Starting from the conviction that Latin literature gains from being
viewed as performance, the author sees the creation of different
characters or "masks" in Latin literature as a result of the
Greco-Roman training in rhetoric. She treats the texts of Roman
satire as drama and focuses on the characters whose voices are
heared in these performances: the angry satirist, the mocking
satirist and the smiling satirist. She goes on to explore the
implications of the use of these "masks" for authors and audiences
of satire.
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