Monsters are horrifying creatures, yet they also fascinate and
attract heroes and readers. How can these contradictory emotions
and responses be explained and why do we like monsters although
they scare us? In this book, the author Susanne Zhanial uses Julia
Kristeva's theory of the abject to answer these questions. The
first part of the book introduces the reader to Kristeva's theory
of the abject. After defining the terms abject and monster, it will
be shown that these two concepts can be successfully linked. In the
second part of the book, the theoretical insights will be used for
the analysis of three monster stories from the late 19th and early
20th century, namely Henry Rider Haggard's She, Bram Stoker's
Dracula and Gaston Leroux's The Phantom of the Opera. By
concentrating on a period of approximately 30 years it will be
shown that the problems, anxieties and scientific developments of
the late Victorian era influenced and determined the character of
the monsters. This study is aimed at students and scholars of
English literature and Gender Studies.
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