industry associations, media organizations and platforms, educators, legislators, regulators, and citizens to challenge post-communication and post-truth.

In 1985 The WELL, a dial-up discussion board based on the utilization of desktop computer technology, invited popular participation in one of the first examples of what would eventually evolve into the "blog"- an interactive website allowing reaction comments to initial statements, and now providing the primary Internet means for dialogue. The WELL began with the phrase: "You own your own words." Though almost everything else about online discussion has changed in the two decades since, those words still describe its central premise, and this basic idea underlies both the power and the popularity of blogging today. Appropriately enough, it also describes American journalism as it existed a century and a half before The WELL was organized, before the concept of popular involvement in the press was nearly swept away on the rising tide of commercial and professional journalism. In this book, which is the first to provide readers with a cultural/historical account of the blog, as well as the first to analyze the different aspects of this growing phenomenon in terms of its past, Aaron Barlow provides lay readers with a thorough history and analysis of a truly democratic technology that is becoming more important to our lives every day. The current popularity of political blogs can be traced back to currents in American culture apparent even at the time of the Revolution. At that time there was no distinct commercial and professional press; the newspapers, then, provided a much more direct outlet for the voices of the people. In the nineteenth century, as the press became more commercial, it moved away from its direct involvement with politics, taking on an "observer" stance--removing itselffrom the people, as well as from politics. In the twentieth century, the press became increasingly professional, removing itself once more from the general populace. Americans, however, still longed to voice their opinions with the freedom that the press had once provided. Today, blogs are providing the means for doing just that.

The history of Latin American journalism is ultimately the story of a people who have been silenced over the centuries, primarily Native Americans, women, peasants, and the urban poor. This book seeks to correct the record propounded by most English-language surveys of Latin American journalism, which tend to neglect pre-Columbian forms of reporting, the ways in which technology has been used as a tool of colonization, and the Latin American conceptual foundations of a free press. Challenging the conventional notion of a free marketplace of ideas in a region plagued with serious problems of poverty, violence, propaganda, political intolerance, poor ethics, journalism education deficiencies, and media concentration in the hands of an elite, Ferreira debunks the myth of a free press in Latin America. The diffusion of colonial presses in the New World resulted in the imposition of a structural censorship with elements that remain to this day. They include ethnic and gender discrimination, technological elitism, state and religious authoritarianism, and ideological controls. Impoverished, afraid of crime and violence, and without access to an effective democracy, ordinary Latin Americans still live silenced by ruling actors that include a dominant and concentrated media. Thus, not only is the press not free in Latin America, but it is also itself an instrument of oppression.

Unlike most historical examinations of war reporting, which centre the evolving role of the war correspondent, this book reverses the emphasis in order to bring the photojournalist’s contribution to the fore, providing an evaluative appraisal of photojournalism as an important area of inquiry in its own right. Stuart Allan explores a number of pressing questions facing photojournalists committed to conveying conflict. Placing these questions in historical context demonstrates how efforts to rethink the future of photojournalism in a digital age can benefit from a close and careful consideration of war photography’s origins, early development and gradual transformation over the years.