Images of diamonds appear everywhere in American culture. And
everyone who has a diamond has a story to tell about it. Our
stories about diamonds not only reveal what we do with these tiny
stones, but also suggest how we create value, meaning, and identity
through our interactions with material culture in general.
Things become meaningful through our interactions with them, but
how do people go about making meaning? What can we learn from an
ethnography about the production of identity, creation of kinship,
and use of diamonds in understanding selves and social
relationships? By what means do people positioned within a
globalized political-economy and a compelling universe of
advertising interact locally with these tiny polished rocks?
This book draws on 12 months of fieldwork with diamond consumers
in New York City as well as an analysis of the iconic De Beers
campaign that promised romance, status, and glamour to anyone who
bought a diamond to show that this thematic pool is just one
resource among many that diamond owners draw upon to engage with
their own stones. The volume highlights the important roles that
memory, context, and circumstance also play in shaping how people
interpret and then use objects in making personal worlds. It shows
that besides operating as subjects in an ad-burdened universe,
consumers are highly creative, idiosyncratic, and theatrical
agents.
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