Representations of Muslims have never been more common in the
Western imagination than they are today. Building on Orientalist
stereotypes constructed over centuries, the figure of the wily Arab
has given rise, at the dawn of the twenty-first century, to the
"Islamist" terrorist. In Idols in the East, Suzanne Conklin Akbari
explores the premodern background of some of the Orientalist types
still pervasive in present-day depictions of Muslims the irascible
and irrational Arab, the religiously deviant Islamist and about how
these stereotypes developed over time.
Idols in the East contributes to the recent surge of interest in
European encounters with Islam and the Orient in the premodern
world. Focusing on the medieval period, Akbari examines a broad
range of texts including encyclopedias, maps, medical and
astronomical treatises, chansons de geste, romances, and allegories
to paint an unusually diverse portrait of medieval culture. Among
the texts she considers are The Book of John Mandeville, The Song
of Roland, Parzival, and Dante's Divine Comedy. From them she
reveals how medieval writers and readers understood and explained
the differences they saw between themselves and the Muslim
other.
Looking forward, Akbari also comes to terms with how these
medieval conceptions fit with modern discussions of Orientalism,
thus providing an important theoretical link to postcolonial and
postimperial scholarship on later periods. Far reaching in its
implications and balanced in its judgments, Idols in the East will
be of great interest to not only scholars and students of the
Middle Ages but also anyone interested in the roots of Orientalism
and its tangled relationship to modern racism and
anti-Semitism."
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