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Victorian Testaments - The Bible, Christology, and Literary Authority in Early-Nineteenth-Century British Culture (Hardcover)
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Victorian Testaments - The Bible, Christology, and Literary Authority in Early-Nineteenth-Century British Culture (Hardcover)
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"Victorian Testaments" examines the changing nature of biblical and
religious authority during the first half of the Victorian period.
The book argues that these changes had a profound impact on
concepts of cultural authority in general. Among the figures
discussed are Coleridge, Thomas Arnold, Ruskin, Dickens, Florence
Nightingale, and the missionaries of the British and Foreign Bible
Society. In developing its picture of Victorian religious ideology,
the book analyzes major works of the period, as well as works and
documents that have received little critical attention. Its methods
are interdisciplinary, building upon recent ideas in literary
theory, cultural criticism, and gender studies.
The book proposes that changes in religious faith and Bible reading
tended in two directions, the one a celebration of spiritual
individualism, the other of the nuclear family. As the credibility
of a supernatural source for the scriptures diminished, the need
for certainty in moral and religious matters was increasingly
filled by the importance attached to individual character. Those
Victorians who nurtured their individual character on Bible reading
were understood to reveal the perfect spirit of the
scriptures--just as the scriptures themselves, it seemed, could no
longer do so. However, the desire for religious heroes was
counterpoised by another and highly sentimentalized model of the
spiritual life, one where religious authority was decentered across
a social spectrum of fathers, mothers, and children. In this second
direction explored by the book, a complex economy of spiritual
power and authority is created by the distribution of sexual,
intellectual, and affective attributes to figures who together
constitute the nuclear family--one might say the secular holy
family.
By tracing these two narrative patterns--the intellectual drama of
the spiritual hero and the sentimental saga of the nuclear
family--the author demonstrates that the spirituality of many
nineteenth-century texts was not an allegory of transcendence so
much as a by-product of the narratives themselves. A large-scale
cultural confrontation with the disappearance of God was, to a
certain extent, deferred by narratives that picked up the slack in
faith, creating performances of sacred power with characters who
demonstrated either an awesome religious interiority or a
recognizably sentimental display of idealized femininity or
childhood innocence.
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